Wade saw the roofline of the house while he hiked along the edge of the forest. He walked past it initially, but the tall spires and darkened stained glass windows’ Gothic look weren’t to be ignored. He’d never seen a real Gothic mansion before—only what he’d seen in movies and knew about from what he read in books.

“Why do you say Felipillo is a savage? Sure, he likes to eat with his hands, and he doesn’t speak perfect Castilian, but there is nothing cruel or barbaric about him. Father Dominguez told me savages drink human blood and sacrifice children to their gods. Felipillo has never done anything like that. And neither have his people.”

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

My earliest memories of loving stories were when I was sitting in the light-filled corners of the kids’ stacks at the newly built Northland Public Library in the Pittsburgh, Pennsylvania, suburbs in the late 1970s. In 1976, my family arrived in the state after my father started a new job. Even before the library collection was moved to the new building from its humbler previous address at what was then called Three Degree Road, the older library was a quiet place of respite for all of us.

I have been watching White Christmas for 65 years so
tonight, the first film shot in VistaVision and Technicolor
rolls onto my tv screen; but the evening news, with far more
advanced tools, has begun to seep into my holiday films …

I used to be an oak tree. Or maybe it was a maple. Regardless, there was a nest in my branches, a twiggy little thing woven with scraps of yarn, strands of dental floss, and kiss-curls of hair. I gave it to the sky, but it was always empty.

It’s the lunch rush at Pyszne, the restaurant where I work every weekday from seven in the morning to two in the afternoon. Pyszne, which is pronounced push-nah, has the distinction of being the only Polish restaurant in the neighborhood of Bloomfield, Pittsburgh’s Little Italy.

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

Mariana Rodriguez Salazar thought George Hickenlooper was being foolhardy and perhaps delusional when he told her he had decided to issue a public proclamation the next day in Managua’s central plaza and that he intended to send copies to be posted in the capitals of all the other Central American republics. As he read it to her, Mariana was sure her little dwarf was laying the groundwork for his own death.

“GEORGE HICKENLOOPER THE GREAT FILIBUSTER HEREBY ANNOUNCES THAT HE IS THE PRESIDENT OF THE CONFEDERATE STATES OF CENTRAL AMERICA, ALSO KNOWN AS THE FEDERAL REPUBLIC OF CENTRAL AMERICA…”

I lose myself in Taiwan. That’s why I hate going there, feeling like a deer in the headlights; perhaps this time the buzzing crowds, alien sounds of chitter-chatter, and layered characters on never-ending menus will feel more like home. It doesn’t.

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

Sitting in front of the murky Han River, I don’t even see my own reflections. I hear remnants of life here and there: a group of senior joggers, a street saxophonist whose confidence is admirable, and a little girl screaming at something—kids always seem to see another dimension we don’t.

I was upstairs in the bedroom/office having just begun a writing coaching session with my last online student of the day when I heard the doorbell ring. My son’s feet met the floor with a thud and pounded their way from the living room couch to the front door…

La Huasteca, Roots in Nuevo Leon, and Frames

They survived the fin de siècle logging
That claimed the rouge et blanc

Leaving tepees of slash
On the Grayling sand.

And the farmers
Wielding fire to clear land…

In 1925, the seven hundred forty-two citizens of Mañana celebrated the town’s third anniversary as an incorporated city in the San Joaquin Valley. A dream of Alexander Jason “A.J.” Ryan—an emigrant from Ohio—he purchased the North Madera Ranch in 1912, then worked with the Secretary of State’s office in Sacramento to establish a town…

I shuffle to my room, shut the door, and curl into the reading chair under my loft bed, surrounded by my books. When I moved in with my aunt and uncle, I didn’t expect to get my own room. This used to be Uncle Nate’s home office. When Mom and I came to visit, my uncle would blow up the air mattress for Mom, while I always shared a room with Cara. I love my cousin, but there have been many times over the last year when I was glad for a private refuge.

At Union Square the commuter amoeba oozed into the 4 train and she made herself as liquid as possible so that she wouldn’t be left behind. “Stand clear of the closing doors, please.” Ding-dong. Ding-dong. Ding-dong. Get out of the door so we can leave! Wow, she was cranky.

She died in June, just shy of fifteen.
Dust to dust, the preacher told us.
Lizzie refused to look at me, but I knew what she was thinking: our daughter’s death was my fault.
Ashes to ashes, the preacher told us, Lord have mercy.
I wanted to sock the platitudes right out of his fat-lipped mouth—how can there be mercy death? No, Hannah’s death had no mercy.

I could not sleep at all last night. My mind was in an unending hyper-focus mode. It’s like those songs that have the algorithm that deliberately make it so you can’t get them out of your head. Mind worms. Plus, I kept thinking about the blood.

On an island off the Breton coast in the late 18ᵗʰ century, a woman, Marianne, stands behind an easel and canvas. The camera frames Marianne at work. Most of her body is obscured, but her eyes conjure details to enhance her painting. She faces another woman—her subject, Héloïse.

because I told you
how the homeless woman
preferred over a stranger’s
offer of food, water, money
just a moment of conversation
to confirm that she exists

I despise “isms” — racism, sexism, anti-Semitism. There are too many to count, unfortunately. I have never understood them, have never understood bigotry. But the one I guess that confuses and confounds me the most is ageism because it is the only one that touches us all — everyone ages.

He takes to his branch each morning, lingers there
Finds his gentle, yet firm grip on the wood with his small claws
Steady, he welcomes the fresh air
The sun on his strong beak
The orange light peaking through the high buildings

He closes his eyes
Takes in the soft breeze on his black feathers