Peter stands in front of the entrance to the Museum of Modern Art in the middle of a terrazzo plaza that is hit full-on by the Californian summer sun. Behind him cars rumble past, taxis honk and construction workers are operating a power drill. It is sweltering hot and he is sweating in direct proportion. He admonishes himself, silently, lips barely moving.

The warehouses lining the arrival and departure lanes of the space port are constructed out of red brick instead of the traditional glass and steel common to the colony of New Guadeloupe. They tower high above Leif, as he dashes in between them through an alleyway. Surely, he cannot keep this tempo up for much longer.