Susan Niz

Susan Niz's chapbook is "Beyond this Amniotic Dream," Beard Poetry, Minneapolis. Her short work has appeared in Ponder Review, Typishly, Tipton Poetry Journal, Carnival Literary Magazine, Crack the Spine, Blue Bonnet Review, Two Words For, Belleville Park Pages, Ginosko, Cezanne's Carrot, Flashquake, Opium Magazine, and Summerset Review. She has been featured in live poetry shows in Minneapolis. Susan's novel Kara, Lost (North Star Press, 2011) was a finalist for a Midwest Book Award (MIPA) for Literary Fiction. She teaches, raises kids, has been a grassroots community organizer, and conserves Monarchs.

Picture Stones

On my wrist, a single round bead, white with purple marbling, suspends on a knotted black cord. In one spot, crossing my vein like a rope bridge over a blue river, a single, dull thread wears thin. I hope it will stay on until he returns from Guatemala. With each shower or yank of my sleeve, the bracelet gets weaker. I hold on to it, precarious, as if it will tell me how things will turn out. As if, when he returns, I’ll put it on a silver chain and then things will be safer, better, more secure. As if keeping it will bring him back.

Creative Nonfiction

Susan Niz

Susan Niz's chapbook is "Beyond this Amniotic Dream," Beard Poetry, Minneapolis. Her short work has appeared in Ponder Review, Typishly, Tipton Poetry Journal, Carnival Literary Magazine, Crack the Spine, Blue Bonnet Review, Two Words For, Belleville Park Pages, Ginosko, Cezanne's Carrot, Flashquake, Opium Magazine, and Summerset Review. She has been featured in live poetry shows in Minneapolis. Susan's novel Kara, Lost (North Star Press, 2011) was a finalist for a Midwest Book Award (MIPA) for Literary Fiction. She teaches, raises kids, has been a grassroots community organizer, and conserves Monarchs.

Picture Stones

On my wrist, a single round bead, white with purple marbling, suspends on a knotted black cord. In one spot, crossing my vein like a rope bridge over a blue river, a single, dull thread wears thin. I hope it will stay on until he returns from Guatemala. With each shower or yank of my sleeve, the bracelet gets weaker. I hold on to it, precarious, as if it will tell me how things will turn out. As if, when he returns, I’ll put it on a silver chain and then things will be safer, better, more secure. As if keeping it will bring him back.

Creative Nonfiction

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