My name is Saghani, which means Raven in our tongue. Some say with a name like that, I’ve been cursed since the day I was born. Perhaps they are right.
At eighteen years of age, I was already a widow, gathering fish from the nets alongside the other members of the widows’ colony, knee-deep in the frigid water of the Nilak River.

After her dad died, Aveline swore to herself she wouldn’t let his novel go unfinished. It had taken two weeks for the brain fog to wear off and another two after that before she’d recovered from the shock of losing him to do anything, but even now, six months later, she struggled to get any real work done. Her progress through his notes was slow to the point of agony.

Nita Walsh’s parents had promised her a weekend trip to the Pocono Mountains for her seventeenth birthday. Her parents were normally super thrifty, but just this once, she’d been able to convince them to splurge. Less than two hours after they’d left home in Piscataway, New Jersey, and headed west, a storm battered the roof of their dilapidated station wagon. The wipers beat a furious rhythm against the pelting rain as it poured down the windows in transparent sheets.

Kira Atsusuke, heir to the royal throne of Onosano, prostrated herself before the raised platform where her mother, Empress Sakura, sat. To Kira’s left, her younger sister the Princess Yuuki, also bowed in supplication. Their faces were pressed against the bamboo covering on the throne room floor, neither of them daring to move until her Imperial Eminence, the Divine Ruler of the five kingdoms of the Sunset Empire, commanded otherwise.

At ten o’clock on a Sunday morning in late January, the clock on the mantel chimes. I glance up from my record-keeping to stare out the paned window at the falling rain. The skies are a leaden gray, the tops of the trees swaying in the wind.
Nasty weather to be out in.
Grateful for a crackling fire in the hearth and my wool vest, I dip a pen in the inkwell and continue crafting a detailed summary of my last patient’s condition.

The face of the fairy statue that sits in the middle of my overgrown garden is covered with moss. Her exquisite features appear altered. The fairy used to be joyful, her stone eyes etched full of delight, tilted up at the corners. They reflected the smile of her pretty, carved mouth. Now her eyes are downcast, that mouth pulled into a frown. She’s been laid to waste by the ravages of time, incessant dampness, and years of neglect.