Poetry
“Before Walking One Morning,” “The Bear in the Backyard,” and “The Saw Filing Machine”

Before Waking One Morning
I sense a light leap
onto the foot of the bed
and wait as you cat
your way to the top of my pillow,
sniffing an ear or two or
rubbing your forehead against mine
along the way. We both know
it’s not time to wake,
so I don’t open my eyes
to see how young you’ve become
or ask myself how you managed
the bed without using your stairs
so neatly carpeted and cleaned and
moved to the closet just days ago,
but I do reach out a hand
that you oblige a long rub
along the tall of your back
for me to tell that your tired
matted hair is now smooth and spry
until you decide to hop back down
and cat your way away again,
leaving me with one last glance
to let me know it’s time
to wake.
The Bear in the Backyard
Passing by, I see the stones
on your stone, even the small carved dog
that once sat on its ledge ready
to run after that last good memory.
Strange how I once sat as you stood
in your living room looking out
the window listening to you
describe the bear in your backyard,
the one we both knew wasn’t there.
It came often, you said, to wander
from the garden on into the neighbor’s yard
and your dog never barked or gave chase
or noticed, because even she knew
the bear wasn’t there. Why?
you always wondered.
Why does it bother to come
when you’re the only one
who sees it when
it’s here.
Shadowbox
Sorting through what
pictures never made it to albums,
I can see by their corners
which ones are too curled or torn or creased
crossways edge to edge to ever make it to one now,
but not damaged nearly rough enough to keep the wind
off the waves of Lake Superior from sweeping over me again
or for that sign way off in North Dakota from splitting
the background Prairie in half, harvesting
a family like fruit against time,
and all I want is to pull out the leaf
of this table to make more room
for these pictures,
all black and white,
all starving to be seen in the light
of day, much like the color slides
dad used to project on a screen
from this very spot
during birthdays, holidays, graduation days
or any holy day of obligation
that brought visitors around for a meal
to a table and a reason to remember how
he used to sit here, at this table,
at this very spot
previewing it all through a viewfinder,
one slide at a time, overlooking what gets left
behind – shadows of where arms would rest
beside two eggs, sunny-side, bacon crisp
and dripping, toast lightly burnt and buttered,
coffee with teaspoon of sugar, no cream,
every morning, or beneath that tiny taste
of port wine for dessert
after every evening meal.
Read more great stories and poetry in The Write Launch archive of past issues.

Marrying Up
Nicole Jeffords

“Contagion,” “Melancholia Covida,” and “Intermission”
Eve Hoffman

The Most Dangerous Pitch
BJ Neblett
