Meg Taylor

I write from the intersection of personal experience and cultural critique—drawing from years in corporate spaces, the emotional weight of expectations, and a hunger for authentic living. My work often sits in the tension between weariness and hope, sorrow and curiosity.

“Before the Blueprint,” “The Day the Sky Gasped,” and “Machines in Mascara”

What if we stopped naming stars
before they’re born—
stopped dreaming up doctorates
in ultrasound rooms,
or calling chubby fists
“just like Dad’s baseball grip”?
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