Poetry

Featured image for ““The Problem with Language Today,” “The Last Altar Boy,” and “My Rolling Sea””

“The Problem with Language Today,” “The Last Altar Boy,” and “My Rolling Sea”

Rory Doherty

Undone diction
etherized upon a table.
Is or isn’t. In or out. For or against.
Ones, zeroes, x’s, o’s.
Klaxoned opinions clamoring.
A crisis indeed.
Featured image for ““The Wheel,” “Forecast,” and “My Type””

“The Wheel,” “Forecast,” and “My Type”

Julie Benesh

Many nights I go to sleep
a teenager and wake
up as an old woman. Mid-
life plays out in dreams
Featured image for ““The Tournament of Roses,” “Clear Cut,” and “Second Coming””

“The Tournament of Roses,” “Clear Cut,” and “Second Coming”

Chuck Rybak

Since dawn Jesus has walked the streets
with different faces and portable PA’s
expounding on hell Jesus has nothing good to say
before the flowers come roll down the road on wheels
on floats made of roses and rice and lentils everything organic
Featured image for ““Called to Rise,” “Cartoon of the Japanese,” and “Cast+””

“Called to Rise,” “Cartoon of the Japanese,” and “Cast+”

Margot Block

we are called to rise when our souls awaken
collapsing over the edge of an orange sun
moving through its own heat
we awake from the deep
blue hair mussed
we are called to rise beyond the blood of the blind
Featured image for ““Frida’s Tequila,” “The Pivot, or Streptococcus Pneumoniae and Me,” and “In the Evening, Sonnets””

“Frida’s Tequila,” “The Pivot, or Streptococcus Pneumoniae and Me,” and “In the Evening, Sonnets”

Brian Mosher

Courageous Frida, icon to millions
who know no more of you than your eyebrows
on the t-shirts your face adorns,
what is your name worth now?
Featured image for ““Two Weeks Notice,” “A Recollection of Simpler Times,” and “Night Lights””

“Two Weeks Notice,” “A Recollection of Simpler Times,” and “Night Lights”

Vincent Casaregola

In two weeks’ time, I will depart,
and you will see me fading out the doorway,
disappearing from your time and space.

Nothing, no one ever leaves completely,
and so you will not see or hear but sense
the presence, the silence, the smile/frown
Featured image for ““Dandelions” and “Elvis””

“Dandelions” and “Elvis”

Nicholas Bonarski

For years the school bus took the same path
past your grandmother’s house—just uphill from yours

each day the fields flickering past,
sometimes filled with corn,
autumn filled with hay bales

Poetry

Featured image for ““The Problem with Language Today,” “The Last Altar Boy,” and “My Rolling Sea””

“The Problem with Language Today,” “The Last Altar Boy,” and “My Rolling Sea”

Rory Doherty

Undone diction
etherized upon a table.
Is or isn’t. In or out. For or against.
Ones, zeroes, x’s, o’s.
Klaxoned opinions clamoring.
A crisis indeed.
Featured image for ““The Wheel,” “Forecast,” and “My Type””

“The Wheel,” “Forecast,” and “My Type”

Julie Benesh

Many nights I go to sleep
a teenager and wake
up as an old woman. Mid-
life plays out in dreams
Featured image for ““The Tournament of Roses,” “Clear Cut,” and “Second Coming””

“The Tournament of Roses,” “Clear Cut,” and “Second Coming”

Chuck Rybak

Since dawn Jesus has walked the streets
with different faces and portable PA’s
expounding on hell Jesus has nothing good to say
before the flowers come roll down the road on wheels
on floats made of roses and rice and lentils everything organic
Featured image for ““Called to Rise,” “Cartoon of the Japanese,” and “Cast+””

“Called to Rise,” “Cartoon of the Japanese,” and “Cast+”

Margot Block

we are called to rise when our souls awaken
collapsing over the edge of an orange sun
moving through its own heat
we awake from the deep
blue hair mussed
we are called to rise beyond the blood of the blind
Featured image for ““Frida’s Tequila,” “The Pivot, or Streptococcus Pneumoniae and Me,” and “In the Evening, Sonnets””

“Frida’s Tequila,” “The Pivot, or Streptococcus Pneumoniae and Me,” and “In the Evening, Sonnets”

Brian Mosher

Courageous Frida, icon to millions
who know no more of you than your eyebrows
on the t-shirts your face adorns,
what is your name worth now?
Featured image for ““Two Weeks Notice,” “A Recollection of Simpler Times,” and “Night Lights””

“Two Weeks Notice,” “A Recollection of Simpler Times,” and “Night Lights”

Vincent Casaregola

In two weeks’ time, I will depart,
and you will see me fading out the doorway,
disappearing from your time and space.

Nothing, no one ever leaves completely,
and so you will not see or hear but sense
the presence, the silence, the smile/frown
Featured image for ““Dandelions” and “Elvis””

“Dandelions” and “Elvis”

Nicholas Bonarski

For years the school bus took the same path
past your grandmother’s house—just uphill from yours

each day the fields flickering past,
sometimes filled with corn,
autumn filled with hay bales