Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “By the End of a Rope”
Brian Demarest

By the End of a Rope

Erik received the news of Pappa’s death in the summer of 1979 while he was away teaching philosophy courses at a study abroad program in Paris.

February 2024
Featured image for “The Storm”
Ben Raterman

The Storm

The storm swept up a week’s worth of clouds and binned them far to the east into the sea. Tanya stood in the doorway, surveying her yard. Cool mountain air entered her lungs—though she lived far from any mountain—and the sky was clear and blue.

February 2024
Featured image for ““Takers””
Lumina Miller

“Takers”

Picking at the bones,
they feed from residual
ligaments left
post quiet carving

began with disinterest
proceeding to tsks tsks then
disregard

February 2024
Featured image for ““The Winters of the Sun””
Lawrence Bridges

“The Winters of the Sun”

Like a title that keys no theme
Except an atmosphere, I slip into my clothes.
A doorknob, a checklist, a podcast
On an unsolved murder.

February 2024
Featured image for ““Crisp the Surface””
J. Parker Marvin

“Crisp the Surface”

Shards of invention over
crisp dirt :: secreted
mouths whisper about
asexual
union and definitions :: small

February 2024
Featured image for “How to Write a Work of Magic Realism”
Sandro F. Piedrahita

How to Write a Work of Magic Realism

As a preliminary matter, let me state that I do not believe in “rules” for writing fiction and certainly not for writing works of magic realism. The following essay will provide guidelines and nothing more. I will be describing what I have learned by writing short stories using magic realism and hopefully give you some ideas as to how to do the same.

January 2024
Featured image for “1600 Scientists: A Jeremiad”
Glenn Schiffman

1600 Scientists: A Jeremiad

AT THE BEGINNING OF THE LAST DECADE OF THE 20TH CENTURY, 1600 scientists, including 100 Nobel Laureates, signed a “letter to humanity” which concluded, “We the undersigned, senior members of the world’s scientific community, hereby warn all humanity of what lies ahead. A great change in our stewardship of the earth and the life on it is required, if vast human misery is to be avoided and our global home on this planet is not to be irretrievably mutilated.”

January 2024
Featured image for “The Feminine Brigades of Saint Joan of Arc”
Sandro F. Piedrahita

The Feminine Brigades of Saint Joan of Arc

The two Cristeros were sitting at the Abajeño Cantina in central Guadalajara after having spent several months in the mountains of Jalisco waging war against the military forces of the anticlerical President Plutarco Elías Calles.

January 2024
Featured image for “Joshua Tree Project”
Holly Willis

Joshua Tree Project

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

January 2024
Featured image for “White Winter”
Ruth Langner

White Winter

—Come here. Closer. I know you love a good story, but the thing is…this is a long story…no, it’s not even a story…it’s a complete fugazi!

January 2024
Featured image for “Hero of the Unsung”
Michael Washburn

Hero of the Unsung

The Bourbon Restoration had a dark cool ambiance and friendly young servers and was a hit with local professionals. No matter that its name evoked antediluvian attitudes. After a couple of visits, Chuck Sullivan decided it was his favorite place to go after work.

January 2024
Featured image for “A Gathering of Crows”
Pamela Cottam

A Gathering of Crows

Tom Cuthbert opened his garage door. A light snow topped the denuded branches of his crabapples and lay like a pale gauze over his yard. Winter’s depressing, steely-hued clouds clung tenaciously to the lake and its surroundings, still chafed about the warm air that had broken their hold a few weeks earlier.

January 2024
Featured image for ““I Need Yesterdays” and “If Only to Look””
Samuel Gilpin

“I Need Yesterdays” and “If Only to Look”

reprieve thickening
in threatening
the still winter light
encrusted as a high
gray sky in thickness
turning in another silence
as in the waiting

January 2024
Featured image for “The Ecstasies of Adalenie Santaliz”
Sandro F. Piedrahita

The Ecstasies of Adalenie Santaliz

Now that she is gone – meningitis in a Brazilian convent – perhaps it will be easier to put everything into perspective. Perhaps now I can figure out what I never fully understood while she was alive.

January 2024
Featured image for “The Cave of Altamira”
Stephen Newton

The Cave of Altamira

In the final days of the Age of Dwindling Resources, Alejandra Sánchez, as young and fearless as a latter-day Joan of Arc marching to war, led a ragtag procession of nearly two hundred women from their city of Santillana del Mar to the sandbanks of Playa El Sable where they gathered to witness the end of the world.

January 2024
Featured image for “Chasing Paradise”
Marianne Dalton

Chasing Paradise

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

January 2024
Featured image for ““Where are Tolkien’s Ents?””
Deborah Filanowski

“Where are Tolkien’s Ents?”

There is an army of ghost trees ringing the coastlines of the world.
Once verdant, evidence of a healthy environment,
now leafless, bleached white in death,
phantoms of the forest that once was.

January 2024
Featured image for ““Touring the Forest” and “Leaning Over the Rails””
Jennifer Phillips

“Touring the Forest” and “Leaning Over the Rails”

This will help you to remember
what a forest was. This one, North Temperate.
Might have been where we are standing.
Here, adjust the strap
around your forehead, rest this over
the bridge of your nose. Click the button.
See.

January 2024
Featured image for ““Earth Cries and the Oceans Catch the Tears,” “Reservoir No More,” and “Summer — Memory or Prophecy?””
Russell Willis

“Earth Cries and the Oceans Catch the Tears,” “Reservoir No More,” and “Summer — Memory or Prophecy?”

Each corner of a globe
With no corners
Born of the sea as
Liquid or solid
In dances with humans
And dances between humans
Fear and hope meet in their own dance
As the earth cries

January 2024
Featured image for “Together”
Jaime Gill

Together

We slept at gunpoint but woke up alive, so it was a good night.
For the first time since Bai disappeared, I didn’t dream of monsters. I dreamt I was in my tiny childhood bedroom and my mother was alive and calling me for a pungent dinner I could smell wafting from the kitchen, sweetness and spice.

January 2024
Featured image for “Beatniks of the Kerosene Age”
J. M. Platts-Fanning

Beatniks of the Kerosene Age

Captain’s Log: The last stage of our short Kerosene Age is upon us. Stationed here, at the Rainbow Rides Fairgrounds, the end we’ve all been anticipating is now wetting the souls of our feet. Our best estimates place us only a day ahead of the imminent deluge.

January 2024
Featured image for “Ocean Sleep and Turtle Light”
Maite Russell

Ocean Sleep and Turtle Light

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

January 2024
Featured image for “<em>You</em>-you”
Benjamin Hollo

You-you

There isn’t a hard edge to be found in the hut. Round walls slope into concave ceiling. Amoeba-shaped windows display the world outside: ferns, wavering in steam, and droplets dangling from speckled red toadstools. So vibrant, these exterior views could almost be cinemagraphs, mounted on soft grey walls, inside the climate-controlled seal.

January 2024
Featured image for “Weathering A Storm”
Tinker Babbs

Weathering A Storm

When the rain came, no one in Mossville, Georgia, could have ever imagined the Ohoopee River would spill over its banks and become the reason for so much tribulation. Everyone assumed a brand-new Army Corp of Engineers earthen dam would hold back the river for the next hundred years. But they were wrong.

January 2024