Poetry

“The Problem with Language Today,” “The Last Altar Boy,” and “My Rolling Sea”

problem with language
Photo from Adobe Stock

The problem with language today
or
zombie apocalypse
or
mother of god
or
oompa-loompa wasteland
or
T.S., can you hear me?

Undone diction    

etherized upon a table.

Is or isn’t. In or out. For or against.

Ones, zeroes, x’s, o’s.

Klaxoned opinions clamoring.

A crisis indeed.

No tolerance for gods

or freedom for doubt.

No image made holy

by poet or priest.

No fallen flare through

pinned-back ears.

No wings beating about the room.

How now, with language fixed

to the frame by words dead as door nails?

Who’ll pry loose more than meaning?

Hammer words back to life?

Make consonants click, syllables sing,

diphthong’s dance, angels alight?

For this zombie apocalypse

abuzz with inarticulate tongues?

This oompa-loompa wasteland

seething in hate?

I’d rather pierce my taint

and tattoo my twat,

if there’s still time.

No, that’s not it at all.

That’s not what I mean,

at all

The Last Altar Boy

must have a soul

blueheads bobbing at early morning mass

tongues wetted and lurching

wet still for desire

 

bless them father

passes hard through a lie’s palsied way

 

more than a lapse of faith

smacking christ against unholy palates

denture-stuck and now repenting

gouging him, twisting him between slow to tithe fingers

 

salvation, forgiveness, faith, food

phlegm smeared to dry on the pew-backs before them

for the children of their children, for me to scrape clean

until and unless again he lolls out a tongue in expiation

 

no matter

no matter

 

i know well who rings the eucharistic bell

i god’s shifty little cherub

a levite, a wraith, a busboy of sorts

so tip well these venal, basket-shaking hands

 

quick to catch fallen ones

and dab dry the body of christ

atremble betwixt wine-dark lips

and father’s gold chalice

 

age-spotted hands

aquake in votive smoke

at the altar of sanctimony

must have a soul

 

no matter

no matter

 

spittle in the end

no more, no less

than the day before yesterday’s

day-old bread

My Rolling Sea

Alone I waited

for the sun to rise

over the Atlantic.

Aching feet numbed

by cold relief

plunged ankle deep

in a life-long friend.

My rolling sea of memory.

Alone I saw

glory and awe

line by line

shade by shade.

Thinking nothing yet

feeling I am touching

the face of peace

in the silence

between the waves.

Cold feet pain differently.

My Rolling Sea

Aged, alone

awaiting sunrise

over the Atlantic.

Aching feet numbed

by cold relief

plunged ankle deep

in a life-long friend.

My rolling sea of memory

pulled from clutched toes.

Alone I saw

glory withdraw

line by line

shade by shade.

Thinking nothing yet

feeling I am touching

a wave of silence

pass between us.

Feet have use beyond pain.

About the Author

Rory Doherty

Rory Doherty’s fiction/poetry has appeared or is forthcoming in Howth Castle, Side Show, ARTWIFE Magazine, ANTAE Journal, Bull, Northern New England Review, Firework Stories, Blessings in Disguise—Eyes Welled Up Anthology (PoetsChoice Press) and the 2025 Hemingway Shorts, Vol.10. In addition to being a writer, Rory is and has been many things: son, brother, student, athlete, soldier, bartender, teacher, husband, father, business owner, pet lover, etc. Through all past lives and including this iteration, he feels mostly like a thief trying not to get caught.