Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “The Gilded Cage”
David Kennedy

The Gilded Cage

Colonel George Corkhill of the Chronicle was ushered into Justice Samuel Miller’s parlor, and anxiously removed his hat. His face was flushed, and his countenance bore the marks of bad news. “The position of Chief Justice will be offered to Senator Conkling, sir.” Corkhill spoke with hesitation, for he was thrusting a dagger into the heart of his father-in-law.

November 2024
Featured image for ““Streetlight,” “Sudden Branch Syndrome,” and “Clock””
Christine Andersen

“Streetlight,” “Sudden Branch Syndrome,” and “Clock”

I would wake and watch
from my bedroom window
as the snow fell in a waterfall of white
under the glow of the streetlight,
a suburban beacon shining
on my narrow side road.

November 2024
Featured image for “Dandelion”
Stan Werlin

Dandelion

It’s almost midnight when they leave the beach, tired, thirsty, still too high from the freely flowing weed. They’re jammed into Ed’s aging blue Volkswagen, Lisbeth up front, Jonathan and Denise crowbarred into the tiny back seat as they head onto the Mid-Cape Highway for the trip back to Manhattan from Truro.

November 2024
Featured image for “It’s about process.”
Trelaine Ito

It’s about process.

I find myself lying down on my bathroom floor again, staring at the underside of my sink, talking to my inner self. It’s only two years. Two years and then we’re done. (Why I refer to my inner self as a “we” requires a lengthy psychological profile not relevant to this particular story, but it’s often because I view my internal voice as a separate being…

November 2024
Featured image for “Rules”
Quin Yen

Rules

If this is not a meat bun from heaven, Dr. Wu doesn’t know what would it be. A meat bun from heaven (天上掉馅饼) is a Chinese saying, meaning pure luck.
Dr. Wu has worked as a Rehab physician in the hospital in Texas for a few years. A few weeks ago, her department chief, only in his fifties, suddenly left.

November 2024
Featured image for “Pandemic Dog”
Mark Hall

Pandemic Dog

When Tibby arrived on her first night with us, we let her out into the fenced backyard. On the steps, she paused for an instant, ears up, nose twitching, poised like an Olympic sprinter in the starting blocks. In the twilight, something caught her eye. Slowly, she stalked, like a panther, into the grass. Then she dashed, disappearing under the arborvitae. In a moment, Tibby emerged, triumphant, shaking a small rabbit between her jaws.

November 2024
Featured image for “Requiem”
Chad Gusler

Requiem

I nursed a lamb when I was eight or nine. Its mother had forsaken her, and Dad, sensing a good learning opportunity, tasked me with feeding her every morning. She had watery eyes with dark, horizontal irises; a wet, pink nose; and kinky, brown wool that felt fantastic against my cheek. We called her Rosie.

November 2024
Featured image for “The Air Beneath Her Feet”
L. Vocem

The Air Beneath Her Feet

They sat in an outdoor café having a latte and a ham cachito. Her boss talked about the weather, how the government wanted to subsidize payroll, which was their way to get inside the company and eventually take it over. He put a cigarette in his mouth and offered one to Alejandra. She declined. She didn’t smoke. And while she enjoyed watching the clouds above the Avila mountain, the spacious sidewalks covered in tables, and people playing an afternoon game of chess, she was still wondering why her boss asked her to lunch.

November 2024
Featured image for “The Last Hustle”
Steve Bernstein

The Last Hustle

August, and the PS.104 schoolyard was empty. A good thing. Gave me a chance to develop my pitching arm. And avoid trouble. As a white kid in the South Bronx in 1967, trouble had a way of finding me.

November 2024
Featured image for ““Journey Through the Realms of Night,” “Mind-full-ness,” and “North””
Bartłomiej Lekan

“Journey Through the Realms of Night,” “Mind-full-ness,” and “North”

Two days after the moon was full
I walked as in a dreaming.
Over the black seas I yearned to be,
Where the old stars were still bright and gleaming.

November 2024
Featured image for “Wholeness Through Fracture: Sculpting the Human Condition”
Aleksandra Scepanovic

Wholeness Through Fracture: Sculpting the Human Condition

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

October 2024
Featured image for “The Canvas of Memory: The Art of Living with Yesterday”
Anne E. Beall

The Canvas of Memory: The Art of Living with Yesterday

I often woke up disoriented, emerging from dreams where everything was as it once was. My former spouse and I were happy again, sharing meals in our favorite restaurants or running together along the Chicago lakefront.

October 2024
Featured image for ““The Region,” “Shapes Of The Word,” and “Wedding””
John Hamel

“The Region,” “Shapes Of The Word,” and “Wedding”

To drive past Coop City late on Saturday night
Is to see what the human worm can weave –
The coral towers stand out their lights against
The pitch-night Sound

October 2024
Featured image for “With the Time Left”
Heidi Lasher

With the Time Left

The reader fanned the deck of cards on the table and invited me to touch them. With my right hand, I moved them in a circle, counterclockwise and confessed that I was considering abandoning my career.

October 2024
Featured image for “Top of Happiness”
Ruth Langner

Top of Happiness

My head felt like an overripe summer squash.
It was starting out to be a grim day. Though you’d never know it from looking at me, I felt like I had been cloistered all night in an assisted living facility for psychopathic chairs—a command centre for the flotsam of miserable furniture, retired and warehoused, a hub with just enough of a pleasant environment to give the illusion of living in luxury. Night terrors. I struggled to make sense of my present reality. Being a chair had its complications.

October 2024
Featured image for “The Shadow of a Gentleman”
Carson Harris

The Shadow of a Gentleman

The gentleman was always a man of contradictions. Born in the quiet, unassuming town of Nowhere, Tennessee, his early life unfolded amidst the slow rhythms of rural America, where the days stretched on like the endless horizon.

October 2024
Featured image for ““Endomorphosis,” “Three  Times Asked and Answered,” and “Family Knots””
Fletch Fletcher

“Endomorphosis,” “Three Times Asked and Answered,” and “Family Knots”

The chrysalis comes in grey
matter, some lines of white
to tell the rest of me when
tearing starts.

October 2024
Featured image for “Shifting Sands And Bitter Wine”
Rachel Racette

Shifting Sands And Bitter Wine

She twirls a slender dagger in her hand, while Egypt’s Pharaoh drinks wine from a golden cup. Seth settles across his cushioned lounge, dark eyes locked firmly on Neferet’s twisting fingers.

October 2024
Featured image for “Requiem”
Chad Gusler

Requiem

Jake tried to kill me, Lizzie had said.
A lie, of course. But she spread it far and wide before she left California for Indiana: He tried to choke me, she’d repeat.
But—Christ!—it was just a hug, and it went down like this:
Hannah had burst into our room, turned on the light, and demanded to know which one of us was taking her to practice. Lizzie kicked me under the sheets—evidently it was my turn—but I kicked her back, club swim had been her stupid idea, just grant me a little rest.

October 2024
Featured image for “The Peacock’s Meow”
K. Amber Johnson

The Peacock’s Meow

In my earliest memory, I am falling. The last of the afternoon light is nothing but a whisper as dusk makes her provocative entrance—a lingering tease before the dark comes all at once.

October 2024
Featured image for ““The Lady by the Lake,” “Nihility Island,” and “Arachnid Inn””
Christian Johnson

“The Lady by the Lake,” “Nihility Island,” and “Arachnid Inn”

She sways and watches the dark waters
Her lighthearted hums brings grief to the ears
Beautiful, piercing the silence of the night
Agony riveting like the pain of broken bones

October 2024
Featured image for “Intersection:  (Breast Cancer, Puccini and Me)”
Jeanne Hall

Intersection: (Breast Cancer, Puccini and Me)

I am lying alone on an operating table. Bright lights are shimmering above my head. I cannot speak. I am surrounded by strangers. People who have met me only moments before. And yet, I am held hostage to their intellect, their experience, their wisdom and their compassion.

October 2024
Featured image for “Harvestmen in the Wood”
Michael Sammons

Harvestmen in the Wood

His grandparents had gotten drunk on Saphire highballs with friends around the fire the night before, and the way they had started acting strangely—grinning and cackling through the evening, their faces gone somehow wicked and distant…

October 2024
Featured image for “Root Cause Confessions: Uncle Sam Needs Your Help Again”
James Joaquin Brewer

Root Cause Confessions: Uncle Sam Needs Your Help Again

You knew your father had been having heart problems. Of course, you knew that. But you had not been paying enough attention—not the right kind of attention—to factually comprehend just how critical his condition might have become. In the year following your mother’s death, you were aware that he was paying ever-lessening attention to what she had hopefully called her “heartful, healthful” advice regarding his diet. And he had slacked off his previous daily walking routines and even stopped his weekly bowling league participation.

October 2024