Poetry

Featured image for ““Stewarding the Succulents,” “Purple Cabbage,” and “The Sum Over Histories” ”
Featured image for ““Full Flower Moon,” “Stilling Point,” and “Offering””
Featured image for ““Salt and Light” and “Then, Myself””
Featured image for ““In the Doorway, Mother,” “Caveats at Ape Caves,” and “A Certain Kind of Dying””
Featured image for ““All the Lost,” “Autography,” and “Crookedest Street in the World””
Featured image for ““Passing Spark” and “The Wheel””

CM Pickard

“Passing Spark” and “The Wheel”

I recall light spilling through
     double-story windows;
alabaster walls and high picture rails
    of the silk flowers on a grand piano,
petals fixed in perpetual bloom
in a space confined by rigid lines
s w e p t   aside by a melody shouting freedom,
lifting bodies, loosened breath
Featured image for ““Odd or Even,” “50% Chance of Rain,” and “Moon””

Short Story

Featured image for “Shared Reckonings”

David Hughes

Shared Reckonings

Treen, West Cornwall — November
The barn sat at the end of a lane that had no business being called a road. Marta’s hire car scraped gorse on both sides, the branches clawing at the paintwork like something trying to pull her back. She had forgotten how narrow everything was here. How the land refused to accommodate machinery. How the sky seemed to press down on the granite as if testing it.
Featured image for “Become River”

Chris Geherin

Become River

When it left, it left as it had come, through the same breach in the same levee, though weary now and sluggish from its rampage. It left like the marauding creature they now knew it had been all along, left silent slow and sure to lie again in slumber, far between the fields. It had devoured everything it could and splintered what it could not swallow…
Featured image for “The Return”

Robert Klose

The Return

After working in civil aviation engineering for so long, Sam Kenney wondered how he would adapt to having his feet on the ground and no particular place to go. Maybe that’s when it started, the drifting apart, the discovery that he and Roxie actually had very little to talk about because there was suddenly so much space to be filled due to his continual presence. Except when it came to their son, grown now and living far afield.
Featured image for “The Exploit”

Russell Willis

The Exploit

Mom’s been on her phone throughout dinner, not even pretending anymore.
Maya pushes pasta around her plate. When Aurora finally sets the phone down, Maya tries to grab a moment. .
“How’s the data center project?” .
“Mm?” Aurora rubs her eyes. “Fine. Complicated. A lot of moving parts.” .
“When’s the decision?” .
“Soon.” Aurora lifts her fork, then sets it down again. “Don’t wait up tonight. I need to finish the presentation.”
Featured image for “The Flipside”

Colleen McManus Hein

The Flipside

Mairead stopped in the vestibule and slid her hand above the mailboxes to locate the Binaca, once again surprised that no one had discovered her hiding place. She turned to face the street in case Toula from 2G or the super, as her grandmother called him, appeared out of nowhere. She sprayed a quick blast into her mouth, her saliva glands clenching at the sweet mint, then headed up the stairs. She pocketed the Binaca; might as well keep it for later in case Henry showed up at the bonfire.
Featured image for “What Goes Up”

Mark Williams

What Goes Up

Hi, Kate. I’m writing this in a campground as the sun sets on a mountain, Tucumcari Mountain. It’s purple! Kevin said it got its name from a Comanche word that means to wait for something to come to you. I’m waiting for Charlie and Kevin to come back from town with pizza!
Kevin gave me this iPad the night before we left Nashville. He bought it with the money he made by . . . well, that’s the reason I’m writing this.

Long Short Story

Long Short Story

Niles Reddick

The Planetarium

Most people in the community didn’t know, or care, about the planetarium at the small, private Methodist college. If they’d driven by, they might have noticed the add-on to the four-story science building on its backside with a half-moon dome roof jutting upwards toward the heavens. If it had been a human body, it would have been a mole or tumor, but the dean believed the addition would bring much needed funds, and besides, the donor who wanted to see the college add the planetarium and integrate it into the curriculum had given enough to cover the building costs. The NASA scientist alum wasn’t able to fund the inside décor, the projection machine in the center, the seating, or the multiple shows needed for a start-up, all of which required redirected funds from the Humanities.
Featured image for “The Planetarium”
Long Short Story

David Pizzurro

The Eiffel Tower is in Cincinnati

“There ain’t no such things as cane sugar,” Susie assured me. Her blond bangs fell into her eyes as she pushed a kitchen chair away from the table. She had the radio tuned to the Columbus, Ohio rock station. Mick Jagger sang about tumbling dice while the chair legs groaned across the floor.
Susie boosted herself from the red vinyl cushion of the chair onto the counter. Her dirty feet wriggled before me from her spindly eight-year-old legs. .
“Mama has them all—white sugar, brown sugar, powdered sugar…mol-las-is.” .
I wiped my nose with the back of my hand and sniffed. .
“Why do we need all that?”
Featured image for “The Eiffel Tower is in Cincinnati”
Long Short Story

S. A. Merrin

The Weight of Metal

The ring was light, technically. Gold and diamonds don’t weigh much. But my hand had started noticing it everywhere.
I kept touching it under the tablecloth like it might settle into my hand if I held still long enough. The stone kept catching on the weave of the fabric — a tiny snag, over and over. Jonathan had picked it out himself. He’d told me that twice, maybe three times. The way he said it made me want to take the ring off for a second. Mom was in the kitchen. I could hear the pots knocking together. That sound always gets under my skin.
Featured image for “The Weight of Metal”
Featured image for “The Planetarium”

Niles Reddick

The Planetarium

Most people in the community didn’t know, or care, about the planetarium at the small, private Methodist college. If they’d driven by, they might have noticed the add-on to the four-story science building on its backside with a half-moon dome roof jutting upwards toward the heavens. If it had been a human body, it would have been a mole or tumor, but the dean believed the addition would bring much needed funds, and besides, the donor who wanted to see the college add the planetarium and integrate it into the curriculum had given enough to cover the building costs. The NASA scientist alum wasn’t able to fund the inside décor, the projection machine in the center, the seating, or the multiple shows needed for a start-up, all of which required redirected funds from the Humanities.
Featured image for “The Eiffel Tower is in Cincinnati”

David Pizzurro

The Eiffel Tower is in Cincinnati

“There ain’t no such things as cane sugar,” Susie assured me. Her blond bangs fell into her eyes as she pushed a kitchen chair away from the table. She had the radio tuned to the Columbus, Ohio rock station. Mick Jagger sang about tumbling dice while the chair legs groaned across the floor.
Susie boosted herself from the red vinyl cushion of the chair onto the counter. Her dirty feet wriggled before me from her spindly eight-year-old legs. .
“Mama has them all—white sugar, brown sugar, powdered sugar…mol-las-is.” .
I wiped my nose with the back of my hand and sniffed. .
“Why do we need all that?”
Featured image for “The Weight of Metal”

S. A. Merrin

The Weight of Metal

The ring was light, technically. Gold and diamonds don’t weigh much. But my hand had started noticing it everywhere.
I kept touching it under the tablecloth like it might settle into my hand if I held still long enough. The stone kept catching on the weave of the fabric — a tiny snag, over and over. Jonathan had picked it out himself. He’d told me that twice, maybe three times. The way he said it made me want to take the ring off for a second. Mom was in the kitchen. I could hear the pots knocking together. That sound always gets under my skin.

Creative Nonfiction

Featured image for “Fathers and Sons: Passing Down Words from One Generation to the Next”
Featured image for “The Soundtrack They Couldn’t Confiscate”

Amy Impero

The Soundtrack They Couldn’t Confiscate

Before jail, my life had a soundtrack.

George Michael poured through my car speakers with the windows down. The Goo Goo Dolls rode shotgun on late-night drives home. Broadway cast albums filled my kitchen while I painted. Concerts were a weekly ritual.
Featured image for “Who Could Ask for Anything More?”

Jon Shorr

Who Could Ask for Anything More?

I’m almost 80 years old. And for most of those years, I’ve thought of myself as a drummer. Last week, as I watched their new owner drive away with my drums, I wondered if—without my drums—I could still call myself a drummer. And if I’m not a drummer, who am I?
Featured image for “Cape Solitude Sojourn”

Elaine Hughes-Dobles

Cape Solitude Sojourn

Perhaps it is the angle of light, turning the beige and gold carpet the same color as the dried grass outside my window that sparks this peculiar déjà vu.

Perhaps it is because that grass gently bends in the breeze, just like the grass did on the Cape Solitude Trail ten years ago on another October day when we were lost, obvious tenderfoots in an alien landscape.