Poetry

“Cosmetic Concern,” “Sufficient Fate,” and “Never Considered”

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Image by Mathieu Odin For Unsplash+

Cosmetic Concern

A faint waxing half moon of pink has risen

temporarily (I hope) where I gouged

my forehead on a painted hook screwed

into the door upon which to hang a holiday wreath,

which, in a week’s time has faded to white flecks

that slough off like a snake’s skin to leave

my face’s high level pristine and proud

to present to any public eye and audience,

the pain’s divot now sunk along with the fear

of permanent scar though a glow of suffused

blood may raise the anxiety of a subtle

memento of the careless drop to sharp-steel

level, a prong, a prick to recall when attempting

to dip the body into dim reaches where reside

the unyielding so perhaps a faint bloom better

than none unnoticed by most, and if not then only

believed a passing flush of surface significance,

no need for any to recognize this possible

crescent celled and tissued against any waning

as everlasting, unblinking guard

Sufficient Fate

“Always washing down your food!”

would grampa censure if the opportunity

arose—when he caught sight of a tipping

glass following a swallow at a holiday table

of descendants—as if a crime of conspicuous

consumption—his duty to damn as a man

deprived of a father in a child’s age so checked

in desire, checked from necessity and superfluity,

saliva sufficient for downing the bite in his strict

division between need and luxury—and the ancient

dictate not to exceed the former since one’s staff may

suddenly break under blind wheels

(as did his under those of a city trolley)

leaving the innocent at a loss and disadvantage,

subject to privation, even from milk or cheaper water,

better to be shepherded against a horrid event

that might strike against the steep odds

from whose potential crush he would defend

Never Considered

One of my labors is not to slay the tulip

bunch, whose red blooms bob in number

like the hydra’s self-regenerating heads

Hercules had to sever then his sidekick sear

to prevent another fanged mouth growing

from the neck among the nine, approximately,

the number of jade stems in this bulbous

glass, sensitive to the breeze that lifts

and drops the vegetal flesh prolonged

in life by the held water that bends the light

in bright afternoons of new spring

wearing into its warm middle, pulling

these bursts and stretches to desiccation

drawing them downward without any blow

and flaming brand to prevent rebirth

so any cruel efforts on my part unnecessary

not that I would entertain any notion

of a hero, killer of petals’ grace and stem

About the Author

John Zedolik

John Zedolik is an adjunct English professor at Chatham University and Duquesne University in Pittsburgh, and has published poems in such journals as Abbey, The Bangalore Review (IND), Commonweal, FreeXpresSion (AUS), Orbis (UK), Paperplates (CAN), Poem, Poetry Salzburg Review (AUT), Third Wednesday, Transom, and in the Pittsburgh Post-Gazette. In 2019, he published his first full-length collection, entitled Salient Points and Sharp Angles (WordTech Editions), which is available through Amazon, and in 2021 he published another collection, When the Spirit Moves Me (Wipf & Stock), which consists of spiritually themed poems. In 2023 he published his third collection, Mother Mourning, and in 2024 published his fourth collection, entitled The Ramifications (Wipf & Stock), which consists of five long, experimental poems. John recently published his fifth collection, entitled Lovers’ Progress (Wipf & Stock). All these collections are available on Amazon. John’s iPhone is his primary poetry notebook, and he hopes his use of technology to craft this ancient art remains fruitful.