Issue 106, April 2026

Pondering Eden

Pondering Eden

Marianne Dalton

Light, shadow, and sometimes color are used to layer dozens of carefully edited images together, which echoes an altered reality of both truth and illusion. Each newly created configuration becomes much like a shadow box of my most cherished treasures, symbolizing my desire to protect the natural world I so revere.

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 106, April 2026

Featured image for “Nevermore”
Tati Odintsova

Nevermore

Dear,
Do you remember the story I told you about that extraordinary girl I once mentioned? I’ve learnt something more about her and simply must tell you.
She was born into an ordinary family. Everything around her was simple — a kind father, a gentle mother, a small room in a small flat filled with books. She wasn’t beautiful, only quietly remarkable

April 2026
Featured image for “Driving Lessons”
Katie Seigenthaler

Driving Lessons

My mother does not approve of off-color language. But she is going to tell the story, the whole story and nothing but the story, even if she must reference her own hind parts.
“Have I told you about Mr. Warble? George Warble?” she asks my sister and me. We are on a conference line. She has called this meeting, not a good sign.

April 2026
Featured image for ““Keeping the Faith,” “Vespers,” and “Ganymede””
Elias Appleby

“Keeping the Faith,” “Vespers,” and “Ganymede”

You belay each old conception
Clean into the next room.
Meanwhile, I turn my heart over
To some crooked star. It burns

April 2026
Featured image for “Risk Management”
Michel Sabbagh

Risk Management

“Buy the dip! Buy the dip! Buy the dip! Buy the dip!”
With steepled fingers and crossed legs, Charlis Yano beheld the gaggle of coveralls-wearing fishers slamming their fists onto desktops while chanting the very words one latched onto whenever the Halifax Stock Exchange found itself in a tug of war between red and green digits. On the one hand, turning challenges into opportunities could pay off further down the line.
On the other hand. Or rather, on the other side of the room…

April 2026
Featured image for ““The Visitation,” “The Whys of Flight,” and “At the 24/7 Yoga Studio””
Julie Benesh

“The Visitation,” “The Whys of Flight,” and “At the 24/7 Yoga Studio”

This morning the divine is wearing my Land’s End robe
and demanding chai. It seems unwise to deny her appetite,

given I don’t often wake up with her, but usually spring
from my bed like some ludicrous toy that hones

April 2026
Featured image for “A Theory of Kindness”
Jeffrey Buller

A Theory of Kindness

Maya almost missed the turn.
The GPS told her, in a voice that sounded both apologetic and bored, to take the next right. Only there was no next right, just a paved shoulder and a strip of sand where grass tried to grow and failed. The sign itself appeared at the last moment, a rectangle of worn blue metal almost the same color as the January sky.

April 2026
Featured image for “Sweatshops and Factory Tours”
Vincent Casaregola

Sweatshops and Factory Tours

I was standing in a line that stretched out the door and down the sidewalk as we gathered to clock in. It was only 6:15 a.m., but already it was over eighty degrees. I could see sweat stains beginning to form on the shirt backs of the few men directly before me in line. Ahead lay nine and a half hours upstairs, on the second floor of the old factory building

April 2026
Featured image for “Pondering Eden”
Marianne Dalton

Pondering Eden

Light, shadow, and sometimes color are used to layer dozens of carefully edited images together, which echoes an altered reality of both truth and illusion. Each newly created configuration becomes much like a shadow box of my most cherished treasures, symbolizing my desire to protect the natural world I so revere.

April 2026
Featured image for ““Ripe Grape,” “an Idyll for,” and “Flora&Fauna (3026)””
Chris Kim

“Ripe Grape,” “an Idyll for,” and “Flora&Fauna (3026)”

when sweetness was simple
fruit split easily
their light filled my mouth.

the world was
clear juice, spring air
round and right as a grape.

April 2026
Featured image for “Original Story”
Daniel Eramian

Original Story

The Petrov’s are a married couple who built a biotech company in Boston. The CEO, Dimitry Petrov, 45, a doctor, was born into poverty in Russia. His wife Anastasia Shevchenco, 39, is Ukrainian and considered a genius in math. She is heavily involved in AI research. She is also a vocal leader in the global efforts to convince U.S. and foreign governments

April 2026
Featured image for “The Fifth Encore”
Carsten ten Brink

The Fifth Encore

I’ve been to New Guinea five times, and in 2025 was looking forward to my sixth visit to explore the world’s second-largest island – this time to venture deep into the remote, swampy terrain of the Kombai. A unique expedition, to participate in a sago palm grub festival. There’d be dancing, and chanting, and I’d probably make a fool of myself trying to mimic their rhythms.

April 2026
Featured image for “In Silhouette”
Joanna Urban

In Silhouette

On the cobblestone street in De Wallen, Alexis stands beside her friend Hannah and the two men who’ve just bought them a round of drinks. The glare of the streetlamps brightens the men’s faces: Greg and Dustin, American finance professionals visiting their company’s Dutch office. Although they’ve only been acquainted for an hour, the four of them have shared enough travel anecdotes

April 2026
Featured image for “My Nonna’s Kitchen”
Maggi Quadrini

My Nonna’s Kitchen

My Nonna’s kitchen was a symphony of aromas. For my Italian grandmother, cooking was her love language. The air was always thick with the scent of olive oil, garlic, and her signature homemade tomato sauce (sugo). Her dishes nourished us and always left us wanting more. The lingering taste of only the freshest homemade ingredients was part of her signature style in the kitchen.

April 2026
Featured image for ““I Gave Him Water,” “Your Photo,” and “The Saddle””
Andrea Vlahovich

“I Gave Him Water,” “Your Photo,” and “The Saddle”

I was sweating
through the dress
I had picked for someone else.

The club was closing.

April 2026
Featured image for ““Winter solstice,” “A Cry,” and “Should I Drop my Phone in this Pond””
Marie Chen

“Winter solstice,” “A Cry,” and “Should I Drop my Phone in this Pond”

Particularly at this time
I like to look out of the window

Tree branches cutting the picture into pieces
Hanging wires crisscrossing from the poles
The garage roof with its wall block the sight below

April 2026
Featured image for “Clean Bones”
Everett Roberts

Clean Bones

The relief I felt at my father’s funeral was something the old timers had told me to look forward to. Savor it, they’d said. It’s the end of the beginning.
I was sad, of course. But the relief was stronger.
My mother’s funeral, a year prior, had been the beginning. There was much to do, and my two siblings and I did our duty to our mother.

April 2026
Featured image for ““The Gala,” “Bleak,” and “Abject Fear””
Alexandra Grant

“The Gala,” “Bleak,” and “Abject Fear”

Wake Up!
Wake up, Celi!

No, not yet, Cinth
I am far too cold
I need a long shower
I feel like mold

April 2026
Featured image for “The Hospital Tree”
James Anderson

The Hospital Tree

Frank never minded the small things, and as the squeak from the cartwheels bounced off the naked, white walls, he didn’t mind that either.
The hall was dark except the faint glows of the half-lit fluorescent lights that shone on the linoleum tiled floors. The halls themselves weren’t too long, but long enough for Frank’s left knee to start acting up again.

April 2026
Featured image for “The Lilac Thief Legacy”
Gloria Buckley

The Lilac Thief Legacy

We would walk on the white beach of Marco Island with stale bread wrapped in a recycled red-and-blue polka-dot bread bag. We tossed hardened crumbs while droves of seagulls descended into my mother’s hands peeling shrills of joy. “Jennifer, get a picture of these maniacs!” My mother would laugh with complete abandonment. She would be encircled like a Hitchcock movie with seagulls eating right from her hands.

April 2026