Poetry

Featured image for ““Just beyond the Road’s Edge,” “Listen to the Desert,”and “Echoes of Falling Water””

“Just beyond the Road’s Edge,” “Listen to the Desert,”and “Echoes of Falling Water”

Susan Cummins Miller

Just beyond the road’s edge
in the country of black-eyed Susans
and Russian thistle—

just beyond the crumbling line
where asphalt stops and washboard
gravel begins—just beyond the turnoff
Featured image for ““Revelation,” “Consequences be like…,” and “1838””

“Revelation,” “Consequences be like…,” and “1838”

Steve Biersdorf

Where fall hangs on into late December are

scattered bay leaves, almond-shaped to the
petiole, petiole as boat draft, wake, tiny

battleships and destroyers from the

admiral’s sky vantage, arranged in naval
maneuvers on the asphalt expanse of Hastings
Featured image for ““12 Years Old,” “Can’t Google This,” and “To Hell With Black Friday””

“12 Years Old,” “Can’t Google This,” and “To Hell With Black Friday”

Nika Cavat

She had a baby
only two weeks ago –
2 pounds, 6 sticks of butter, a sack of flour
a bowl of apples, a bag of caramel sugar
2 pounds of a girl.

She weeps into the bowl of her hands,
her breasts full, her womb a spent sack
her baby, no bigger than a pup…
Featured image for ““Loose Parts,” “Quis Ut Deus,” and “Time and Fire””

“Loose Parts,” “Quis Ut Deus,” and “Time and Fire”

Jack D. Harvey

Tweet, tweet, tweet,
tandaradei,
set the scene
back in the day;
inside and outside
the heat for master and slave
too hot to handle
even in the basement,
even in the shade
Featured image for ““Direct the intention seaward,” and “Asunder, sticking to the hurricane like glue.””

“Direct the intention seaward,” and “Asunder, sticking to the hurricane like glue.”

Nicholas Matzoros

Direct the intention seaward, where kelp forests sway like cathedral tapestries,
And the hush of the deep folds inward, a silence vast enough to hold the ache of longing.

Let your thoughts unfurl like sea anemones, soft and trembling,
Reaching for the light that dances down in scattered gold
Featured image for ““Aujargues in Mid-Summer,” “Summer Evening Walk After Rain,” and “Eros & Philia: A Botany of Love””

“Aujargues in Mid-Summer,” “Summer Evening Walk After Rain,” and “Eros & Philia: A Botany of Love”

Claudia Kessel

three-legged cat crouches in the alley
one-eyed horse at pasture
white sun breathes on white stone

green figs cling
to the youth of their branches
resist their gradual purpling

soles of shoes
Featured image for ““Coleslaw Dignity,” “a young piece,” “For Sunday””

“Coleslaw Dignity,” “a young piece,” “For Sunday”

Sean Mahoney

When I left you alone at night after three it was I think
The storybook moment and perfect ending: three dead
Maji dropping from the sky bounce off clouds. Spiritless
We disappear within the screams, the laughter; Pro-

Publica gone DOA. I’m almost nauseous having thought
Of the way we cook with human flaw; coleslaw dignity.
Featured image for ““Dinosaurs,” “Casino,” and “Disabled with Dog””

“Dinosaurs,” “Casino,” and “Disabled with Dog”

Litsa Dremousis

My childhood friend says:
I don’t believe in dinosaurs anymore.
I laugh
but he insists
he’s not kidding.
Stunned,
I search his eyes
for a glimmer
of the person
I’ve loved
Featured image for ““Schooled by the Algorithm,” “”Hippocratic Oath,” and “The Shadow of the Dryad””

“Schooled by the Algorithm,” “”Hippocratic Oath,” and “The Shadow of the Dryad”

Vanessa Watters

It told me that I have a problem
I have to solve, that I’m the puzzle.
I could feel it study me, as I
researched myself. It taught me
if I go deep, it’ll all work out, a
mastermind of configuring the pieces
of my psyche, which it said in Greek
means “soul.”
Featured image for ““Slow Living,” and “Blessed is the Moon””

“Slow Living,” and “Blessed is the Moon”

David W. Berner

Tonight, I choose to place my singular attention
on the moon, the orb of dust and rock
and its ghostly reflection of the burning star,
and breathe in the crickets and the owls.

And it is in the lightless chill that I wonder—
what does it mean to arrive, to find
comfort in a destination reached.
Featured image for ““It’s Not Me,” “Always There,” and “Service””

“It’s Not Me,” “Always There,” and “Service”

Lucy Sage

It’s not me.
The polish lingers,
black onyx screams
on each finger.

It’s been five days.
My nails are lit.
I’m not sure why
I try it.
Featured image for ““my first time, 1968,” “My boyfriend and I drive from Blomington to Champaingne 1970,” and “The sun finds us””

“my first time, 1968,” “My boyfriend and I drive from Blomington to Champaingne 1970,” and “The sun finds us”

Claire Weiner

in the basement
of the bi-level
where I live
with my parents
and older sister
in a small middle class
suburb of Chicago

Poetry

Featured image for ““Just beyond the Road’s Edge,” “Listen to the Desert,”and “Echoes of Falling Water””

“Just beyond the Road’s Edge,” “Listen to the Desert,”and “Echoes of Falling Water”

Susan Cummins Miller

Just beyond the road’s edge
in the country of black-eyed Susans
and Russian thistle—

just beyond the crumbling line
where asphalt stops and washboard
gravel begins—just beyond the turnoff
Featured image for ““Revelation,” “Consequences be like…,” and “1838””

“Revelation,” “Consequences be like…,” and “1838”

Steve Biersdorf

Where fall hangs on into late December are

scattered bay leaves, almond-shaped to the
petiole, petiole as boat draft, wake, tiny

battleships and destroyers from the

admiral’s sky vantage, arranged in naval
maneuvers on the asphalt expanse of Hastings
Featured image for ““12 Years Old,” “Can’t Google This,” and “To Hell With Black Friday””

“12 Years Old,” “Can’t Google This,” and “To Hell With Black Friday”

Nika Cavat

She had a baby
only two weeks ago –
2 pounds, 6 sticks of butter, a sack of flour
a bowl of apples, a bag of caramel sugar
2 pounds of a girl.

She weeps into the bowl of her hands,
her breasts full, her womb a spent sack
her baby, no bigger than a pup…
Featured image for ““Loose Parts,” “Quis Ut Deus,” and “Time and Fire””

“Loose Parts,” “Quis Ut Deus,” and “Time and Fire”

Jack D. Harvey

Tweet, tweet, tweet,
tandaradei,
set the scene
back in the day;
inside and outside
the heat for master and slave
too hot to handle
even in the basement,
even in the shade
Featured image for ““Direct the intention seaward,” and “Asunder, sticking to the hurricane like glue.””

“Direct the intention seaward,” and “Asunder, sticking to the hurricane like glue.”

Nicholas Matzoros

Direct the intention seaward, where kelp forests sway like cathedral tapestries,
And the hush of the deep folds inward, a silence vast enough to hold the ache of longing.

Let your thoughts unfurl like sea anemones, soft and trembling,
Reaching for the light that dances down in scattered gold
Featured image for ““Aujargues in Mid-Summer,” “Summer Evening Walk After Rain,” and “Eros & Philia: A Botany of Love””

“Aujargues in Mid-Summer,” “Summer Evening Walk After Rain,” and “Eros & Philia: A Botany of Love”

Claudia Kessel

three-legged cat crouches in the alley
one-eyed horse at pasture
white sun breathes on white stone

green figs cling
to the youth of their branches
resist their gradual purpling

soles of shoes
Featured image for ““Coleslaw Dignity,” “a young piece,” “For Sunday””

“Coleslaw Dignity,” “a young piece,” “For Sunday”

Sean Mahoney

When I left you alone at night after three it was I think
The storybook moment and perfect ending: three dead
Maji dropping from the sky bounce off clouds. Spiritless
We disappear within the screams, the laughter; Pro-

Publica gone DOA. I’m almost nauseous having thought
Of the way we cook with human flaw; coleslaw dignity.
Featured image for ““Dinosaurs,” “Casino,” and “Disabled with Dog””

“Dinosaurs,” “Casino,” and “Disabled with Dog”

Litsa Dremousis

My childhood friend says:
I don’t believe in dinosaurs anymore.
I laugh
but he insists
he’s not kidding.
Stunned,
I search his eyes
for a glimmer
of the person
I’ve loved
Featured image for ““Schooled by the Algorithm,” “”Hippocratic Oath,” and “The Shadow of the Dryad””

“Schooled by the Algorithm,” “”Hippocratic Oath,” and “The Shadow of the Dryad”

Vanessa Watters

It told me that I have a problem
I have to solve, that I’m the puzzle.
I could feel it study me, as I
researched myself. It taught me
if I go deep, it’ll all work out, a
mastermind of configuring the pieces
of my psyche, which it said in Greek
means “soul.”
Featured image for ““Slow Living,” and “Blessed is the Moon””

“Slow Living,” and “Blessed is the Moon”

David W. Berner

Tonight, I choose to place my singular attention
on the moon, the orb of dust and rock
and its ghostly reflection of the burning star,
and breathe in the crickets and the owls.

And it is in the lightless chill that I wonder—
what does it mean to arrive, to find
comfort in a destination reached.
Featured image for ““It’s Not Me,” “Always There,” and “Service””

“It’s Not Me,” “Always There,” and “Service”

Lucy Sage

It’s not me.
The polish lingers,
black onyx screams
on each finger.

It’s been five days.
My nails are lit.
I’m not sure why
I try it.
Featured image for ““my first time, 1968,” “My boyfriend and I drive from Blomington to Champaingne 1970,” and “The sun finds us””

“my first time, 1968,” “My boyfriend and I drive from Blomington to Champaingne 1970,” and “The sun finds us”

Claire Weiner

in the basement
of the bi-level
where I live
with my parents
and older sister
in a small middle class
suburb of Chicago