Issue 103, January 2026

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 103, January 2026

Featured image for “Almodóvar’s Cinema in the Age of Trump”
Stephen Akey

Almodóvar’s Cinema in the Age of Trump

Since assuming a second term of office on January 20, 2025, Donald Trump, with the assistance of his zealous lieutenants, has, among other “accomplishments,” pardoned every one of the 1,500 rioters who were charged with participating in the attack on the Capitol in 2021; forced universities to capitulate to ideological demands at the risk of losing their federal funding; deployed the National Guard to traditionally liberal cities, where it is neither needed nor wanted…

January 2026
Featured image for ““102,” “Poem in which I Commit to Being an Indoor Son,” and “Preserves””
Andrew Christoforakis

“102,” “Poem in which I Commit to Being an Indoor Son,” and “Preserves”

everything beautiful hurts
to be touched
your mother’s
cold hand on your forehead

the number on the thermometer
higher than your burning mind
can count
and now you’re the king

January 2026
Featured image for “Appropriate”
Cary Torkelson

Appropriate

The living room was quiet except for the soft hum of the dishwasher and the occasional rustle of pages turning. Mara sat on the couch, half-listening as her youngest, Nora, read aloud from the school library book they’d brought home that week. Upstairs, her older daughter, Talia, was finishing a science project at the desk they’d squeezed into the corner of her room.

January 2026
Featured image for ““Goodbye-Bye Leo Tolstoy,” “The Language of Trees,” and “I Detect Lord Byron””
Christine Andersen

“Goodbye-Bye Leo Tolstoy,” “The Language of Trees,” and “I Detect Lord Byron”

I am finally admitting
that I am never going to read War and Peace.
I started a number of times,
printed out a cheat sheet with the cast of characters,
made many a tasty snack,
read to around page 100,
and each time abandoned the project.

January 2026
Featured image for “Sister Barbara”
Toni Palombi

Sister Barbara

Sister Barbara has always been drawn to the unknown. In 1965, a week before her eighteenth birthday, she travelled some 400km from Mount Gambier to Adelaide to join the Sisters of Mercy. Her entire family piled into the car and for five hours, Barbara and her siblings sat in the backseat watching lonely farmhouses tear past the window. Barbara had no idea that this would be the first of many long journeys…

January 2026
Featured image for “The Boars”
Jennifer Falloon

The Boars

Walter is feeling pleased with himself, barreling along the Autopista del Mediterráneo, or “AP-7,” as they call it, that starts way up by the French border, on his way to pick up Anna at the airport. It is a soft warm evening in September, the kind they take for granted now, the two of them, having lived on the Costa Blanca for fourteen years.

January 2026
Featured image for “Why I Quit Wrestling”
Mark Wagstaff

Why I Quit Wrestling

That next afternoon I was sitting round home, I heard the bell. A slight, active sound, about the garden. I tried watching TV. The noise got nearer and farther; neither resolved nor ebbed away. This jingling got loud, resilient. It brought me outside.
And there, beneath the magnolia, the most delightful cream and apricot kitten practiced his pounce. The bell at his neck jogged with each strike. Curious, I picked him up. Perhaps used to attention, he didn’t claw but gave a juvenile, inquiring look. Beneath the bell hung a tag etched with a number. I got my phone. “You don’t know me. I have your cat.”
The woman took a second with it. An exploratory silence. “I don’t have a cat.”

January 2026
Featured image for ““Her Oceans Seven,” Moral Injury,” and “Considering the Survival of a Marine Iguana Called Harry””
Holly Marihugh

“Her Oceans Seven,” Moral Injury,” and “Considering the Survival of a Marine Iguana Called Harry”

The challenge is called Oceans Seven,
and by the time Marcia Cleveland
finished the ginormous feat of swimming
all those channels and straits,
one, two, three, four, five, six, seven,
she indeed earned ownership.
As in, Her Oceans Seven.

January 2026
Featured image for “The Fried Flour Paste, My Earliest Treat in 1962”
Marie Chen

The Fried Flour Paste, My Earliest Treat in 1962

It was 1962 in Taiwan, and I was five years old. The dormitory where my family lived had a single living space, with the bedroom raised three feet above the floor, and partitioned by a Japanese paper sliding door. My parents slept on a wooden double bed placed atop the Japanese tatami. Beside them, five children, ranging in age from seven to one, lay side by side on the tatami, sleeping soundly.

January 2026
Featured image for “Wise Ones”
Joshua Sabatini

Wise Ones

The southeast winds blew gently, caressingly, full of medicinal salts, carried in from the Atlantic Ocean, and fragrances from the vegetation on the shorelands that continued to emit spicy intoxicants ahead of the winter solstice. Bella and Beetle, two lovers on the barrier beach, lay within each other’s arms intertwined like one being, warmed by the burning driftwood they had collected and placed in the fire pit Beetle had dug.

January 2026
Featured image for ““Night at the Crest,” “grace sprinkled like dew,” and “You Weep””
Russell Willis

“Night at the Crest,” “grace sprinkled like dew,” and “You Weep”

Starscape obscured by
countless swarming pixels with 14-inch wingspans;
but no tangible color or form.
No sound, at least none perceived.
But there was something…
a presence felt. No, not felt. Not exactly;…
a presence known by reputation not senses, as mammal, not bird.

January 2026
Featured image for “Until We Meet Again”
Juliet Sorrentino

Until We Meet Again

I have walked this winding road a thousand times, though I swear it changes its face whenever I return.
Some days it greets me with the quiet of rain-soaked earth, other days with a brittle wind that sounds almost like a voice trying to call me back. I tell myself this is only memory playing tricks but yet memory has always been the wiser of us two.

January 2026
Featured image for ““Flames,” “You, I, Us,” and “Third Eye””
Laura McDermott Matheric

“Flames,” “You, I, Us,” and “Third Eye”

A hot September
morning flames fire to heaven,
Golden Lucifer.

Anticipation
to culmination: a bloom,
its cacophony.

January 2026
Featured image for “Office Memo”
Shengheng Cao

Office Memo

He never liked smoking. He only liked the smoke—coiling, hovering, just above him,
a downpour held in suspension.
He loved that suspension.
She never liked heels. She only liked the sound they made on the floor—tap, tap, tap.
Like the way her heartbeat quickened whenever she passed his desk.
She loved that quickening.
He liked getting to the office early, making himself a cup of coffee. He would lean back against the wall.

January 2026
Featured image for ““The Martian Chronicles,” “Cesura,” and “One Hundred Horses by Giuseppe Castiglione””
Yana Kane

“The Martian Chronicles,” “Cesura,” and “One Hundred Horses by Giuseppe Castiglione”

Is there a planet where words silence
a cannon’s demented mouth?

Here, on Earth, furious iron roars
past all reason, past all pleading.
No warding it off
with incantations, prayers,
poetry.

January 2026
Featured image for “748”
Lisa Harris

748

Margie Olivia Murphy studied her desk calendar. She searched for time to verify the sparrow-sized bird with greenish-yellow breast and lavender wings—reported roosting at a nearby park by birding newbies—was the rare orchid oriole. If true, it would be number 748 on her Audubon Life List. She ran a finger down today’s box—2:30 Lena driving lesson/bank, 3:05 doggie day care Izzy pick-up, 3:45 Lena drop-off swim practice, 4:05 call Senator Hewett’s assistant–God update…

January 2026
Featured image for “Forget Me Not”
Mary Magdalen

Forget Me Not

Malia wrapped her fingers around the steering wheel. A foggy feeling enveloped her, the same as it had every day this past year. Pushing through the heaviness of insomnia was a daily battle. Highway 406 stretched further than either she or her son John could see. She tried to remember the last time she and her family traveled this highway, but her recollection was interrupted by the pounding in her ears.

January 2026
Featured image for “Cosette Garcia’s Universe”
Sandro F. Piedrahita

Cosette Garcia’s Universe

“What does it mean to be African American?”
“Why do you ask that question?”
“At school, Sister Gracilda had me fill out a form and she told me to put a check mark next to the word ‘African American.’ Am I African American? What is an African American?”
“It means persons with African blood. Or better put, someone with African genes. Sometimes they’re also called Black.”
“Am I Black?”

January 2026