Poetry

Featured image for ““Just beyond the Road’s Edge,” “Listen to the Desert,”and “Echoes of Falling Water””
Featured image for ““Revelation,” “Consequences be like…,” and “1838””
Featured image for ““12 Years Old,” “Can’t Google This,” and “To Hell With Black Friday””
Featured image for ““Loose Parts,” “Quis Ut Deus,” and “Time and Fire””
Featured image for ““Direct the intention seaward,” and “Asunder, sticking to the hurricane like glue.””
Featured image for ““Aujargues in Mid-Summer,” “Summer Evening Walk After Rain,” and “Eros & Philia: A Botany of Love””
Featured image for ““Coleslaw Dignity,” “a young piece,” “For Sunday””

Sean Mahoney

“Coleslaw Dignity,” “a young piece,” “For Sunday”

When I left you alone at night after three it was I think
The storybook moment and perfect ending: three dead
Maji dropping from the sky bounce off clouds. Spiritless
We disappear within the screams, the laughter; Pro-

Publica gone DOA. I’m almost nauseous having thought
Of the way we cook with human flaw; coleslaw dignity.
Featured image for ““Dinosaurs,” “Casino,” and “Disabled with Dog””
Featured image for ““Schooled by the Algorithm,” “”Hippocratic Oath,” and “The Shadow of the Dryad””
Featured image for ““Slow Living,” and “Blessed is the Moon””

David W. Berner

“Slow Living,” and “Blessed is the Moon”

Tonight, I choose to place my singular attention
on the moon, the orb of dust and rock
and its ghostly reflection of the burning star,
and breathe in the crickets and the owls.

And it is in the lightless chill that I wonder—
what does it mean to arrive, to find
comfort in a destination reached.
Featured image for ““It’s Not Me,” “Always There,” and “Service””
Featured image for ““my first time, 1968,” “My boyfriend and I drive from Blomington to Champaingne 1970,” and “The sun finds us””

Short Story

Featured image for “Saṃsāra”

Vitul Agarwal

Saṃsāra

Levi woke up to the insistent sound of his alarm. It had the same rhyming beat as always, but for some reason, it sounded louder this morning, as though he had woken up for the first time in his life.

He sat up, stretching his back until he felt a satisfying pull in his shoulders. At thirty-five years old, his body ached in places that were vaguely familiar. By the time he’d made coffee, his thoughts drifted to his day ahead.
Featured image for “Big Bertha”

Katherine Moore

Big Bertha

I divide my life into two parts: before Hiland Mountain and after. The time between I don’t dwell on much. Why should I? It was as bleak as Eagle River’s sky in November, a granite dome strung with nimbus clouds that blocked all light and yielded only biting rain and hail. Through the steel bars, the land around the facility was covered with a thin layer of frost and ice, where off in a distant and unattainable horizon a few dots hinted at Anchorage city life.
Featured image for “Life Bends Differently”

Earl R. Smith II

Life Bends Differently

It was a bright afternoon. Sunlight fell across the benches and paths, making the leaves glow in green and gold. Angelique sat on a bench near the lake, one leg crossed over the other, hands folded on her lap. An older man was beside her, gray-haired and stooped, speaking slowly about hatred. He spoke as though he had carried it all his life and expected to carry it always.
Featured image for “Puglia”

William Cass

Puglia

My siblings and I all committed to a biking tour together in Puglia, Italy, almost a year before its mid-May start date. The main reason was a joint celebration of significant milestones for each of us at the time. I was the oldest brother and was turning seventy, and our lone sister, Alice, sixty-five. Pete, two years my junior, had just successfully survived head/neck cancer plus a rash of aftermath complications. And Tom, the youngest, had formalized his upcoming early retirement at age sixty-one.
Featured image for “The Prince and His Pert Little Palace”

Sonali Kolhatkar

The Prince and His Pert Little Palace

A flickering neon sign reading “A-R-T” on a dark Culver City street was the only indication that Arcturus Gallery was open. Steep concrete steps led to a basement-level space. He nearly slipped on a rain-slicked slab—it never rains in LA—before landing in a small puddle in front of a smudged glass door.

Cursing as damp seeped through thin socks, he pushed through the portal. Bells jangled announcing his entry into the art gallery, as though it was a convenience store.
Featured image for “Missed”

Diana McQuady

Missed

The cell phone’s ring pierced through the Christmas music like a needle into a vein. I sputtered from my baking nirvana and glanced at the screen, already aware by the ringtone that the caller wasn’t my husband or our daughters’ school but still a number I’d stored. When I saw that it was the oldest granddaughter of Helen, my sweet neighbor, I set my frosting bag down and tapped a pinky fingertip to the green button.

“Nikki, thank God you’re home. It’s Rachel. We need your help.”
Featured image for “Drummer Boy”

George Cross

Drummer Boy

It was my third cruise in three summers, and I still could not get used to the cramped, windowless living situation that followed me onto every boat. I guess if I wanted to, I could have always splurged on a better room, but that always made things more than twice the price, and without the shitty room, it hardly even felt like a cruise.

I borrowed this attitude mostly from my wife, who did not enjoy cruises very much at all, and only came when I insisted.

Riam Griswold

The Exorcism

A boy floated face down in the clear and silent lake. No wind stirred the surface, though scattered webs of ripples caught the slanting morning sun. The boy wore nothing but his briefs. Minnows darted curiously between his dangling fingers.

He laughed. The sound slipped from his mouth and nose in bubbles, which tickled his face as they sought the open air. Squirming, he flipped over to draw a breath and blink at the pale-blue sky through the drops of water clinging to his lashes. A crow coughed its rough call in the rustling quiet.

It was Wednesday morning, which meant chores and schoolwork were waiting. But they could wait a little longer. Ever since Mama had decided public school was a bad influence and her children ought to be homeschooled, his days had been largely his own.
Long Short Story
Featured image for “The Exorcism”

Quin Yen

Diane

It’s been raining outside for days now. It’s a dribbling kind of rain. No downpours. No thunder. Just dripping, dripping, nonstop. The air feels clammy, almost suffocating.

Inside her office, Dr. Wu reviews her patients’ medical records. The building has air-conditioning. She appreciates a windowless office much more on days like this.

Her office is on the first floor of the hospital and the rehab unit is one floor above. She likes her office because being an introvert, not seeing what’s going on outside of her space suits her well. She likes its peaceful feeling. In fact, she likes it so much that she dreams to write a story or a novel someday and call it “A Room Without A View.”
Long Short Story
Featured image for “Diane”
Featured image for “The Exorcism”

Riam Griswold

The Exorcism

A boy floated face down in the clear and silent lake. No wind stirred the surface, though scattered webs of ripples caught the slanting morning sun. The boy wore nothing but his briefs. Minnows darted curiously between his dangling fingers.

He laughed. The sound slipped from his mouth and nose in bubbles, which tickled his face as they sought the open air. Squirming, he flipped over to draw a breath and blink at the pale-blue sky through the drops of water clinging to his lashes. A crow coughed its rough call in the rustling quiet.

It was Wednesday morning, which meant chores and schoolwork were waiting. But they could wait a little longer. Ever since Mama had decided public school was a bad influence and her children ought to be homeschooled, his days had been largely his own.
Featured image for “Diane”

Quin Yen

Diane

It’s been raining outside for days now. It’s a dribbling kind of rain. No downpours. No thunder. Just dripping, dripping, nonstop. The air feels clammy, almost suffocating.

Inside her office, Dr. Wu reviews her patients’ medical records. The building has air-conditioning. She appreciates a windowless office much more on days like this.

Her office is on the first floor of the hospital and the rehab unit is one floor above. She likes her office because being an introvert, not seeing what’s going on outside of her space suits her well. She likes its peaceful feeling. In fact, she likes it so much that she dreams to write a story or a novel someday and call it “A Room Without A View.”

Creative Nonfiction

Featured image for “Body snatcher, soul catcher, doppelganger”
Featured image for “Father Tom”

Toni Palombi

Father Tom

Father Tom’s spiritual awakening struck in the desert. It was the 1960s and Tom was working in Woomera – an area of the South Australian outback harbouring military secrets. “It was a wild time, the 60s. I spent a lot of time partying, playing football, and pursuing women,” Tom tells me as we sit in his living room cluttered with books.
Featured image for “Confessions of an Irish Jew: My Faith Journey”
Featured image for “Mother’s Daughter”

Molly Higgins

Mother’s Daughter

They laid my mother on the table, a sheet to cover her face from seeing the belly once kissed by men on warm, tropical nights. It looked so different now, sterile. The freckles dotting her pale round belly looked like an infection rather than the constellations. The doctors inserted a scalpel and held plastic buckets on either side, careful to not let the blood spill onto the floor.