Short Story

Image

Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

Image

Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

Image

Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Image

Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

Image

Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

Image

Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

Image

Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Short Story

Featured image for “The Book of Dragonflies and Nana-Wai’s Garden”
Alpheus Williams

The Book of Dragonflies and Nana-Wai’s Garden

The fat gibbous moon is hours away from dropping beneath the curved horizon. Under that fat moon Nana-Wai glides through her garden, ghostlike. She’s old and there’s not as much of her as there was when she was younger. Her cotton shift, thinned with age and wear, like gossamer wafts in the breeze. It’s as if she is floating. Stiff bones and muscles find grace.

March 2021
Featured image for “A Doctor in the House”
Jean Ende

A Doctor in the House

My mother tucked the phone receiver between her shoulder and her ear, lit a cigarette and simultaneously dialed Aunt Rachel’s number.
I left home several years ago, but I’ve overheard enough of these phone calls to be able to recount this conversation. While they lived only two blocks apart and neither of them worked outside the home, my mother and my Aunt Rachel found enough drama in their lives to need to speak to each other every day.

March 2021
Featured image for “Where Boys Play Baseball”
Thomas Weedman

Where Boys Play Baseball

All the cars are gone except for two. Fearing he’s been left behind or got the day wrong, the leggy Catholic-school boy with blue eyes and string-cheese hair limps up to the dirt lot in tattered Chuck Taylors and a sweaty panic. It’s Wednesday, August 13, 1975, and a hundred degrees.

March 2021
Featured image for “Unpacking Mother”
Margaret Sayers

Unpacking Mother

Brigitte could not remember a time before the suitcase flanked the front door on the right, opposite the coat closet to the left. Just like the faded floral wallpaper, the yellowed silhouettes of the stair-step Schmidt sisters, and the frosted glass sconces in the foyer, no one even seemed to notice the weathered hard-shell Samsonite anymore.

March 2021
Featured image for “Ritual for a New Chief”
Miranda McPhee

Ritual for a New Chief

Eight men stood in a loose group on the edge of the Nubava atoll swinging wide their arms and slapping their leathery brown torsos in the cool air as they waited for the first glimmer of the sun. Thirty feet out, a horseshoe of small boats bobbed up and down, weighted fishing nets strung down between them to create a barrier against the open sea.

February 2021
Featured image for “Tête-à-Tête”
Stan Werlin

Tête-à-Tête

Debra is at the cemetery again reading to Martin’s dead wife. She reads the kinds of literature Martin says Annika enjoyed before the brain tumor: children’s books, the poetry of Robert Frost and James Dickey, novels of psychological suspense. Her startling enunciation, musical and evocative, lifts the words into the air where they linger like butterflies hovering in mid-flight, her rich, clear soprano a storyteller’s gift.

February 2021
Featured image for “The Hay is in the Barn”
William Cass

The Hay is in the Barn

I’m sixty-two years old. Like most my age, I suppose, there are a number of things I regret. For some reason, one occupies a particular place for me. It’s not the most significant or memorable in my life, or even very notable in and of itself. But, when I think of it, something different falls in me, something irretrievable.

February 2021
Featured image for “My Trieste”
Pamela Hartmann

My Trieste

When I woke up, I knew it was an emergency room. This was back in 1958, and it looked like scenes in Young Dr. Kildare on Million Dollar Movie.
“Take it easy, Kiddo,” I heard my father say, as I tried to sit up. He was hunched on a stool next to my bed, with an unlit cigarette clenched in the corner of his mouth.

February 2021
Featured image for “The Last of the Dinosaurs”
Anna Persky

The Last of the Dinosaurs

Jay Rowland died on May 5, 2020. His name was listed between Olga Masterson and Stefan Stuart in a Herald News story entitled, “Area Nursing Homes Ravaged by Coronavirus.”

Jay’s nickname was “Dog Ears.”

February 2021
Featured image for “Ether”
T.D. Calvin

Ether

December 1990
She heard Ruth lock the front door behind them. In the hall Fiona caught the smell of varnish, a hint of juniper and that human odour of someone else’s home. It felt like warmth was barred from leaving, winter kept outside and the rest of her evening secure in the heat of those rooms. She set her bag down and Ruth helped her out of her coat without offering – her friend never waited for permission to be considerate.

February 2021
Featured image for “A Journey Together”
Hasan Abdulla

A Journey Together

Roland Harris felt as though the wind was piercing through his grey woollen overcoat, one April day, when the sky was overcast with clouds that seemed to threaten to pour down rain onto Kings Cross Station and its surroundings.

December 2020
Featured image for “The Path to Enlightenment and the Crazy Yogi”
Kabir Mansata

The Path to Enlightenment and the Crazy Yogi

The city of Calcutta lights up in the month of December, especially for the bourgeois families. There is a social event every evening and bars and country clubs are filled with patrons eating and drinking copiously, dancing till dawn, and overall having a gala time.

December 2020
Featured image for “When He Was One”
Kathleen Siddell

When He Was One

Shortly after the funeral, (whether it was days or weeks, she couldn’t say), Helen found a small jar containing six dead yellow jackets at the foot of Harry’s unmade bed. When she asked, Harry told her, “Bees can see faces…”

December 2020
Featured image for “Marrying Up”
Nicole Jeffords

Marrying Up

Frances first saw Jack in the winter of 1947 at a debutante party. He was with a blond-haired girl whom Frances later found out was his cousin, and who left him alone for most of the evening.

December 2020
Featured image for “Follow Me”
Brian Schulz

Follow Me

At first Lindsay thought the beat-up F150 and overloaded U-Haul trailer parked in front of her brother’s building belonged to Northeastern students moving out, but then she recognized the old oak drop-leaf table wedged precariously on the back.

December 2020
Featured image for “In Simple Terms”
Mark Mrozinski

In Simple Terms

Viola.
She sits still in the café, thinking about his words. How can he do this to her, to them? She watches Jeff’s eyes looking for a tear—something, but there is nothing, not a clue his heart is suffering. She thought he loved her.

December 2020
Featured image for “The Leather Satchel”
Jaime Balboa

The Leather Satchel

Muriel decided to catalog the desiccated remains herself. Her heart raced. Her fingers tingled. Electric lanterns placed every few feet illuminated the cave. Layers of dust and the neglect of time conspired to make it all but unrecognizable. Was it female or male? From when? She studied it, looking for signs. So much anticipation. So much hanging in the balance. Her doctoral students and undergraduates gathered, hushed and eager. The small team of researchers, on the twenty-ninth day of a thirty-five-day dig, had made little progress until Guillermo, a first-timer, found what looked to be a canvas jacket from the First Common Era baked into the wall of the dry Nevada desert cave.

November 2020
Featured image for “For Whom the Hands Clap”
Fiona Murphy McCormack

For Whom the Hands Clap

The ventilator whirred mechanically, patients’ chests rising as the oxygen pumped through their lungs. Donna stood by the man she had seen intubated hours beforehand. His breath at times steadying momentarily was a forced gasping rattle. She wondered who he was.
A middle-aged man with greying hairs amongst patchy brown. Quite possibly handsome, aside from the current predicament. His youthful face now drained from the sensation of drowning. He was in the throes of acute respiratory distress syndrome, as a result of the virus. Watching him, Donna’s own breath belaboured beneath her mask.

November 2020
Featured image for “The Revisit”
Salvatore Sodano

The Revisit

Thomas leans his head against the fuselage and looks down through the Lexan window. The homes remind him of a town model his father had once made in their attic when he was a young boy. The streets, like small veins, separate the cluster of suburban Floridian homes. Their peaked roofs are all two-toned from the sunset. He imagines his house, empty and distant, buried beneath the cover of an elevated train in South Queens, and how the sun will peak from behind the steel columns for that brief moment outside his kitchen window, and how he won’t be there to see it.

November 2020
Featured image for “The Rules of Improv”
Julie Benesh

The Rules of Improv

Lainie emerged from her shock, lying on her side in the driveway surrounded by a black wreath of cleft-chinned superheroes in boots and helmets. She noted the gravel in her hair before wincing at the tenderness of two small broken bones in her left hand, various bruised ribs, and shrapnel-inflicted gash above her ankle.
It was a mistake any mortal could make, exploding her gas grill by forgetting to open the lid before turning on the gas.

November 2020
Featured image for “Passing”
Lucina Stone

Passing

Here it was, the opportunity of a lifetime to finally have everything that I wanted. No more of the desperate longing to look like the images I saw on Instagram. My self-doubt would be gone, replaced by an inner confidence that only I would know about. I had done everything possible on my own to pass and fit into what society deemed presentable but had always come up short. This long- awaited advantage would even things out for me and save me years of wasted time and money. So when it was my turn to order, I didn’t berate myself.

November 2020
Featured image for “The Final Chapter”
Henriette Rostrup

The Final Chapter

Towards the end of spring, when the air is still cold and bites at your cheeks, and a thick blanket of mist covers the ground, a large black truck approaches a small Danish town. When it reaches the town limit, it stops and a man jumps out. He’s in his forties, wearing a creased, high-end suit that looks as though he has slept in it. His hair, dark and sprinkled with gray, stands up from the back of his head like on a baby heavy with sleep. He runs his hands through it as he squints at the bright morning sun, which is beginning to penetrate the clouds. Then he waves at the truck driver, shuts the door, and turns to face the town.

November 2020
Featured image for “Dormant”
Joanne Saunders

Dormant

At the entrance of the yurt, Larry pulls a large group of keys from his pocket; one key for the door of the yurt, one to the gate above the entrance of the lava cave, one for the lightbox, one for Tom’s mansion, one for his car, and one for his bike lock. He’s always loved the perfect circle of the yurt. There are no hidden corners, no set-aside spaces, everything can be taken in, in one sweeping look…

October 2020
Featured image for “Exegesis”
Thomas Weedman

Exegesis

Jimmy is proud to have lettered in basketball. But he has come to think of his Saint Ambrose high-school varsity jacket as a private and public symbol of his life. It is a sort of Scarlet Letter of taint and shame for being sexually abused as a child and a bold blue A rating from the Health Department like at the zoo food stand where he works for appearing safe and clean.

October 2020