Issue 94, April 2025

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Dragonfly Out in the Sun

Tracey Dean Widelitz

Hold On To Me,
Sunlit Beauty,
and Rose Petals and Golden Wings

Refugees DRC

Despair Paintings

Owen Brown

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

Finding a Pathway

Finding a Pathway

Mark Rosalbo

As an emerging artist, the art form I work with is primarily abstract painting and large-scale installations. My artistic process involves using various mediums and techniques to create physical manifestations of internal dialogues and personal judgments. In my abstract paintings, I use house paint, various tools, and textured canvases. The technique involves creating overconfident brushstrokes that mask my imposter syndrome, with multiple layers of paint partially hidden under the surface. The inner turmoil arising from self-doubt is expressed as geometric shapes woven together with texture.

In Between

Wholeness Through Fracture: Sculpting the Human Condition

Aleksandra Scepanovic

Three works in clay by Aleksandra Scepanovic.
Each of these works tells a story of the complexity and beauty found in life’s fractures, embracing the wholeness that emerges through resilience.

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Coastal Grey

Miki Simic

This series of photographs, titled “Coastal Grey,” depicts elements of summer themes. My goal was to capture a vibrant setting and allow the viewer to realize it remains vibrant even though color is lacking.

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Symphony in Green

Patrice Sullivan

I paint landscapes, interiors, exteriors, still life’s with figures interacting and posing for the camera displaying memorable moments with families, friends, and neighbors.

friends

Friends, Triplets, and Family Narrative

Tianyagenv Yan

Tianyagenv uses light clay to make miniature figures and wishes to capture the characteristics of femininity, vulnerability, and resilience in potential.

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Green Canyon Bridge 1993, Thrive, and Tarot Deck: The Moon

Robb Kunz

My paintings explore the abstract simplicity of ordinary life and the deductive impulse to see ourselves reflected back in art.

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Metamorphosis

Marianne Dalton

The photographs are from the series, Metamorphosis. Each painterly creation constructed from dozens of layered photographs is driven by my reaction to nature’s extreme seasonal change.

La Huasteca

La Huasteca, Roots in Nuevo Leon, and Frames

Tee Pace

La Huasteca, Roots in Nuevo Leon, and Frames

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Cherry Blossoms

Annika Connor

Cherry Blossom Forest

Les Femmes Mondiales Black and White

Les Femmes Mondiales Black and White

Janet Brugos

Les Femmes Mondiales Black and White
Hurricane
Chicago Ice

Sunset over the Pacific

Three Photographs

Lawrence Bridges

UNDER THE PIER, MALIBU CA
SUNSET OVER THE PACIFIC
and POOL, POST RANCH INN, BIG SUR

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Joshua Tree Project

Holly Willis

The images are part of a larger series created in the Mojave Desert around Joshua Tree in the fall of 2023 that explore the shifting state of the desert.

October Still Life

Chasing Paradise

Marianne Dalton

This series, Chasing Paradise, draws upon my work as a fine artist in painting, as I create stylized photographs of flowers and plants found in my rural environment.

Turtle Light

Ocean Sleep and Turtle Light

Maite Russell

Turtle Light and Ocean Sleep are works of multimedia and sculpture mediums, respectively, depicting the natural world with fantastical elements.

Issue 94, April 2025

Featured image for “Vroom, Vroom”
Susan Golden

Vroom, Vroom

I’m Theo. I’m seven.
Me, my mom, my Dad, and my sister Ava, we’re in the doctor’s office. The talk doctor.
Mom and Dad are sitting on the shiny blue couch. It made a squeaky sound when they sat down. Ava’s between them. She’s eight. She’s wearing bell-bottoms, just like Mom. She even has a mood ring, just like Mom. She thinks she’s so grown up.

April 2025
Featured image for “Running Away”
A.L. Gordon

Running Away

It’s funny because the crystal is pretty. Quite pretty. So, when I stumble across it, nestled in the carpet at the top of the stairs, my first thought is of its beauty. It is white and very clear. Sharp edges. It could have been a sugar crystal. Or it could have been a crystal grown with a kit like the one he got for his birthday when he was little. It had that look. But of course, it’s not that kind of crystal.

April 2025
Featured image for “Jerome in Context”
Michael McQuillan

Jerome in Context

He wakes within subways. I rise from bed. Damp floors soil his soles. Rugs ease mine. I pick and choose among possessions for what I’ll need today: a notebook, pen and wallet in a parka’s leftward pocket with my cellphone on the right. A crunched recycled shopping bag for groceries curls in my black cloth glove. All that he’s assembled along his arduous life’s journey stuff a wire shopping cart from which his duck’s gait grows.

April 2025
Featured image for ““Broken Wing,” “No donations here,” and “White Walls””
CM Pickard

“Broken Wing,” “No donations here,” and “White Walls”

Hopelessness—caked in dirt
and tossed aside,
like the bird
with a broken wing

April 2025
Featured image for “Death Row”
Glenn Schiffman

Death Row

My name is Henry Wadsworth. Most prisoners call me Hank. I am proud of that moniker. Rare is the prison wherein there are any guards not loathed by the inmates. To be called Hank means I am an exception, one of the good guys, known to be decent and fair. It’s because I’m a man of faith. I don’t proselytize, though. The Lord is my shepherd; I shall not want. I don’t force my faith on others. I think that’s why the prisoners like me.

April 2025
Featured image for “Conversations, Sometimes Interesting”
Andrew Sarewitz

Conversations, Sometimes Interesting

The final days with my mother were interesting. “Interesting” has become an interesting word to me. It’s almost always said as a polite way of saying “bad” or “not for me.” The day-to-day visits with my mother were rarely the same. Some fine. Some difficult. Always, in a good sense, interesting.

April 2025
Featured image for ““Sonnet for Interesting Times,” “Mutual Observation,” and “The Meantime””
Julie Benesh

“Sonnet for Interesting Times,” “Mutual Observation,” and “The Meantime”

You may wonder who will reach
down to perform the necessary miracle,
and when and what: the white bandage,
pristine; the laying on of hands; the soup
and sleep and bread and bed.

April 2025
Featured image for “Let Them Come, Tears!”
Marie Chen

Let Them Come, Tears!

It is 7 o’clock in the morning, as usual. On my desk, piles of books and notepads are scattered around the spot where my breakfast—a cup of coffee and a piece of toast topped with a sunny-side-up egg—sits. I’m reading a page from Haruki Murakami’s story “The Wind Cave” in The New Yorker, while Taiwanese pop songs play softly on the computer.

April 2025
Featured image for ““What Stays,” “Elfie’s Other Life,” and “Crow‘s Message””
Malcolm Glass

“What Stays,” “Elfie’s Other Life,” and “Crow‘s Message”

This morning I woke to slow rain,
and remembered waking with you
sprawled across my bed in a toccata
of bones muscles skin and breath.

April 2025
Featured image for “The Summer of ’94”
Joseph Gulino

The Summer of ’94

I fell in love for the first time during the summer of ‘94. It was the summer before my senior year of high school, the same summer Sammy Davis played baseball for the Vermont Expos. He wore Mickey Mantle’s old number seven and manned his old position, center field. The Mick was Dad’s favorite player. Dad grew up west of the Mississippi in the fifties, so he bled Cardinal red. Stan Musial, Bob Gibson, and Enos Slaughter were his Father, Son, and Holy Ghost.

April 2025
Featured image for “Reparations”
William Cass

Reparations

I was admitted through the ED to a step-down unit shortly before midnight on a rainy late July Thursday. My wife, Gwen, had driven me there because of increasing gut pain, but upon intake it was noted that I also had significantly low heart rate and blood pressure. Initial tests provided no immediate explanation for any of the conditions, but because the pain became sufficiently intense that they had to administer a low dose of morphine…

April 2025
Featured image for “Headwaters of the River Styx”
Chris Travis

Headwaters of the River Styx

I have not ferried a living soul across the straits since Orpheus and Eurydice. I think of her and how she clung to Orpheus and wept into his chest, and he crooned softly into her hair not daring to open his eyes. Orpheus smelled of sunshine and song. Eurydice smelled narcotic like a field of hyacinths, and smoke. Orpheus calmed her with his beautiful baritone warm as a patch of sunlight in the forest.

April 2025
Featured image for “3 Words I Learned in Cairo”
Cara Burdon

3 Words I Learned in Cairo

When I received the news that I had received a scholarship to study on a year-long Arabic programme in Cairo, my initial excitement was misplaced. The promise of exploring this crazy city and building a new network of connections energised me. I bombarded friends with experience living in Cairo with requests for recommendations: historical sites, ruins, restaurants, hip neighbourhoods. I wanted to see it all. Immediately.

April 2025
Featured image for ““A Swan,” “Lips,” “I Saw You Crying””
Ramiro Valdes

“A Swan,” “Lips,” “I Saw You Crying”

A swan,
His neck a staircase into
The white clouds,
Wings, oars
Of silk,
Toiling
Against
The waves of
Water…

April 2025
Featured image for “The Gobbo”
Mari Wittenbreer

The Gobbo

Mr. Nicola hated our play. I knew because I heard him talking to the assistant director. He had wanted to do Jack in the Beanstalk, with a smaller cast—no little girls, just a boy—So much easier, he said, his hands rising up to his shoulders. The board of directors insisted he do Madeline instead because they could sell books and trinkets in the gift shop. The summer children’s show had to be popular for all the kids. Jack in the Beanstalk was only for the pre-K set. With Madeline it would be like Christmas in July and balance the budget for the entire season—more than pay for the live animals he had on stage when he directed Twelfth Night.

April 2025
Featured image for “The Family Fernandez”
Sara Fraser

The Family Fernandez

The new priest dropped consonants from the ends of words, causing consternation and some mirth among the few who still attended mass. Juan, sitting with a group of women near the fountain, an empty plastic water jug by his feet, listened as they talked about him. They were waiting for the bread and making fun of the priest’s Argentinian accent.
“If he were serving coffee, not communion, it wouldn’t matter what he sounds like!” Laura complained. She unfolded a handkerchief and laid it on top of her gray hair against the sun.

April 2025
Featured image for “The Muse You Can Become”
Marianne Dalton

The Muse You Can Become

As I step through the library door, a soft, comforting scent drifts toward me, leaving me feeling calm. Dad whispers, “Have a look around. It is truly remarkable. I’ll be in this main room if you need me.” As I look around, I quickly realize Dad was right. This library is not like any other I’ve ever seen. It is special.

April 2025
Featured image for ““The Room Next Door” and “Bright Red Gloves””
Eleanor Krauss

“The Room Next Door” and “Bright Red Gloves”

The first time Elizabeth jumped, James was on the ground with a tarp; / they were in different worlds and the two had never met.

“No one understands me,” Elizabeth said. She was lying / on the floor of her pink-striped bedroom and was talking to the ceiling.

April 2025
Featured image for “On the Prowl”
Swetha Amit

On the Prowl

I was just a tiny feral kitten when I lost my mother. She went to fetch food like she did every day. My siblings and I would wait on the porch of a house whose family was always traveling. It was freezing more than usual that evening. The loud noises from the roads made us crouch in fear. Then, I heard this screeching sound followed by a door opening and slamming in the street near the house’s porch. I listened to a woman’s cry of anguish.

April 2025
Featured image for ““Impatient,” “Last Week,” and “Now It Is a Requiem””
Eric Lunde

“Impatient,” “Last Week,” and “Now It Is a Requiem”

Leaving the hospital, she said:
“Today, everyone looks like something I ate.”
Right now? I asked, scanning the parking lot.
“Yes. And everyone throughout my life.”
I thought so. Most of the meat
Loaf I digested resembled
My eighth-grade class.

April 2025
Featured image for “Despair Paintings”
Owen Brown

Despair Paintings

The world seems to carry on as if there aren’t a million reasons to be shocked. But because I don’t want to go numb, I try to paint them, at least a few. For these, I paint figuratively, as I was trained, even though now, often, my desires, and my output, is abstract. Still, how can we ignore the drought in Afghanistan, the strife in Sudan, the war in Gaza, the invasion of Ukraine? Or even what goes on in our own lives?

March 2025