Poetry

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day””
Robert Eugene Rubino

“Poem for Glockenspiel and Didgeridoo,” “Sunrise Bloody Sunrise,” and “Take Your Son to Work Day”

As sticky as syrup-soaked gruel
eyes closed with dreamy leftovers
eyes closed tightly as if seamstresses
sewed those viscous visions inward.

December 2024
Featured image for ““Headstone,” “Berlin AM,” and “Venom””
Jeanne Cannizzo

“Headstone,” “Berlin AM,” and “Venom”

You are cold,
to my palm,
to my cheek,
cold to my tongue.

December 2024
Featured image for ““Blumensprache (or Self Portrait as Purple Thistle),” “My Words,” and “Noir””
Julie Benesh

“Blumensprache (or Self Portrait as Purple Thistle),” “My Words,” and “Noir”

Because my head is full of one hundred flowers.
Because dandelions were taken; ditto orchids
(each a bookend on the hardy-to-fragile spectrum).
Because I don’t compete with or covet the rich
and shallow soil but trade in the depths of mingled roots.

November 2024
Featured image for ““If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground””
Jonathan Bessette

“If we couldn’t get it right the first time, then let’s forget it,” “If the balancing act was uneven, then let’s tip the scales,” and “If deconstruction is a love language, then let’s burn it to the ground”

Lying amidst terra cotta
shards, in backyard rituals
we stared at a bleaching dot
of sun, hoped tanning might
remind us of no—bad—days. I told you

November 2024
Featured image for ““home was looking at you,” “My Apologetic Elegy,” and “My Father And The Souvenir””
Celeste Bloom

“home was looking at you,” “My Apologetic Elegy,” and “My Father And The Souvenir”

Home is a mold, that I cast upon you
in the shape of this poem, that fits only you.

Home was the way you described every color:
hunter green, sunset orange, and midnight blue.

November 2024
Featured image for ““Being,” “After,” and “Hunting””
RW Mayer

“Being,” “After,” and “Hunting”

When I was a child I went out to the long hedge
along the back of our property. I could crawl
in under the leaves and branches to the middle.

November 2024
Featured image for ““Basking” “My Valentine’s Day,” and “Indian Summer Twilight from my Balcony””
Joanne Jagoda

“Basking” “My Valentine’s Day,” and “Indian Summer Twilight from my Balcony”

basking in the words
of a poem set aside, long forgotten
the warm glow of verses once familiar
comfort like a soothing bath
taking you back
to another time and place

November 2024
Featured image for ““Streetlight,” “Sudden Branch Syndrome,” and “Clock””
Christine Andersen

“Streetlight,” “Sudden Branch Syndrome,” and “Clock”

I would wake and watch
from my bedroom window
as the snow fell in a waterfall of white
under the glow of the streetlight,
a suburban beacon shining
on my narrow side road.

November 2024
Featured image for ““Journey Through the Realms of Night,” “Mind-full-ness,” and “North””
Bartłomiej Lekan

“Journey Through the Realms of Night,” “Mind-full-ness,” and “North”

Two days after the moon was full
I walked as in a dreaming.
Over the black seas I yearned to be,
Where the old stars were still bright and gleaming.

November 2024
Featured image for ““The Region,” “Shapes Of The Word,” and “Wedding””
John Hamel

“The Region,” “Shapes Of The Word,” and “Wedding”

To drive past Coop City late on Saturday night
Is to see what the human worm can weave –
The coral towers stand out their lights against
The pitch-night Sound

October 2024
Featured image for ““Endomorphosis,” “Three  Times Asked and Answered,” and “Family Knots””
Fletch Fletcher

“Endomorphosis,” “Three Times Asked and Answered,” and “Family Knots”

The chrysalis comes in grey
matter, some lines of white
to tell the rest of me when
tearing starts.

October 2024
Featured image for ““The Lady by the Lake,” “Nihility Island,” and “Arachnid Inn””
Christian Johnson

“The Lady by the Lake,” “Nihility Island,” and “Arachnid Inn”

She sways and watches the dark waters
Her lighthearted hums brings grief to the ears
Beautiful, piercing the silence of the night
Agony riveting like the pain of broken bones

October 2024
Featured image for ““Flower Famine,” “pick the staples from the classroom clown,” and “Linguistic Moon””
J. M. Platts-Fanning

“Flower Famine,” “pick the staples from the classroom clown,” and “Linguistic Moon”

Nothing, I see
But,
dandelion blush and smoky Bardot eyes of western wind. Nothing, but McDonalds and cluster flies…

October 2024
Featured image for ““Ticking Mountain Thyme,” “Presently,” and “The Dust I Love””
Rob Bailey

“Ticking Mountain Thyme,” “Presently,” and “The Dust I Love”

Our time is asynchronous
We have a new favorite pharmacy
A ribbon-cutting you can’t miss! It’s
illegal
to feel

October 2024
Featured image for ““Footprints,” “Lost faith and constant love,” and “Formless””
Patrick T. Reardon

“Footprints,” “Lost faith and constant love,” and “Formless”

His footprints are still there to see
on the stone on the Mount of Olives
where he pushed off, like a power forward
rising to the rebound, to ascend.

September 2024
Featured image for ““string theory in RWJ Hospital,” “this land,” and “birthing heaven beneath feet””
Jaweerya Mohammad

“string theory in RWJ Hospital,” “this land,” and “birthing heaven beneath feet”

time in hospitals is not linear.
the past and future lives of patients
dangle
by wires and rolling IV carts,
souls spread thin beneath bleached sheets.

September 2024
Featured image for ““Grasshoppers,” “Harvest,” and “Fishing””
Joshua Kulseth

“Grasshoppers,” “Harvest,” and “Fishing”

When in the rainless weeks of summer the mulch pile dried,
and worms we hooked for bait would burrow
deeper than our reaching fingers could grope,
we’d sweep with bare feet the hay fields for grasshoppers…

September 2024
Featured image for “Reverie”
Michael McQuillan

Reverie

Serenity before dawn’s waking human world disrupts pristine Creation. I and my companion share psalms we read aloud, a sacred veil ensuring inner peace. With opened hearts we rise as sparks in spans of history…

September 2024
Featured image for ““With Me Between the Lines,” “Knowing That You Knew Joy,” and “Until Tomorrows Are Swallowed By Yesterdays””
Russell Willis

“With Me Between the Lines,” “Knowing That You Knew Joy,” and “Until Tomorrows Are Swallowed By Yesterdays”

There are those who live
between the lines of life
who once were my story
but came not to fit,
not them in mine
nor me in theirs;

September 2024
Featured image for ““Radishing,” “I Roll Over,” and “Tongue of Love””
Rachel Chamberlain

“Radishing,” “I Roll Over,” and “Tongue of Love”

will we ever know ourselves as well
as we know the radish we pull from the garden bed?
know our readiness as its, as it bulges at the surface dirt
with rusty shoulders that promise spicy delight?

September 2024
Featured image for ““Divine Right,” “Of Kings,” and “The Oracle of New Delphi””
CS Crow

“Divine Right,” “Of Kings,” and “The Oracle of New Delphi”

A paper Burger King Crown,
Lunch with mom in the park,

She adjusts it over and over,
But it never fits right upon your head.

August 2024
Featured image for ““Succulents,” “All My Doctors Fear My Mother,” and “For You Are At That Place””
Claire Poole

“Succulents,” “All My Doctors Fear My Mother,” and “For You Are At That Place”

When I arrived home from the hospital,
there was a gift box at my doorstep
from my daughter, who recently moved away.

August 2024
Featured image for ““Listening In,” “Few have Noticed,” and ‘The Big “C”’”
William Ray

“Listening In,” “Few have Noticed,” and ‘The Big “C”’

the winter-bare forsythia is so many
arrows of neglect, bundled;
the light, quilted, a question.

August 2024
Featured image for ““Gardenias,” “87 years ago,” “Eyrinyes””
Lumina Miller

“Gardenias,” “87 years ago,” “Eyrinyes”

Skin stippled with drops from the emerald canopy
quietly content with the other,
no need to speak over
the rustling soundtrack of ironwood sway.

August 2024