When I caught up with Jhonelle, she was steering the wheelchair, trailing the girl and the man through the 15th Century, Northern Europe. The man had an angry grip on the girl’s wrist, pulling her along. She kept up with him with neither resistance nor any apparent interest, mechanically advancing her legs, the rest of her limp and lifeless. On the seat of the wheelchair were the remains of the girl’s artist’s pad, the pages with her drawings ripped from the spine, some torn to pieces. When I saw this, her work destroyed, I uttered some kind of cry and began to charge them. Jhonelle grabbed the tail of my jacket to hold me back.