Issue 86, August 2024

Featured image for “Brenda’s Green Note”

Brenda’s Green Note

Chapter I

Joel E. Turner

May 1955
“You mean the green note?”
Miss Talone hit a key on the piano with a firm finger. “C-sharp—above middle C.”
Brenda Canavan played the D scale backwards and forwards. “Like that?”
Miss Talone nodded. “Good, just like G, but with C-sharp added.” She smiled. “Or, the green note, as you called it.”
Featured image for ““Divine Right,” “Of Kings,” and “The Oracle of New Delphi””

“Divine Right,” “Of Kings,” and “The Oracle of New Delphi”

CS Crow

A paper Burger King Crown,
Lunch with mom in the park,

She adjusts it over and over,
But it never fits right upon your head.
Featured image for “The Shame About LGBT Wrath”

The Shame About LGBT Wrath

Rhiannon Catherwood

“What is your religion?”
Coming across with the severity of a grand inquisitor, this isn’t a question we expect from a Lyft driver, though it is a question that transports us. It takes us quickly into another scene, another story, another genre.
Featured image for ““Succulents,” “All My Doctors Fear My Mother,” and “For You Are At That Place””

“Succulents,” “All My Doctors Fear My Mother,” and “For You Are At That Place”

Claire Poole

When I arrived home from the hospital,
there was a gift box at my doorstep
from my daughter, who recently moved away.
Featured image for “In the Realm of Eroticism and Contradictions”

In the Realm of Eroticism and Contradictions

Patrick Sylvain

When a former lover asked me to describe myself, I always answered that I am simple and complex. This response, intended not to be facetious but rather to dichotomize my essence, reflects the coexistence within me of simplicity and complexity. This duality, I believe, is present in almost all socialized and experienced beings.
Featured image for ““Listening In,” “Few have Noticed,” and ‘The Big “C”’”

“Listening In,” “Few have Noticed,” and ‘The Big “C”’

William Ray

the winter-bare forsythia is so many
arrows of neglect, bundled;
the light, quilted, a question.
Featured image for “Natural Order”

Natural Order

Hunter Prichard

It has been said to me by various barroom loafers – the sort of wise but disordered, self-tortured drunks that would be at home inside Eddie Caro’s Chinchorro, the harbor dive where the therianthropic characters of Brendan Shay Basham’s Swim Home to the Vanished meet to prophesize and lament — that all of which a person has inside of them has been given by their ancestors, that despite how We strive for a different or better life, We all are meant for the track laid by those of which come before us.
Featured image for ““Gardenias,” “87 years ago,” “Eyrinyes””

“Gardenias,” “87 years ago,” “Eyrinyes”

Lumina Miller

Skin stippled with drops from the emerald canopy
quietly content with the other,
no need to speak over
the rustling soundtrack of ironwood sway.
Featured image for “Coming Into the Country”

Coming Into the Country

Kirk Astroth

Well before dawn at 4:30 a.m., Chrysti and I met at the Humane Borders truck yard, loaded our gear for the day into the water truck, checked the tires, gas gauge and water tank levels, climbed into the truck and headed out to US 286 toward the border. We had the roads pretty much to ourselves.
Featured image for ““Kayaking On Spy Pond,” “Parenting Mistakes,” and  “Choices””

“Kayaking On Spy Pond,” “Parenting Mistakes,” and “Choices”

Randi Schalet

I lied when I said he’d been clean for a year.
It made a better story:
Addict resisting the call of meth,
riding the wave when the desire hit,
how big he felt—and bigger.
Featured image for “The Visiting Committee”

The Visiting Committee

Maggie McCombs

The first day, early morning

I wake up to lights in my face again. Right in my eyes, beaming back through a crack in my head. This is at least the eighteenth time they’ve come by in one night. I’m counting them like sheep to pass the time as they cycle in, their voices changing every couple hours.
Featured image for ““Still Life,” “Lost,” “Nothing””

“Still Life,” “Lost,” “Nothing”

Anna St. Aubrey

This morning I wanted
there to be eyes watching
out for us, something somewhere

caring that we died,
Featured image for “Facing Mortality with the Discipline of Healing and Along the Healing Arc”

Facing Mortality with the Discipline of Healing and Along the Healing Arc

Michael McQuillan

Windshield shatters as a spider web rendition that augurs worse to come. A transforming moment, mind informs, a new normal launches now. “Damage report, Mr. Spock,” fills ears from St. Louis freshman memories of Star Trek when a ten-inch TV box peeked through dorm desk detritus to instill space flight fantasies beside what lectures handed down of conniving bishops and their kings.
Featured image for ““Never Flan,” “No Cares Where We Go,” “Work This””

“Never Flan,” “No Cares Where We Go,” “Work This”

Christopher Rubio-Goldsmith

I am sure that everyone in my familia really enjoys flan.
But not me.
May I please taste the glazed churro,
the timeless cochito (con café and cream) or the delicate
tres leche cake.
Featured image for “What My Mother Left Me”

What My Mother Left Me

Molly Seale

He gazes at me large-eyed as I flip through the album pages of the tinged-with-age black-and-white photographs. I hoist him over my shoulder, pat his back gently for a burp and continue to peruse images of myself—baby me cradled in my father’s arms as I now cradle my son, three-year old me uncomfortably groomed and garbed for a birthday party…
Featured image for ““Picky Soul Eater,” “I Was Thinking…,” and “The Witch and the Townsfolk””

“Picky Soul Eater,” “I Was Thinking…,” and “The Witch and the Townsfolk”

Blair Boleyn

You want my love but don’t want my pain,
My sunshine, but not my rain.
Can’t you see how that’s driving me insane?
Featured image for “Jornada Del Muerto<br>a drunkard’s tale”

Jornada Del Muerto
a drunkard’s tale

Edward Tyndall

At first, the black lines cast by the window bars of the drunk tank were a mystery, and the pain in his body a specter. Then the shadows became the field plots of the Llano Estacado he had crossed on his run from Louisiana.
Featured image for “The Work Hazard”

The Work Hazard

Sean Kenealy

No one was quite sure what to make of Mary Whemple’s behavior. For the past two weeks, she had spent all of her lunch breaks standing at the entrance of her office building, arms spread, eyes closed, and her wrinkled face tilted to the sky.
Featured image for “Perfection”

Perfection

Malcolm Glass

Gwen and I looked up at the crystal doors we approached. They must have been twenty feet high and twelve wide, and emblazoned across them, the letters IT in that famous logo. Without a whisper, the doors opened. That’s not the right word. They simply vanished.
Featured image for “Out of the Cradle, No Longer Rocking”

Out of the Cradle, No Longer Rocking

Mark Williams

One winter afternoon, Nick Miracle walked out of Perk Up Coffee with a caramel ribbon crunch latte, his drink of choice on special occasions. For the past five years, he had been a junior loan officer at Wabash River Bank. Beginning tomorrow, he would manage its Honey Creek branch.
Featured image for “Structural Damages”

Structural Damages

Eileen Nittler

Barnaby kept finding me dates, friends of friends, or friends of friends of friends—those kinds of connections, which is how I discovered that he needed better friends, and better friends of friends.
Audra asked me to dance as soon as we got to the bar. “But I don’t know how to line dance,” I protested, and she insisted I could pick it up quickly. I did.
Featured image for “Jesus in Disguise”

Jesus in Disguise

Sandro F. Piedrahita

Mother Teresa did what she always did when she found Jesus in distressing disguise. She rolled up her sleeves and got to work. This time she found the Christ in a twenty-year-old Puerto Rican youth from the Bronx, already in the advanced stages of AIDS, nearly blind and with lesions from Kaposi’s Sarcoma all over his body. His father was sitting on a chair next to Francisco, silently weeping.
Featured image for “Seven Seven Seven”

Seven Seven Seven

Another Day in Paradise

Paul Perilli

“Richard, how goes it?”
“It’s another day in paradise.”
That was a repetition of Richard’s throughout my time at Beal. Intended to be ironic, he and I both knew Beal wasn’t paradise. He and I both knew it wasn’t hell either.

Issue 86, August 2024

Featured image for “Brenda’s Green Note”

Brenda’s Green Note

Chapter I

Joel E. Turner

May 1955
“You mean the green note?”
Miss Talone hit a key on the piano with a firm finger. “C-sharp—above middle C.”
Brenda Canavan played the D scale backwards and forwards. “Like that?”
Miss Talone nodded. “Good, just like G, but with C-sharp added.” She smiled. “Or, the green note, as you called it.”
Featured image for ““Divine Right,” “Of Kings,” and “The Oracle of New Delphi””

“Divine Right,” “Of Kings,” and “The Oracle of New Delphi”

CS Crow

A paper Burger King Crown,
Lunch with mom in the park,

She adjusts it over and over,
But it never fits right upon your head.
Featured image for “The Shame About LGBT Wrath”

The Shame About LGBT Wrath

Rhiannon Catherwood

“What is your religion?”
Coming across with the severity of a grand inquisitor, this isn’t a question we expect from a Lyft driver, though it is a question that transports us. It takes us quickly into another scene, another story, another genre.
Featured image for ““Succulents,” “All My Doctors Fear My Mother,” and “For You Are At That Place””

“Succulents,” “All My Doctors Fear My Mother,” and “For You Are At That Place”

Claire Poole

When I arrived home from the hospital,
there was a gift box at my doorstep
from my daughter, who recently moved away.
Featured image for “In the Realm of Eroticism and Contradictions”

In the Realm of Eroticism and Contradictions

Patrick Sylvain

When a former lover asked me to describe myself, I always answered that I am simple and complex. This response, intended not to be facetious but rather to dichotomize my essence, reflects the coexistence within me of simplicity and complexity. This duality, I believe, is present in almost all socialized and experienced beings.
Featured image for ““Listening In,” “Few have Noticed,” and ‘The Big “C”’”

“Listening In,” “Few have Noticed,” and ‘The Big “C”’

William Ray

the winter-bare forsythia is so many
arrows of neglect, bundled;
the light, quilted, a question.
Featured image for “Natural Order”

Natural Order

Hunter Prichard

It has been said to me by various barroom loafers – the sort of wise but disordered, self-tortured drunks that would be at home inside Eddie Caro’s Chinchorro, the harbor dive where the therianthropic characters of Brendan Shay Basham’s Swim Home to the Vanished meet to prophesize and lament — that all of which a person has inside of them has been given by their ancestors, that despite how We strive for a different or better life, We all are meant for the track laid by those of which come before us.
Featured image for ““Gardenias,” “87 years ago,” “Eyrinyes””

“Gardenias,” “87 years ago,” “Eyrinyes”

Lumina Miller

Skin stippled with drops from the emerald canopy
quietly content with the other,
no need to speak over
the rustling soundtrack of ironwood sway.
Featured image for “Coming Into the Country”

Coming Into the Country

Kirk Astroth

Well before dawn at 4:30 a.m., Chrysti and I met at the Humane Borders truck yard, loaded our gear for the day into the water truck, checked the tires, gas gauge and water tank levels, climbed into the truck and headed out to US 286 toward the border. We had the roads pretty much to ourselves.
Featured image for ““Kayaking On Spy Pond,” “Parenting Mistakes,” and  “Choices””

“Kayaking On Spy Pond,” “Parenting Mistakes,” and “Choices”

Randi Schalet

I lied when I said he’d been clean for a year.
It made a better story:
Addict resisting the call of meth,
riding the wave when the desire hit,
how big he felt—and bigger.
Featured image for “The Visiting Committee”

The Visiting Committee

Maggie McCombs

The first day, early morning

I wake up to lights in my face again. Right in my eyes, beaming back through a crack in my head. This is at least the eighteenth time they’ve come by in one night. I’m counting them like sheep to pass the time as they cycle in, their voices changing every couple hours.
Featured image for ““Still Life,” “Lost,” “Nothing””

“Still Life,” “Lost,” “Nothing”

Anna St. Aubrey

This morning I wanted
there to be eyes watching
out for us, something somewhere

caring that we died,
Featured image for “Facing Mortality with the Discipline of Healing and Along the Healing Arc”

Facing Mortality with the Discipline of Healing and Along the Healing Arc

Michael McQuillan

Windshield shatters as a spider web rendition that augurs worse to come. A transforming moment, mind informs, a new normal launches now. “Damage report, Mr. Spock,” fills ears from St. Louis freshman memories of Star Trek when a ten-inch TV box peeked through dorm desk detritus to instill space flight fantasies beside what lectures handed down of conniving bishops and their kings.
Featured image for ““Never Flan,” “No Cares Where We Go,” “Work This””

“Never Flan,” “No Cares Where We Go,” “Work This”

Christopher Rubio-Goldsmith

I am sure that everyone in my familia really enjoys flan.
But not me.
May I please taste the glazed churro,
the timeless cochito (con café and cream) or the delicate
tres leche cake.
Featured image for “What My Mother Left Me”

What My Mother Left Me

Molly Seale

He gazes at me large-eyed as I flip through the album pages of the tinged-with-age black-and-white photographs. I hoist him over my shoulder, pat his back gently for a burp and continue to peruse images of myself—baby me cradled in my father’s arms as I now cradle my son, three-year old me uncomfortably groomed and garbed for a birthday party…
Featured image for ““Picky Soul Eater,” “I Was Thinking…,” and “The Witch and the Townsfolk””

“Picky Soul Eater,” “I Was Thinking…,” and “The Witch and the Townsfolk”

Blair Boleyn

You want my love but don’t want my pain,
My sunshine, but not my rain.
Can’t you see how that’s driving me insane?
Featured image for “Jornada Del Muerto<br>a drunkard’s tale”

Jornada Del Muerto
a drunkard’s tale

Edward Tyndall

At first, the black lines cast by the window bars of the drunk tank were a mystery, and the pain in his body a specter. Then the shadows became the field plots of the Llano Estacado he had crossed on his run from Louisiana.
Featured image for “The Work Hazard”

The Work Hazard

Sean Kenealy

No one was quite sure what to make of Mary Whemple’s behavior. For the past two weeks, she had spent all of her lunch breaks standing at the entrance of her office building, arms spread, eyes closed, and her wrinkled face tilted to the sky.
Featured image for “Perfection”

Perfection

Malcolm Glass

Gwen and I looked up at the crystal doors we approached. They must have been twenty feet high and twelve wide, and emblazoned across them, the letters IT in that famous logo. Without a whisper, the doors opened. That’s not the right word. They simply vanished.
Featured image for “Out of the Cradle, No Longer Rocking”

Out of the Cradle, No Longer Rocking

Mark Williams

One winter afternoon, Nick Miracle walked out of Perk Up Coffee with a caramel ribbon crunch latte, his drink of choice on special occasions. For the past five years, he had been a junior loan officer at Wabash River Bank. Beginning tomorrow, he would manage its Honey Creek branch.
Featured image for “Structural Damages”

Structural Damages

Eileen Nittler

Barnaby kept finding me dates, friends of friends, or friends of friends of friends—those kinds of connections, which is how I discovered that he needed better friends, and better friends of friends.
Audra asked me to dance as soon as we got to the bar. “But I don’t know how to line dance,” I protested, and she insisted I could pick it up quickly. I did.
Featured image for “Jesus in Disguise”

Jesus in Disguise

Sandro F. Piedrahita

Mother Teresa did what she always did when she found Jesus in distressing disguise. She rolled up her sleeves and got to work. This time she found the Christ in a twenty-year-old Puerto Rican youth from the Bronx, already in the advanced stages of AIDS, nearly blind and with lesions from Kaposi’s Sarcoma all over his body. His father was sitting on a chair next to Francisco, silently weeping.
Featured image for “Seven Seven Seven”

Seven Seven Seven

Another Day in Paradise

Paul Perilli

“Richard, how goes it?”
“It’s another day in paradise.”
That was a repetition of Richard’s throughout my time at Beal. Intended to be ironic, he and I both knew Beal wasn’t paradise. He and I both knew it wasn’t hell either.