Nancy Graham
Against Protagonism: Why We Need More Ensemble Films
As the fourth-born kid of five, like anyone from a big family, I grew up in an ensemble. We were spread enough in years that school kept us segregated by age, so we had two main gathering sites. The first was the dinner table, where the social task was to make a worthy offering to the highly opinionated conversation. Maybe there was no offering within reach, other family members being older and more experienced. Maybe you stood to underscore a point or fetched a dictionary to prove that “flaccid” is pronounced with a “k” in the middle or happened on a witty remark and sparked a few laughs or tried to vanish into the wallpaper to avoid negative attention.