Issue 69, January 2023

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 69, January 2023

Featured image for “Death & Love”
Scott Lambridis

Death & Love

I was ten. My mother was in bed, rags over her head, buried among blankets. She’d been sweating for days, could barely turn her head without vomiting. I cleaned the ceramic dish we used as a bedpan. It wasn’t just her; everyone was sick.
Ten years ago, we’d relocated. I was just an infant. Neighboring warlords were having a dispute, and the Legion was called in to make peace.

January 2023
Featured image for “Goodnight Children”
Krista Schumacher

Goodnight Children

At twenty-three, I packed my car with an air mattress and bedding, a pot and pan, a few dishes, knives, forks and spoons, two small lamps, all the clothes I could fit into a large suitcase, a new pair of hiking boots, and my black lab mix. My sister and brother-in-law pulled their coats tight against the brisk March wind while I finished loading Ziggy. We hugged goodbye in the parking lot of an Oklahoma City IHOP, Kim wiping away tears and Bill smiling warmly. “Good luck,” he said as I closed the driver’s side door.

January 2023
Featured image for “Autobiography of the Bomb: Chapter Nineteen”
Jim Shankman

Autobiography of the Bomb: Chapter Nineteen

July 16. Five o’clock in the morning. Teller is a groggy, irritable man. They are twenty miles away from the tower where the gadget has finally been hoisted into place with the plutonium core nestled inside the wired aluminum sphere. There is no hint of sun yet in the sky. He wants to get this over with.

January 2023
Featured image for “Long-Distance Learning”
Frank Light

Long-Distance Learning

That old-time feel of can in hand loosens tongues as much as the contents do—our first beer and really our first chance to kick back since the two-day drive from Kabul last month. This is September 1971, Farah province on the border with Iran. Keynote honors go to the eldest: your humble servant. Sitting on the landing outside Werner’s room, I begin by saying Afghanistan was a big mistake.

January 2023
Featured image for “Accept All Changes”
Caroline Cooper

Accept All Changes

A few of Natasha Boginya’s friends started a regular tradition of dining on Monday nights at a fine restaurant in Greenwich Village. Here was a New York besotted with heavy linens, Italian marble, the generous pour. Truffled potatoes. Sautéed spinach. Roasted meats. A larder full of bottles. The light fixtures hung low, bemused.
The place was an old stalwart of Tzarist times that smiled from behind a display of unwavering conquest and success.

January 2023
Featured image for “Blind Soil”
Millie Ford

Blind Soil

An apartment dweller for forty years, I learned to navigate labyrinth hallways, steep staircases balancing bags of groceries, elevator caverns without eye contact. Every door the same, spread out like beads on a necklace, never a precious gem to hold. Then, I bought a townhouse.

January 2023
Featured image for ““dep sesh,” “sadhu,” and “Missus Oxygen Kisses Mister Dynamite’s Heart””
Gerard Sarnat

“dep sesh,” “sadhu,” and “Missus Oxygen Kisses Mister Dynamite’s Heart”

loci of suffering’s
my measly attempt
to lower stress level

a crying need warns
me off phantasmagoric
pathologist’s post-mortem

January 2023
Featured image for ““labyrinthia,” “laestrygonia,” and “ogygia””
Michele Evans

“labyrinthia,” “laestrygonia,” and “ogygia”

when i was a child,
momma told me:
sticks and stones
may break my bones
but words
will never hurt me.

January 2023
Featured image for ““Hineini” and “Lover Found/Lost (Renée)””
Lisa Delan

“Hineini” and “Lover Found/Lost (Renée)”

i am neither the seed
nor the fruit –
You water
me in the in
between;

between love and
the weeds
where i hide,

January 2023
Featured image for ““Grief,” “Clouds in the Sky,” and “Recalculating””
Cindy Buchanan

“Grief,” “Clouds in the Sky,” and “Recalculating”

A month after our daughter was born,
we planted a white dogwood. I didn’t know
the legend of the crucifixion wood.
I just liked the symmetry
of the four-petaled flowers, plump white crosses
with bright green pistils in the middle.

January 2023
Featured image for ““when the barn owl hoots no more,” “no trace,” and “again””
Christa Lubatkin

“when the barn owl hoots no more,” “no trace,” and “again”

when the night’s
dark eyes won’t lift their lids
the sun
won’t cheer the day awake
storms
lose their breath
oceans
forget their flow

January 2023
Featured image for ““Clauses,” “Complements,” and “Moods””
John Davis

“Clauses,” “Complements,” and “Moods”

The subordinate clause clattered to the asphalt:
Because I didn’t want to be a house flower.
He fluttered his fingers like a hitchhiker. He hoped
to thumb a ride from a dependent clause,

January 2023
Featured image for “Out of Sorts”
T.D. Calvin

Out of Sorts

“Where will it end?” Oliver says. “That’s what I’d like to know.”
In the decade Heather and family have lived next door to Oliver, he’s never missed a chance to take soundings of her beliefs. Heather gets the feeling he uses discussions to test her, each one a personal assessment that might help him decide the final value of her character.

January 2023
Featured image for “Mr. Chandler”
Patrick O'Dowd

Mr. Chandler

“Again?” Monica asked with a smile. A smile Mark knew wouldn’t be there in a few days. Not after she found out. There’d be no more smiles for him, not from bartenders or waitresses or family or friends. Just scowls and vitriol.

January 2023
Featured image for “Red Chair Diary”
Ruth Langner

Red Chair Diary

—I was homeless once.
Whether or not you choose to believe me, I once occupied a special place in a posh mansion situated in the western part of the city or what might be called the wealthiest part of the city. The property was surrounded by a low rock wall covered in ivy and bordered with pink rhododendrons and fragrant gardenias…

January 2023
Featured image for “Required Fields”
Mark Wagstaff

Required Fields

First, you don’t know the politics. Boundaries are hazy. Clusters of desks, all kinds of work getting done. Nobody knows how much use or annoyance you’ll be. I had no plan, no schedule. I had fields to interrogate, with dry-throated alarm at how the Next Page links jumped up in tens. The data, my domain.

January 2023
Featured image for “The Wrong Road”
Ryan Krause

The Wrong Road

He came to my office at 10 a.m. on January 30, two weeks to the day after the shooting. He made his appointment without referral, and I couldn’t help but assume he had chosen me because we happened to have the same name.
At 9:55, having answered emails for two hours and polished off my second cup of coffee…

January 2023
Featured image for “Not If, When”
Beth Weeks

Not If, When

I first met Caleb Allen at the twenty-four-hour Kroger where he stocked shelves third shift. He was only twenty-one and had failed out of college the year before because he found it beneath him and told me “the services rendered were not worth the costs incurred.” I was an insomniac, and near nightly went to Kroger at three in the morning to meander among the concentrated fruit juices and cans of condensed soup, under fluorescent lights that tricked me into believing I should be awake anyway.

January 2023