Home after a long, hard day at work, Pieter Bakkes took a quick shower, pulled on some civvies, turned on the television, switched on the news, grabbed the day’s newspaper from an end table, and plopped down on the couch in his family’s living room. When a commercial about Lion Lager came on, he hopped up and headed into the kitchen to get a cold bottle of the beer.

Tuesday night, a group of sicarios abducted Juan José Juárez, his wife, and two children in Colonia Los Duendes. Drugs and weapons were found in a bunker hidden behind the living room of the suburban house, tying Juárez to the Baja Cartel. Joaquín Velasco, a neighbor, is also missing.
“Joaquín went to play video games with Manuel, the youngest son,” María Velasco, Joaquín’s mother, explained. “He played over there all the time. We had no idea of Juan Manuel’s drug trafficking. We’d known them for years.”

Leo positioned the stylus gently on the vinyl record, delighting in the peculiar little crackle signifying the start. The inexpensive turntable was his first purchase when he arrived in New York, and it made his dorm room cozier. He swung his legs up on the bed and pillowed his hands behind his head. A piano, followed by a violin, playing “Yo Soy Maria” by Piazzolla, an Argentinian composer.

I’ve spent weeks painting these walls. Spent weeks painting this shack, inside and out. Spent weeks, now, learning this place: this house, this garden, this street, this town. Already, I’ve memorised the view from the end of my road: a ravaged curve of mountainous coast crooked around the edge of the bay; a bay that opens out to the ocean; an ocean that pours into the southern hemisphere which makes up the bottom half of this godforsaken world.

Mike was mean as a snake, except when she decided she wasn’t. Then she was sweet as pie. She could be an in-between kind of nice too, but that was mostly for waitresses and old ladies and neither of us ever found that very interesting. Mike was beautiful, stunning actually, and understood the leverage this gave her with both sexes, though it was the advantage she pressed least.

A second weather alert convinces Mary Carruci, the executive director of Camp Rapture, to shine her flashlight at the rain pelting the river. Crossing a puddle in sneakers, shorts and a tank top, she tilts her umbrella toward the wind and heads from her office to the road, where lightning reveals the river’s steady flow. She follows the asphalt up to the bridge and stops breathing when a sheet of water rounds the bend and skirts the river’s surface.