Poetry

“It’s Not Me,” “Always There,” and “Service”

Image
Sandra Seitamaa For Unsplash+

It's Not Me

It’s not me.

The polish lingers,

black onyx screams

on each finger.

It's been five days.

My nails are lit.

I'm not sure why

I try it.

I have gone with this before,

with other hues.

We usually only last

for a day or two.

It’s shiny and showy.

Draws eyes in.

It's gaudy and garish.

Why did I do it?

This little kid

wants to be

grown up, but

it's just not me.

The teenager in me

wants to be cool,

but it makes me

feel like a fool.

Black lacquer

on each digit

is ostentatious—

You can't miss it.

I see it on stars,

in a movie.

I see it on friends

and find it groovy.

I see it on men—

I like that look.

But I’m not sure

what is the hook.

Here is the rub—

you may understand,

I like it on my feet

but not on my hands.

Cool and hip,

pretending to be

a femme fatale

is just not me.

It’s a dilemma

I’ve been here before.

I don’t want to do

it anymore.

It's kinda goth,

it's not a hit.

It's chipping off,

time to lose it.

Always There

     We worked together.

I thought

we drank together.

We did not drink together.

I drank.

You did not.

When I entered the fire hall

the dusty light shone

on its occupants' hearts.

They came to be restored to sanity.

Seeking sobriety, salvation, and serenity.

At that meeting,

newly sober,

sirens were wailing in my head,

my stomach jumped into my throat,

and I held onto the edge of my chair

one after the other.

When I saw you there,

tall, elegant and composed,

you welcomed me.

Reassured me

and hugged me.

Over the next five years

when I despaired or stumbled,

you steered me toward the light.

Taught me about acceptance.

And powerlessness.

My shame faded.

You listened to my insanity,

shared yours

and made light of it.

When I lost my sanity at work,

you said, Return the next day.

With your head held high.

You held yours high.

Equating a vodka stinger

with sophistication,

you showed me

San Pell worked just as well.

Over the next 15 years

you were always there.

Never hovering or controlling.

You helped me untie the ropes

in which I wrapped myself.

I learned how powerlessness,

surrender and humility

gave me strength.

You asked that I write

about insanity in my life

and my relationship with

the God of my understanding

at that time and before then.

That gave me strength.

Deepened my faith.

You suggested that I write

another searching

and fearless moral inventory

of my resentments and regrets.

I shared it with you.

Driving the Turnpike home

afterwards

the sky reached me.

I was connected

to the Broad Highway.

After another 5 years,

you packed up your household

and moved

a thousand miles away,

but you were still there.

Over the next 7 years

you were seeing a doctor

for memory loss.

It was not Alzheimer’s.

You said, The medicine caused

unpleasantness.

I moved 100 miles from you.

You remembered less and less.

You didn't make sense.

I went to visit you.

Still tall and beautiful

like a Greek statue,

you carried yourself nobly

like the horses you once rode.

But nothing was left.

You were not there.

Service

I served gin and tonics

    at the Ikoyi Club

    in Lagos, Nigeria

    when waiters went on strike--

    found my career path

    at 10 years of age.

I served scrambled eggs and bacon

    at a Grants’ clean and shiny counter

    in Bennington, Vermont,

    after I dropped out

    of art school when I couldn’t

    align images on a printed page.

I served chicken chow mein

    and egg foo young

    at the Hong Kong House

    in Cocoa Beach, Florida.

    It was the second of three Chinese restaurants

    where I worked.

I served Rolling Rock

    at the All American Rathskeller

    in State College, Pennsylvania.

    I mixed martinis, changed kegs,

    and grimaced when an alumni

    poured his tip down my shirt.

I served state senators

    in Harrisburg, Pennsylvania.

    Along with black coffee, I wrote

    policy papers, zingers, and reports,

    and calculated how changes

    would affect taxpayers and cities.

I served County Commissioners

    in Doylestown, Pennsylvania.

    In a midcentury courthouse,

    I danced around a three-headed monster.

    One hated women, another a male diva,

    the third threw tantrums.

This is true.

    I was a waitress and a public servant.

    But my tennis serve—

    although surprising,

    was not very good. It was a huge lob,

    taller than the Eiffel Tower.

About the Author

Lucy Sage

Lucy Sage began writing poetry at a young age. Born in Philadelphia, she subsequently lived in the Philippines and Nigeria while her father worked for the United Nations. She attended boarding school in England in the mid-sixties but dropped out of high school in 1969 to live in San Francisco. After waitressing and finally earning her degrees, she worked for politicians for 30 years. In addition to poetry, she likes riding her bike, painting, and exploring cities. Her poems have been published in Underwood Press, The Closed Eye Open, Writing in a Woman’s Voice, and Quail Bell, among others. Her chapbook, I Am From the 20th Century, is projected to be published by Kelsay Books in February of 2027. She currently lives in Harrisburg, PA.