“In the Valley,” “Reflections,” and “A Spat”
I walk north where garlic mustard grows
with heart-shaped leaves,
clusters of tiny white stars.
Their slender stalks border a trail
into the woods
past a brook where the deer drink.
I walk north where garlic mustard grows
with heart-shaped leaves,
clusters of tiny white stars.
Their slender stalks border a trail
into the woods
past a brook where the deer drink.
I wait for the next appointment knowing
it will arrive as another scheduled day
where I’ll put my body in a stranger’s hands.
That person in white will study my numbers,
listen to my heart, press fingers into my flesh
I never imagined being a mermaid
Other girls talked of curly hair,
seashell bras; all I saw were scales —
Water felt like a second skin to me.
I could glide and swoop, avoid
imagined obstacles at speed.
When I hate myself I reach into photo albums
and pull the child version of me into the present.
I make myself look at that boy
and say the awful things I have said
to the mirror in my mind.
The condemnations rush away
like the refugee raindrops that scatter
Stripping one
of one’s
memories
the cruelest of outcomes,
by design
or
predetermination
the moon will be like the sun
& the sun will be like the seven
who bind up our trauma
& mend the wounds inflicted by our flesh
I couldn’t sleep that night. I waited for the police to call or show up on our front porch, but they never did. I thought about calling Cecelia’s house, but I didn’t want them to connect me to her, which didn’t make any real sense because everyone knew we were best friends. I’d be one of the first people they’d come to. I watched the sunrise through my window and gave up trying to sleep.
Among the well-bred and refined ladies of San Francisco, the prevailing opinion was that there could be no better sport than the breach of contract suit filed by Sarah Althea Sharon, née Hill, against Senator William Sharon. Let the men have their boxing-matches, the boys their football games — why, this was entertainment of the highest order, a clash in the greatest rivalry of all, that between the sexes.
By the end of the third day, the house, so quiet, too quiet, understood it had been abandoned. Four more flies, proboscises quivering, investigated the garbage pail. Molly no longer controlled the kitchen, would not be wielding the swatter, and without a care in the world, the creatures flitted among the odiferous scraps. They would settle later, raise a family or two, and replace the human family now departed.
The year men first set foot on the moon, the Copersmith family had not depended on field work alone to fill their stomachs and gas tanks for two summers running. The San Joaquin and Sacramento Valleys, the furrowed plains of eastern Oregon, Washington’s orchards telescoping their columned bounty in every direction—all that had provided work enough for the four, and later the five, of them to subsist on was abandoned overnight.
When the night sky exploded, the dark interiors of houses shone bright as day. And those that faced the street across from the park felt their homes tremble. Fierce chords of destruction echoed, and the neighborhood awoke with fright and stared at horror.
Caitlin sat up. Intermittent flashes lit the walls. Sounds: falling bricks, breaking glass, muted screams, explosions. She went to the window. Fires, as if dragons had entered her world, she thought, come to destroy her home.
I was sitting at my kitchen counter munching on leftover pizza when my phone pinged with a text. A dear friend was offering condolences on the death of another friend. My pizza dropped from my hand, and my breath caught in my chest. I had been away recently, distracted for a few weeks with travel plans, exhausted after returning home. Just the day before I thought about emailing my friend but didn’t get around to it. Now, she’s gone.
The letter arrived on a Tuesday afternoon, although it almost didn’t. It had snowed over the weekend, and Mel hadn’t shoveled the pathway or put out salt. When the doorbell rang, he was surprised to see the mailman.
“You gotta clear your path, Mr. Hanson. I almost killed myself. It isn’t right. Next time I’ll leave the mail at the bottom of the driveway and I don’t care if you report me.”
“To William Ivey, Fort Kearney, Platte River Region, May 11, 1849. Sir: I have the sad duty to report that your wife Elizabeth Ivey died yesterday from the cholera. Given your absence, her church will be responsible for the remains and a Christian burial. Yours, Dr. Harold Cartwright, Physician, Lancaster, Pennsylvania.”
Rose stopped reading when she heard Lenny’s high voice. “Rosie? Where are you, wife?”
“Systems check,” Nathan shouted as the ship careened and shook violently. He had been awakened by the sudden shaking, something that he shouldn’t have felt in zero G unless something had gone horribly wrong.
“All systems are green and within acceptable parameters,” the cold artificial intelligence responded. The voice was that of his copilot, C.A.L.S. Nathan never had managed to memorize what the acronym stood for.
To celebrate the hundredth anniversary of the Symington Art Museum’s 1913 archeological dig, near the ancient oracle at Delphi in Greece, the museum asked Audrey August, a Classics scholar at Whitson College, to prepare a special exhibit.
Knowing her fellow professor, Rokko Isti’s deep interest in ancient history, Audrey asked him to help. Audrey would re-examine the notes, photographs and stored finds from the dig.
For the first time in fifty years of marriage, Arthur Bookman was keeping a secret from his wife. It was a new secret, acquired the day before they left for the cruise, and it chafed as uncomfortably as a pebble in his shoe.
Now, as their ship sliced through the waters off the west coast of Mexico, Arthur and his wife Faye stepped out onto the aft pool deck where rows of sun worshipers were broiling themselves in the tropical sun.
Roziana unfurls a violet yoga mat on the studio’s laminate floor. From wicker bins at the back of the room, she chooses a pair of mauve blocks, a purple strap to match, and a crimson blanket for what Paula calls her “sitz bones.” She sets up, facing the dazzle of the river beyond the ceiling-to-floor windows. That way, her view will change with each pose.