Issues Archive

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issues Archive

Featured image for “Quota”
Quin Yen

Quota

The hospital department chiefs hold monthly meetings in a conference room. The room has a high ceiling and tall windows. The walls are made of mahogany panels. There are large portraits of previous medical school deans on the wall. All of them are men in dark suits and black bow-ties, each holding either a pen or a book in their hands, looking straight ahead with an air of importance.

January 2025
Featured image for “Bleeding Dyad”
Nathalie Guilbeault

Bleeding Dyad

The pain, this feeling of inadequacy, is there with you, and although the seed of it was never recognized as a seed belonging to it, as a seed made of it—pain—they planted it still, in your making, ignorance at the center of their factice bliss, this justification—they didn’t know; did their best.

January 2025
Featured image for “A Shower of Roses”
Sandro F. Piedrahita

A Shower of Roses

Mariana Huaman had worked with the Flores family since Rosa was an infant and had been the one to witness the first miracle, the one that occurred on June 17, 1586. Now Mariana is approaching Rosa on her deathbed and remembers that distant day as if it had just happened.

January 2025
Featured image for “Go Now”
M. Betsy Smith

Go Now

“We have no Rick Smith.” “What do you mean? I was told they brought him here.” “I’m sorry.” The [triage nurse’s] annoyance was unmistakable. I had no recourse but to wait. I’d received a call about fifteen minutes ago. My husband was found by the maintenance man outside, face down on the ground.

January 2025
Featured image for “Nostalgia Zombies”
Sean Newman

Nostalgia Zombies

Derry was my best friend, but that was a long time ago.
Since then, I built my career while Derry played in a band. I saved for retirement and Derry saw the world. And when I bought a house, Derry was still burning through a revolving door of roommates. Derry always used to say, “Sam… you’re the Yin to my Yang.”

January 2025
Featured image for “Anything But Ordinary”
Marianne Dalton

Anything But Ordinary

My car twists and curves as the city lights disappear behind me and my headlights spool deep into the dark abyss toward my rural home. I feel relieved I don’t have to face Dad tonight. I’m waiting until morning to break the news of Mom’s death to him.

January 2025
Featured image for “Memoir of a Zebrafish”
Lisa Lebduska

Memoir of a Zebrafish

I swam in the Ganges, source of life to a billion bipeds, golden, striped in a horizontal blue crayoned by a dreamy child. My parents, like all teleosts, were indifferent about my birth, abandoning my siblings and me, but I grew in a chorion cradle, nourished by yolk, a pulsing sphere.

January 2025
Featured image for “A Few Light Edits”
Stephen Akey

A Few Light Edits

If you’re reading this, it’s only because it has passed through the net of editorial scrutiny. Presumably, an editor or editors have sharpened the argument, eliminated irrelevancies, tightened the prose, and reined in my more intemperate claims.

January 2025
Featured image for ““Dissolution of My Father,” “My Mother’s Faith,” and “Crying: Process””
Jesse Darnay

“Dissolution of My Father,” “My Mother’s Faith,” and “Crying: Process”

You inhabit me; you narrow to flanks.
Your spineless nerves sear my ventricles.
The creative will will snap your cheekbone—
hush, soil, remains.
Look at the blank between us
squeezing my shoulders.

January 2025
Featured image for ““the wish,” “imperatives at the lake,” and “sister song””
Claire Coenen

“the wish,” “imperatives at the lake,” and “sister song”

after all this busying of body, resisting rest
like a toddler hurling her blanket through the night,
after all these efforts manifesting goals, dreading
rejection, willing perfection like a cheerleader

January 2025
Featured image for ““A Duplex Only Turns 43 Twice,” “Accidentally Down and Out in Dublin,” “Here and There on a Triple-Helical Journey to the Islands and Highlands of Scotland””
Jake Sheff

“A Duplex Only Turns 43 Twice,” “Accidentally Down and Out in Dublin,” “Here and There on a Triple-Helical Journey to the Islands and Highlands of Scotland”

More insatiable than the desire to hoard,
Your fans say death’s a foreign coincidence.

They also say a forgotten coin’s never
Spent, but its odyssey costs us a day.

In 42, you slid like theodicy.
In Get on Up, you put an omen’s plaything

January 2025
Featured image for “Getting The Memo”
Michel Sabbagh

Getting The Memo

Eleanor Saravak studied the three news story drafts spread across her wooden desktop. Each one of them sported its own headline. Headlines that ought to boast so much bite and venom they may as well leap off the page and send folks six feet under.
Not that Eleanor joined the news biz to do her readers in or feed them dreck made of letters put together.

January 2025
Featured image for “The Gilded Cage”
David Kennedy

The Gilded Cage

Laurenda did not like the look of those men, not at all. She had been hanging the washing up on the clothesline behind the cabin when she heard the tortured whinnying of horses driven too hard, and the whoops of men careless about their steeds. She dropped the children’s clothes in a heap upon the grass and hastened into the cabin.

January 2025
Featured image for “Finding a Pathway”
Mark Rosalbo

Finding a Pathway

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

December 2024
Featured image for “Born to Leave”
Cristina Crucianu

Born to Leave

I woke up to my grandmother whispering to me: “It’s over. She’s passed.” Like a puppet on strings, I got up and forced myself to send the work assignment I had been working on before the frenzy of organizing a funeral began. A calm sky was lazily rising, as if nothing had happened. In the distance, the roosters were alerting the villagers that it was time to wake up. Their crowing, accompanied by the incessant barking of neighbors’ dogs, was the most precise alarm possible.
It wouldn’t take long until the first horse-drawn wagons passed by on their way to the fields. It was Sunday, but a few sinners would be seduced by the iridescent vineyards and the large corn or alfalfa fields.

December 2024
Featured image for “Deus Vult”
No Cañon

Deus Vult

There’s life on other planets, and we’re fighting again.

Not so much fighting each other, me and Hazel, but rather the hundred little obstacles we confront daily in the world: electric bills, uninsured vehicles, the price of groceries—it’s a love language in itself that we’re each willing to be the other’s proxy for all these petty aggravations.

When the need for this routine is exhausted, from my phone I will play serious, dramatic music like Vivaldi or some Dies Irae thundering, and we will each see how long we can continue arguing. It’s become a playlist of losing first-smirks.

December 2024
Featured image for “The Story of Edouard Rives”
Patrick Cole

The Story of Edouard Rives

They eye me as I walk towards them. But I must be so worn in appearance that all see I pose no threat, I am no bandit. And that appearance of mine must be very sorry indeed, for I have known bandits, and they are most ragged in face, tattered in clothing, and thin in frame. It helps that I come along an open road and alone. But degradation works in one’s favor at times.
One stands near the road, attempting to press an old rusty hoop onto a dilapidated and splaying barrel. Beside him a young girl, perhaps seven years of age, carrying her baby sister on her hip. When I greet them, a few others come around.

December 2024
Featured image for ““A Short Talk on Pain,” “The Same Old Scenario,” and “lips stained with what they have tasted””
Joan Penn

“A Short Talk on Pain,” “The Same Old Scenario,” and “lips stained with what they have tasted”

A short talk on pain?
No, no. I don’t think so.
Let’s change the subject.
Let’s deflect our attention.
Besides, what is there to say?

December 2024
Featured image for “On Such A Winter’s Night”
Adam Smethurst

On Such A Winter’s Night

Jasper looked up at the clear, starlit, advent sky. A sharp north easterly had blown away the relentless gloom of the past fortnight and he gladly breathed in the nipping December air. He thought of the fingerless gloves he’d left behind at the church after rehearsal the previous evening. He would miss them this morning and considered for a moment passing the vicarage to see if they could be retrieved.

December 2024
Featured image for “The Nicotine Solution”
Carsten ten Brink

The Nicotine Solution

We were already deep in the Amazonian rainforest, in the borderland between Peru and Brazil, based in a camp somewhere along an unnamed tributary of another tributary of the Rio Javari that marks the border, and that morning we rose early to travel by canoe yet deeper into the forest. Local hunter Alejandro had encountered a large adult anaconda and was willing to take us there.

December 2024
Featured image for “Vengeful Pathology in America”
patricia heisser métoyer

Vengeful Pathology in America

January 6, 2021, marked a pivotal moment in American history, serving as a wake-up call and a profound division. The shocking scenes of rioters breaching the Capitol stirred a visceral reaction across the nation. While the vast majority of Americans were horrified by the chaos, the interpretations of that day have since diverged sharply.

December 2024
Featured image for “Convents, cults and longing”
Toni Palombi

Convents, cults and longing

After 24 years of being a nun, Juliette (name changed) left the convent. It was 1986. Juliette’s spiritual longing – unsatiated by the convent – was as strong as ever. So three years later, when she met Brendan, a charming, charismatic, striking man who ran spiritual workshops drawing on the wisdom of the world’s greatest traditions, she took notice.

December 2024
Featured image for “My Sister Chose to End Her Life: Here’s What I Learned from the Experience”
Mark Chesnut

My Sister Chose to End Her Life: Here’s What I Learned from the Experience

My cellphone dinged — it was an Instagram reel from my sister, Glynn. I opened the link and glamorous 1950s movie star Cyd Charisse filled my screen, dancing ecstatically in a shimmering yellow dress, surrounded by perfectly synchronized dancers.

December 2024
Featured image for “The Gift”
Em Hanson

The Gift

Alice couldn’t remember her dream, but the thought that lingered after waking shook her. She had nothing to give him.

She had fallen asleep on the couch, not easily or accidentally, had forced herself to sleep, exhausted herself with praying and reciting the memorized routes that would take them to their new home. She pictured the highlighted maps from AAA with her eyes closed, stacked in the glove compartment in the order they would need them.

There were still pieces of the dream, but she disregarded them…. It was still so early that her young siblings had not yet jumped out of bed to come raid the stockings or shake the presents that they would open after breakfast.

December 2024