The fluorescent lights of Sunnyvale Manor didn’t flicker, but they hummed with a low-frequency dread that matched the static in Helena’s brain. For six job-searching months, Helena’s world had been the size of a mattress. She knew the topography of her ceiling fan better than the faces of her friends. Her days had been measured in battery percentages; she had lived in a digital hospice, doom-scrolling through tragedies and memes and resume silence. Taking the job as a Night Floor Assistant was an act of desperation, a tether to the land of the living.

The Grip of the Living

On her first day, a woman named Mrs. Gable reached out from a wheelchair. Her hand was a bird’s wing—all skin and heat. She didn't grab Helena’s hand; she clamped onto her wrist.

"Don't let them take the silver," Mrs. Gable whispered, her grip surprisingly powerful.

Helena froze. Mrs. Gable’s pulse felt like a hammer against Helena’s own. It was just the beginning though, because throughout her first day, and as the weeks passed, the Wrist- Grabbing became a ritual. Mr. Henderson grabbed her left wrist to steady himself while he complained about the pudding. Sister Mary gripped both wrists to pray, her fingernails digging into Helena’s skin. The "Vanderwaal Twins" would take turns holding her arm as she guided them to the sunroom. And usually the hand lying across her wrist was like a throat clearing before a question, and then would tighten and either then make a request or say something outrageous or occasionally hilarious that Helena would laugh to herself about later.

Wrist grab: Helena, have I ever told you about my personal life? Wrist grab: Joan and Larry are lovers. Wrist grab: Diana is a thief, etc.

At first, it felt shocking—a violation of the private digital bubble she had cultivated. But slowly, the static in Helena’s head began to clear. Each grip felt like a jump-start to a stalled engine. They were pulling her out of the gray, anchoring her to the physical world with every desperate, bony squeeze.

The Inheritance

While the patients were tethering Helena to life, her boss, Marisela, was trying to pull her into something else. Marisela was a woman of sharp angles and caffeine tremors. She wore a heavy ring—a silver band with a weeping eye—and she watched Helena with a predatory hunger.

"You have the 'Spirit,' Helena," Marisela said on her first day, cornering Helena in the breakroom. “I don’t want to lose you,” she added nervously, looking over her shoulder and preemptively trying to head off any thoughts Helena might have about quitting. But there was no thought of quitting in Helena’s mind. In fact, she was being invigorated by the job, and Marisela in those first weeks began draping her own heavy wool cardigan over Helena’s shoulders. "I can see the weight of the world leaving you. You’re becoming... substantial. You’re ready for the paperwork. For the authority."

Marisela started teaching Helena the "Rites of the Manor"—things that weren't in the employee handbook. How to balance the ledgers of souls, how to ignore the screaming from Room 412, and how to stay awake for seventy-two hours without blinking.

But Helena began to feel a strange, cold heaviness settling in her chest. She realized one day with a jolt of horror that she wasn't just being promoted; she was being molded. Marisela was aging before her eyes, her skin sagging as if the "craziness" of the Manor was a physical fluid she was pouring into Helena’s younger vessel.

"Once the transfer is complete," Marisela hissed one late evening, her eyes clouded with cataracts that hadn't been there a month ago and thinking Helena had left the room, "I can finally sleep. And you... you will be the Keeper. Oh crap, I didn’t know you were in the room with me still."

That frightening faux paus aside, the transition had happened so slowly that Helena didn’t notice she was swapping one cocoon for another. She had traded the blue light of her phone for the flickering fluorescent hum of the Manor, but the "new" Helena—the one Director Marisela was meticulously crafting—was starting to look a lot like a mirror.

The Mirror and the Wardrobe

It had started with the clothes. Marcella began "gifting" her vintage blazers and high-collared blouses. "You look so professional, Helena," Marisela would say, her eyes gleaming with manic relief. "We’re practically sisters now."

Helena had looked in the mirror and didn’t hate it. It was a cute outfit, after all. If you’re going to be a doppelgänger, you might as well be a stylish one. But the resemblance was becoming uncanny. They moved in sync now, two versions of the same exhaustion, walking the halls like a glitch in time. Marisela was the ghost of the future, desperately trying to hand over the keys to the asylum before she withered away entirely.

The Filthy Florida Dream

The residents didn't care about the corporate succession; they were busy in their own vivid, chaotic worlds. Janie, a woman whose grip on Helena’s wrist felt like a permanent bracelet, leaned in close one afternoon.

"Have I told you about Florida?" Janie whispered huskily, lying on her back in bed like a dissatisfied teenager.

“I don’t think so. By the way, I have something for you, Janie,” Helena said, hiding the small surprise behind her back she had brought in.

"Is it a vibrator?” Janie said, “because if it’s not a vibrator, I don’t want it."

Helena hefted slightly in her hand the Bible Word Search booklet she was holding behind her back, trying to maintain some semblance of Marisela’s required "order.”

"No, Janie, it’s not one of those," Helena sighed, though she felt a giggle bubble up. "I guess you could do whatever you want with it, though.”

Bored by her square offering, Janie ignored her, launching instead into her favorite myth: The Florida Resort. A place somewhere deep in the South where octogenarians cruised on souped-up golf carts and scooters, engaging in a filthy, degraded sex scene that would make a rock star blush, but Janie was ready to road trip there yesterday.

Janie explained once again that the residents would put a loofa, which was some sort of shower sponge, on the back of their scooter or golf cart’s antenna, stacking them, she explained to Helena, one, two, or three high, to show exactly what they were into as they cruised.

“I heard one means you’re single and ready to mingle, two means you’re gay, and three means you're into everything!” Janie was packed and ready to go, but while she painted pictures of geriatric debauchery, Helena doggedly tried to circle the word "Golgotha" in the word search, her mind a battlefield between Marisela’s rigid professionalism and the wild, pulsing life of the residents.

The Laying of Hands

The Manor was a carnival of the broken. There was the chivalrous Parkinson’s man who was always asking for a few dollars out of his bank account stipend spending money to buy snacks for his girlfriend; the schizophrenic woman who lived in a different reality and a room full of hallucinated puppies; and Mark and Lana, the resident couple who had just gotten married. Mark had black eyes from falling and Lana had had part of her brain removed, yet they sat in the sunroom, triumphant.

Then came the day the local teams—the Cowboys, the Spurs, and every local Texas college—all won their respective games. Mrs. Laird’s weak voice rose in an attempt to make an announcement in the common area, sounding like a teenaged cheerleader who had grown faint: “People!” she managed to say above the TV, “all our boys won today! The Cowboys, the Spurs, the Longhorns, the Aggies!” And as this settled in back came weak but spirited cheering and someone could be heard to say “Go Sunnyvale!” and another small raspy roar went up from the wheelchairs where the veterans sat together, a "cry" that wasn't of pain, but of a strange, collective ecstasy that if you know Texas sports you can easily imagine.

The Final Hand-Off

Marisela stood at the end of the hallway, looking like a discarded husk ready to blow out the door. She was taking a last look at the way the residents clung to Helena. She saw the "new" Helena—dressed in her clothes, holding her clipboard, absorbing the madness of the Manor. The trap was almost shut. Marisela was ready to disappear into the Florida of her dreams, leaving Helena to be the new Marisela.

Marisela watched as Helena moved past the rooms and the hands found her. They grabbed Helena’s wrists. They didn't just hold her; they anchored her. The Black girls in the cafeteria called out as she passed by, "Looking sexy today, Ms. Frizzle!" and one of them reached out to touch her patterned sleeves.

Helena felt the heat moving through her skin from the residents’ touches. Each grab was a withdrawal of the old sadness. Not long ago, she had been a younger model of sadness, a girl who lived like these patients—stuck in a bed, doom-scrolling, drinking life through a digital straw. She had been just as paralyzed as they were, just without the medical excuse.

But as their hands squeezed her wrists, they were sucking the funk out of her. They were using her as a lightning rod, and in return, they were grounding her.

Helena looked down at her wrists, reddened by the grasp of a dozen souls. She wasn't the girl in the twin mattress anymore. She was the New Marisela. She was the one who called Bingo. She was the one who listened to stories of scooter-sex and potty-trained hallucinated puppies.

She had been healed by their touch, but the price was the position. She was the Keeper now. And she wouldn't be able to leave until she found someone else—someone currently doom-scrolling in a dark room somewhere—to come and take her wrist. But now she was the new Marisela, and she went up and down the halls with all the sick, dying and unfortunate laying hands on her.

About the Author

Jeff Hunt

Jeff Hunt is the author of seven novels including the Eduardo Aquifer series.