Poetry

Royal

Spring Bloom in Saguaro National Park

Beth Cash

I was enthralled with a visit to Saguaro National Park in the spring. I had never seen the desert before and the flowers were breath-taking. I felt very lucky to bear witness.

Essence_of_Nature_II

Essence of Nature

Michael Roberts

In the last several months, I have been exploring minimalism as a way of projection and abstraction in my photography. The simplicity of minimalism reduces nature to its essence to reveal the underlying beauty of structure and form. These three images were made while hiking trails in the Sonoran Desert.

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Poetry

Featured image for ““The Unliving Louis Jackson and Living Me”, “The Clouds Are Mountains” and “Shackles””
Mallory Rader

“The Unliving Louis Jackson and Living Me”, “The Clouds Are Mountains” and “Shackles”

He lived a long life—a normal span of / 9 to 5 and bright eviction notices on front doors. / He would tell his wife every night before bed, / “I will wake up tomorrow and do better.”

September 2018
Featured image for ““Potpourri”, “Capturing the Moment” and “City Bird Sounds””
Michael DeMaranville

“Potpourri”, “Capturing the Moment” and “City Bird Sounds”

Days like blossoms
Some, green buds
Reluctant to push away
The wooden bed frame
On which they rest

September 2018
Featured image for ““Vow”, “Three Variations” and “November””
Tasha Cotter

“Vow”, “Three Variations” and “November”

The doves find a spot
Of shade under a bench
And sit together, quietly
Speaking about the world
Of people and rain.

September 2018
Featured image for ““the poem which is the story of us”, “to R, who asked me to jump into the pool” and “of the understanding of love and other such things””
Vandana Devi

“the poem which is the story of us”, “to R, who asked me to jump into the pool” and “of the understanding of love and other such things”

this poem is the story of us/
written
between two pieces of paper/
he talked about us as though
he is not one amongst us/
as far
as i’m telling the story, the talk is
about us, ie, you and me and him/

September 2018
Featured image for ““of mass shootings and love and chopsticks and bridges and warmth and cherry blossoms and expectations and acrostic poems and” and “Dear White Men: Bet You Think This Poem Is About You””
Albert Lee

“of mass shootings and love and chopsticks and bridges and warmth and cherry blossoms and expectations and acrostic poems and” and “Dear White Men: Bet You Think This Poem Is About You”

of mass shootings and love and chopsticks and bridges and warmth and cherry blossoms and expectations and acrostic poems and
m Maybe it’s naïve for me to expect the world to scream
a and shoot just because another human is shot.
s Silence is not the absence of a gunshot.
s Silence is the presence of a bulletstorm.

September 2018
Featured image for ““Augusta Ada Lovelace, A.A.L.”, “Made Up” and “Six Hours before Performance””
Leigh Holland

“Augusta Ada Lovelace, A.A.L.”, “Made Up” and “Six Hours before Performance”

She walks in, seventeen and agate-pale, to view the Difference Engine No. 1 with her maman—blue taffeta, white veil, herself a fearsome intellect and bastion of social justice. Great gold instrument, steam engine structure and pipe organ height, exquisitely bewitching. Ada, intent on further knowledge,

August 2018
Featured image for ““Looking Forward” and “Moving In””
Danielle Boccelli

“Looking Forward” and “Moving In”

My hair is wet and drips. Water collects
breeze-chilled
in the small of my back.
The time is half-past
bittersweet. The day ends simply
and begins. Exhausted, refreshed,

August 2018
Featured image for ““Horizons,” “After Reading Traveling Through Dark” and “534-1785””
Peter Shaheen

“Horizons,” “After Reading Traveling Through Dark” and “534-1785”

Mostly brown fields salted with white patches of snow— moist from winter’s thaw and the coming green of spring. It’s there in the going and coming of seasons, the earth swallows your fading white form as you walk away. I follow to the blue horizon wishing you would not depart.

August 2018
Featured image for ““Shaving”, “Chez Heaven” and “Night, My Role in It””
John Grey

“Shaving”, “Chez Heaven” and “Night, My Role in It”

I hate shaving. Thinking enlists in its war. The two dimensions of reflection summarize me. Foam licks my temporal chin, I confess to the razor how I’m leaving immortality behind for someone else to believe in like a dolt.

August 2018
Featured image for ““Sculpted Marble Midnight”, “Hidden in the Forest” and “The Lucky Men””
Natalie Gasper

“Sculpted Marble Midnight”, “Hidden in the Forest” and “The Lucky Men”

I walked through the walls of the Louvre and noticed the Hall of Sculptures was still asleep. I tiptoed in and took a deep breath. As I exhaled slowly, a springtime breeze, Winged Victory of Samothrace shook out her wings. Her marble gown,

June 2018
Featured image for ““American Migrant”, “Inside the Wall” and “Soccer Revolution””
Alf Abuhajleh

“American Migrant”, “Inside the Wall” and “Soccer Revolution”

“You came here and took the jobs our fathers built for us.” We exploit our talents in the fertile fields, in the shadows of portable toilets, in asparagus rows retching, wrapping ripped rags around numb fingers for a nightshift at the Blue Smoke Slaughterhouse.

June 2018
Featured image for ““The Reckoning”, “Three poems working against my smile” and “Home””
Danielle Williams

“The Reckoning”, “Three poems working against my smile” and “Home”

We want fires that burn. Poems that hurt. Words that are so painstakingly blunt they break barriers. People that are so honest it brings others to their knees. Eventually, they will beg and they will plead. “Please end your statement with a period and not a dagger.”

June 2018
Featured image for ““Cartographer of Crumpled Maps”, “At a Concert, Battery Park” and “Migration””
Jonathan Perez

“Cartographer of Crumpled Maps”, “At a Concert, Battery Park” and “Migration”

The painted buntings used to pair among the fractured feelings neither bunting nor feeling, came to assist their harvest what was settled among the field, a Hairy bear (one that laughed) slinked in from the wilderness

June 2018
Featured image for ““Jumpers’ Heaven”, “Exhumation” and “Who Your Brother Knew””
Paul Reyns

“Jumpers’ Heaven”, “Exhumation” and “Who Your Brother Knew”

Three boys, bare-backed, draped elbows over a life raft. It was a spring mid-day. A fourth propelled himself into the air drew up his knees to his chest and cracked the surface, causing his friends to shake their heads and dab at their eyes.

June 2018
Featured image for ““Slowly”, “Where the Light Is” and “Bystander””
Tejan Green

“Slowly”, “Where the Light Is” and “Bystander”

I wish you would take the time you need. Enter and enter again until clarity comes and you leave with all the answers. We talk of the weather to avoid talk of the things that matter,

June 2018
Featured image for ““A Girl Named”, “What the River Took” and “What’s New, What’s Left””
Konstantin Rega

“A Girl Named”, “What the River Took” and “What’s New, What’s Left”

What’s New, What’s Left I keep stray hairs, those golden lines pulled by comb and air before you question my disease, my battle and bait that I cannot shed.

May 2018
Featured image for ““If This is Love”, “I Go into Her Mouth” and “In Response to Cee-Lo Green’s Analogy of Rape & Robbed Houses””
Talicha Johnson

“If This is Love”, “I Go into Her Mouth” and “In Response to Cee-Lo Green’s Analogy of Rape & Robbed Houses”

If This is Love you love me like a getaway car/an extra foot of rope/the single phone call/a life jacket/what i mean
is/you love the way that i am/always ready to save you/that i will get my hands dirty               knees
bloodied         everything bruised/so you don’t have too/i don’t ask what you are willing to do for
me

May 2018
Featured image for ““3rd Floor Up”, “3 Sides” and “The Third Time””
Riley Welch

“3rd Floor Up”, “3 Sides” and “The Third Time”

3rd Floor Up The days started
getting slower and faster simultaneously.
And I lost interest.
But at the same time,
they raced and I couldn’t see them pass.

May 2018
Featured image for ““Landscape”, “The Book of Minutes” and “War””
Teresa Sutton

“Landscape”, “The Book of Minutes” and “War”

Landscape You can’t trust what you see
in the mottled blue and violet
around a black eye.
Real monsters are the ones
we don’t recognize at first.

May 2018
Featured image for ““Brotherly Love”, “Loving Your Absence” and “Nostalgia””
Jonathan Clark

“Brotherly Love”, “Loving Your Absence” and “Nostalgia”

Brotherly Love We start out soft as Egyptian sheets – boys,
then we manufacture into men. Notice how the word
men, sounds harder, stiffened by our insides churning
to stone as we grow.

May 2018
Featured image for ““Failed Her”, “Ashes to Dust” and “Broken””
Autumn Slaughter

“Failed Her”, “Ashes to Dust” and “Broken”

Failed her I failed
her. Was not
good enough because
no one can ever be
good enough to carry
the burdens of the
dying on their backs, to
be blessed with the
baggage of existential
emotion that makes life so
sweet as to make it unbearable

May 2018
Featured image for ““Yo-yo”, “Ephemera” and “Bowels of Nursery””
Gerard Sarnat

“Yo-yo”, “Ephemera” and “Bowels of Nursery”

Yo-Yo Epic refereed over-the-moon contests were sponsored by Duncan Toys Inc outside the best local movie theater where we saw twenty-five cartoons for a quarter. Plus the raffle winner with the luckiest ticket got to bring a box of chocolates home to mother.

March 2018
Featured image for ““The Luminous Mysteries”, “Retain this Copy for Your Records” and “It’s Later Than You Think””
Michelle Brooks

“The Luminous Mysteries”, “Retain this Copy for Your Records” and “It’s Later Than You Think”

The Luminous Mysteries For the better part of an hour, I sit in an examination room, my nose dripping onto the butcher paper, having feigned interest in the fake breast handed to me by a doctor at this urgent care.

March 2018
Featured image for ““A Broken-Hearted Orange”, “Between Raindrops” and “Delaware””
Elizabeth Rodriguez

“A Broken-Hearted Orange”, “Between Raindrops” and “Delaware”

A Broken Hearted Orange The orange on the counter is no longer an orange, It can no longer be used for its nutritious value, For all I see is a sunset peeling atop the skyscrapers in the city. It can no longer smell like fresh citrus, For the sound of sweet jazz music fills the room. The orange can no longer be just an orange, Because of you—

March 2018