Issues

Issues

Featured image for “Waiting for the Soul to Catch Up”
Toni Palombi

Waiting for the Soul to Catch Up

Catherine lives in a unit, surrounded by other Mercy nuns. I meander through the rose garden to reach her front door. One of the neighbouring nuns is pruning a rose bush in their shared garden. Above, the blue sky is streaked with white clouds.

May 2025
Featured image for ““Ache,” “After the Ice Storm,” and “Planetary””
Kathryn Lasseter

“Ache,” “After the Ice Storm,” and “Planetary”

I ached for dreams that galloped
through my head long ago—
fever dreams of Paul and George,
flying like Superman, in a red cape…

May 2025
Featured image for “Wasteland”
Suma Nagaraj

Wasteland

Aug 13, Saturday, 11:05 p.m.
Edelweiss, Edelweiss… every morning you greet me…
Captain von Trapp sang the song on loop on the tavern’s stereo, and Mario, mop in hand, apron tied around his ample midriff, sang along, as was his nightly routine at Tavern Edelweiss in Calangute, Goa.

May 2025
Featured image for “after your world ends”
Liana Sonenclar

after your world ends

After your world ends, she asks you if you want to disappear. All I want is to disappear, you say. Let me buy your ticket, she says. You don’t let her. You buy your own ticket. No. Your dad buys it for you. He’s worried. He wants to help, somehow.

May 2025
Featured image for ““Joy” and “Prophecy””
Michael McQuillan

“Joy” and “Prophecy”

Joy has large and small containers as in the aftermath of a welcoming in-person chair yoga class
I hear Led Zeppelin acoustic ballads on the car radio while driving home from Lenox town to the
grace of a solitary chickadee’s contented melody from a rooftop as I pass below while walking.

May 2025
Featured image for “Juniper Blues”
Monterey Mecham

Juniper Blues

Overlooking the fields, older than the oldest residents of the town, is a juniper tree. It is too respected to be felled, standing like a lonely sentry as the fields are seeded, tended to, and emptied of their bounty. Though the peasants live on the land, they have no rights to it.

May 2025
Featured image for “Confessions in Birdsong”
Joan Drescher Cooper

Confessions in Birdsong

The morning after the upheaval of the night protests, the city was surreally quiet. Waking in the parking garage, Eleanor lifted herself out of the nest of old coats and her backpack on the floor of the backseat. As she drove away from the one sanctuary she could think of as streets were shut down, Eleanor saw evidence of the night’s violence in the strewn litter, broken glass, and the watchful police presence.

May 2025
Featured image for “Meant to Be”
Joanie Silverman

Meant to Be

We are the best of friends who, but for the whim of fate, might never have met. I would like to say that we grew up together, but that would only be the truth if we started growing up after our fiftieth birthdays

May 2025
Featured image for ““Compensatory Daemon” and “From One Child’s Partner””
Gerard Sarnat

“Compensatory Daemon” and “From One Child’s Partner”

One heart one bod
experience at first handsy
escalating intimacy

May 2025
Featured image for “Flight, 1995”
Ming Wu

Flight, 1995

They had arrived at the airport late, which is to say, only forty minutes early — something he’d blamed Susan for, even though he was the one who’d decided to pack another suitcase in the morning — so the moment they passed the security check, they broke into a run.

May 2025
Featured image for “Sunny Side Up”
Patricia Adelizzi

Sunny Side Up

They are like yellow eyes staring from the buttered skillet. Their centers are slightly runny, their whites sizzle softly, and they never stick to the pan.
There is no question of how she would prepare them.

May 2025
Featured image for ““Can you picture it?” and “Meet Me at the Jasmine Tree””
Daisy Dai

“Can you picture it?” and “Meet Me at the Jasmine Tree”

Can you picture it?
Could you make the leap if I asked politely?
Cruising through the interstate, one hand on the wheel, the other on my thigh,
Can you feel that rush, that high?

May 2025
Featured image for “Roslindale Square”
Richard McMullin

Roslindale Square

As always, Monday morning hit me like a shock wave, rudely interrupting whatever dreams I was having. The dreams rarely left me with detailed memories, only a few faint glimpses of somewhere I had never been and people I hardly knew.

May 2025
Featured image for ““The Balloon Man” and  “Salvage””
William Nixon

“The Balloon Man” and “Salvage”

Sucks all the helium he can
to escape the blood hound on his tail
for petty thievery & having too much fun.

May 2025
Featured image for “Generation A.I”
Lucina Stone

Generation A.I

This year’s Welcome back meeting following the summer break was different. It included a detailed presentation on Generation A.I. Looking around the auditorium, it seemed many other teachers were anxious too. This was our first and only official orientation for this new generation of students.

May 2025
Featured image for “Vroom, Vroom”
Susan Golden

Vroom, Vroom

I’m Theo. I’m seven.
Me, my mom, my Dad, and my sister Ava, we’re in the doctor’s office. The talk doctor.
Mom and Dad are sitting on the shiny blue couch. It made a squeaky sound when they sat down. Ava’s between them. She’s eight. She’s wearing bell-bottoms, just like Mom. She even has a mood ring, just like Mom. She thinks she’s so grown up.

April 2025
Featured image for “Running Away”
A.L. Gordon

Running Away

It’s funny because the crystal is pretty. Quite pretty. So, when I stumble across it, nestled in the carpet at the top of the stairs, my first thought is of its beauty. It is white and very clear. Sharp edges. It could have been a sugar crystal. Or it could have been a crystal grown with a kit like the one he got for his birthday when he was little. It had that look. But of course, it’s not that kind of crystal.

April 2025
Featured image for “Jerome in Context”
Michael McQuillan

Jerome in Context

He wakes within subways. I rise from bed. Damp floors soil his soles. Rugs ease mine. I pick and choose among possessions for what I’ll need today: a notebook, pen and wallet in a parka’s leftward pocket with my cellphone on the right. A crunched recycled shopping bag for groceries curls in my black cloth glove. All that he’s assembled along his arduous life’s journey stuff a wire shopping cart from which his duck’s gait grows.

April 2025
Featured image for ““Broken Wing,” “No donations here,” and “White Walls””
CM Pickard

“Broken Wing,” “No donations here,” and “White Walls”

Hopelessness—caked in dirt
and tossed aside,
like the bird
with a broken wing

April 2025
Featured image for “Conversations, Sometimes Interesting”
Andrew Sarewitz

Conversations, Sometimes Interesting

The final days with my mother were interesting. “Interesting” has become an interesting word to me. It’s almost always said as a polite way of saying “bad” or “not for me.” The day-to-day visits with my mother were rarely the same. Some fine. Some difficult. Always, in a good sense, interesting.

April 2025
Featured image for ““Sonnet for Interesting Times,” “Mutual Observation,” and “The Meantime””
Julie Benesh

“Sonnet for Interesting Times,” “Mutual Observation,” and “The Meantime”

You may wonder who will reach
down to perform the necessary miracle,
and when and what: the white bandage,
pristine; the laying on of hands; the soup
and sleep and bread and bed.

April 2025
Featured image for “Death Row”
Glenn Schiffman

Death Row

My name is Henry Wadsworth. Most prisoners call me Hank. I am proud of that moniker. Rare is the prison wherein there are any guards not loathed by the inmates. To be called Hank means I am an exception, one of the good guys, known to be decent and fair. It’s because I’m a man of faith. I don’t proselytize, though. The Lord is my shepherd; I shall not want. I don’t force my faith on others. I think that’s why the prisoners like me.

April 2025
Featured image for “Let Them Come, Tears!”
Marie Chen

Let Them Come, Tears!

It is 7 o’clock in the morning, as usual. On my desk, piles of books and notepads are scattered around the spot where my breakfast—a cup of coffee and a piece of toast topped with a sunny-side-up egg—sits. I’m reading a page from Haruki Murakami’s story “The Wind Cave” in The New Yorker, while Taiwanese pop songs play softly on the computer.

April 2025
Featured image for ““What Stays,” “Elfie’s Other Life,” and “Crow‘s Message””
Malcolm Glass

“What Stays,” “Elfie’s Other Life,” and “Crow‘s Message”

This morning I woke to slow rain,
and remembered waking with you
sprawled across my bed in a toccata
of bones muscles skin and breath.

April 2025