Poetry

Poetry

Featured image for ““A Robin’s Agenda,” “Never mistake what is for what it looks like,” and “Narcissus pseudonarcissus””
Featured image for ““gentrification,” “toward home,” and “the finery of flowers””
Featured image for ““The Perspective of Venice” and “The Dogmeat General””
Featured image for ““A Turn Around Town,” “What the  Body Remembers,” and “Fine Art””
Featured image for ““…As Old as Time,” “what do you call a friend who’s still alive but died,” and “not about birds, clearly””
Featured image for ““Clouds””

Michael McQuillan

“Clouds”

As this afternoon the cotton candy clouds share space with azure sky, I surmise that God above does not abide the lie that Hamas’ savage strike justifies the Israeli government’s genocide.

Widows, orphans, strangers bear the brunt of extreme and arbitrary force. Displaced tented families eke out day by day survival, searching bomb-razed hospitals and schools for children’s charred remains.
Featured image for ““Found,” “Where Are All the Small, Wild Things,” and “I have folded all my sorrows””
Featured image for ““Necessary Evil,” “This Fooling with Words,” and “Gratitude””
Featured image for ““Snapping Turtle,” “Terrestrial Stage of the Red-Spotted Neut,” and “Our Anniversary Before Surgery””
Featured image for ““Persephone’s Dream of Spring,” “Flotilla,” and “Forgive Us””

Short Story

Featured image for “Severed”

Brian Mosher

Severed

My friend Alex was twelve years old when it happened. Years later, he told me it was like time had stopped the instant his father parked the car on top of the railroad tracks on Spring Street, pulled the keys from the ignition and tossed them out the window. I’ve always imagined Alex, his mother, and his younger sister looking at each other in stunned silence as the father closed his eyes and calmly surrendered to the universe, which he believed had defeated him at every turn.
Featured image for “A Life Well Spent”

Jan Jolly

A Life Well Spent

The riot gate clangs behind me as I stride down the wide concrete hallway, nodding to passing officers and inmates. At a little over six feet tall and still carrying my fighting weight of 230 pounds, I know the inmates and even some of the newer officers find my size and demeanor intimidating. I try to soften my serious demeanor—bolstered by my icy-blue eyes and square jaw—by wearing my Yogi Bear tie with my usual black slacks and white dress shirt. My “uniform,” as my wife, Trula, calls it.
Featured image for “Mountain People”

Yehezkiel Faoma

Mountain People

With every passing Christmas, my sons and their families spend less and less time in the house before hurrying back to their own homes. I will not see them again until the next Christmas, when they will reluctantly come again to honor the childhood promise that they made on their mother’s deathbed: to always keep in touch. Only then will the house see some life, this big empty house that they’ve given me so they don’t have to live with me.
Featured image for “The Saga Of The Old Umbrella”

Mario Duarte

The Saga Of The Old Umbrella

The old woman, Ramona, like her umbrella, was from another time, a slower, quieter time, a time she missed. Despite a tight grip, the umbrella inflated above her hoary head, twisting in howling gusts. Cold raindrops plentiful as her days pin-pricked her eyes. Her feet shifted to avoid puddles but not fast enough, and her socks were soaked, and her feet soggy and cold.
I am only halfway to the grocery store. What a day, what clima!
Featured image for “Tea with the Prophet”

Karen Siem

Tea with the Prophet

I am the only passenger leaving the train at Oxford station. The platform is deserted and there’s a sharp chill in the air. The sky’s a dull white sheet. I sit on my roller bag, button up my cardigan and look around for Chrissy Sondheim. She said she’d be on the platform holding a card with my name on it. The silence is almost deafening. I think about the many times I came to Oxford when Alba was a student and how close we were. It had been the two of us against the world from the moment I gave birth to her.
Featured image for “My Black Dog Darkness”

Raymond Fortunato

My Black Dog Darkness

It’s 7:30 A.M. Xavier walks up to his office building and stops. Later that morning he must give a sales presentation to a prospective client. As he goes through the revolving door, he tries on a wary smile. His personal black dog is back. My Black Dog. That’s what Churchill had called his depression. The truth is that Xavier’s Black Dog rarely leaves him. When his dog isn’t biting, she is sitting on his heart like a forty-pound dumbbell balanced precariously. Could a heart that weighs maybe a pound support a forty-pound dumbbell? No! Of course not! It would be crushed.
Featured image for “They Shall Be Drowned”

Sterling M.Z.

They Shall Be Drowned

The wind blows fierce on the Isle of Rankor. It pushes in the waves, fast and rhythmic, until they wash upon the sands. Together, the forces carry ships into the harbor, which spans the coastline as intricate as a maze. At any given time, a hundred ships unload their imports and load exports with ease. This is the Isle’s tradition: wind and waves and trade, the tradition Caroline and Marina have grown up with all their lives.
Featured image for “When We Were Wild”

Shelagh Powers Johnson

When We Were Wild

It was not the sort of story that could stay hidden in a small town. People in Florence paid attention to everyone else’s details: a car missing from a driveway in the early morning hours, a skipped shift at work, one less body tucked into the pew on Sunday morning. This was how the people of Florence governed themselves: with the understanding that there was no such thing as a secret.
Featured image for “Season of Healing”

Maria Angeline Pennacchi

Season of Healing

In the quiet darkness of her backyard, Annemarie sat in wonder, gazing at the brilliance of a full moon. A “super moon” technically, though she couldn’t remember at the moment what its special name was tonight… Harvest moon? Hunters moon? It didn’t matter. The beauty was positively hypnotizing as the moon dazzled like a jewel, with twinkling stars sprinkled all around it in the perfect, clear night sky. Its glow illuminated the woods with gentle moonbeams filtering down between the trees.

Essay

Featured image for “A Legacy of Words”

Russell Willis

A Legacy of Words

Bill Moyers left us on June 26 at the age of 91.[1] His declining health over the past few years, and now his death, have left us longing for more of what he gave so generously in life: insatiable curiosity, clarifying insight, empathy grounded in respect, courage tempered by humility, and optimism anchored in realism.
Because of his life’s work—and because his career spanned a remarkable era in mass communication, from the birth of television to the rise of the internet—we are fortunate to have an extraordinary archive of his spoken and written words. These will continue to inform, inspire, and challenge future generations.
Featured image for “Against Protagonism: Why We Need More Ensemble Films”

Nancy Graham

Against Protagonism: Why We Need More Ensemble Films

As the fourth-born kid of five, like anyone from a big family, I grew up in an ensemble. We were spread enough in years that school kept us segregated by age, so we had two main gathering sites. The first was the dinner table, where the social task was to make a worthy offering to the highly opinionated conversation. Maybe there was no offering within reach, other family members being older and more experienced. Maybe you stood to underscore a point or fetched a dictionary to prove that “flaccid” is pronounced with a “k” in the middle or happened on a witty remark and sparked a few laughs or tried to vanish into the wallpaper to avoid negative attention.
Featured image for “Musings From A Misprint”

Vish Watkins

Musings From A Misprint

In 2022, I wrote an essay for Soundboard: The Journal of the Guitar Foundation of America, but my name was misprinted in the print edition as Vish S. Watson. No great tragedy, these things happen.
In 1907, Israel Baline, a singing waiter in the Bowery, penned “Marie, From Sunny Italy,” but when the handbills accidentally attributed it to I. Berlin, Baline liked the name, thought it had a classy ring, and promptly adopted it, upgrading the “I” to Irving.
I myself have no aspirations for fame or fortune and no thoughts of upgrading my name.

Creative Nonfiction

Featured image for “The Language of My Hands”

Etya Krichmar

The Language of My Hands

Before I understood the weight of memory and the grace of healing, I had hands that reached, held, and learned. Now, when I look at my hands, I don’t recognize them. Not because they’ve changed, but because they’ve held so many lives—mine, my children’s, my grandchildren’s, my ailing Papa’s and Mama’s before they died, my brother’s, dear friend June’s, and adapted Daddy’s Sam’s before they too succumbed to illness. Through it all, my hands never once asked for rest.
Featured image for “Pulling Taffy”

Linda Briskin

Pulling Taffy

As I age and tire of life, my child-self is insistently present. She has not faded with the passing of time; instead, I have a growing sense of quiet urgency—to know her more deeply and to comfort her.
That long-ago child was the middle of three daughters: her older sister, the favored child, too old to be a companion, and the younger too young. She was ignored by her parents. In a matter-of-fact way, she expected indifference and accommodated neglect. Paradoxically she also faced the brunt of their rage, prompted, they said, by her audacity and impertinence. She dreamed about leaving home.
Featured image for “An Adirondack Story”

Marianne Dalton

An Adirondack Story

The police separated us into two cop cars. One car contains Stephen and Hugh; my boyfriend Matthew and I ride in a separate car. They didn’t handcuff us, but they certainly looked me up and down with disdain. I’m feeling overwhelmed and lightheaded because just before the police came, Hugh shoved his marijuana on me. He told me to hide it in my underwear because “they won’t search a girl.” I complied but questioned my judgement. And now I’m on my way to the police station feeling like a captured bird.
Featured image for “Doubt. Love”

Toni Palombi

Doubt. Love

In 1970, the year the world learnt that the Beatles would split, Sister Carole decided to join the Daughters of Charity. It was like a love affair, she tells me as we meet over Zoom, a day after a statewide COVID-19 lockdown had been announced. Carole’s love affair was less dramatic compared to one of the most famous love affairs at the time — the romance between John Lennon and Yoko Ono (who married the year before) — but for Carole, it would be her lifelong love.