
What Stays
This morning I woke to slow rain,
and remembered waking with you
sprawled across my bed in a toccata
of bones muscles skin and breath.
The night before, as we talked
on Ken’s front porch, the party
chattering and laughing behind us,
you told me your name was Sunny,
short for Sunshine. I still see your hands
folding and laying your jeans
and poet’s shirt on the walnut
blanket chest, and tucking green
underwear under the pillow next
to mine, like a secret only the two
of us shared. And this morning
I could see again your long, bronze
hair straggled across that white pillow
in a disarray of lazy loops and spirals.
And the most persistent memory
of all, the easy way you slid under
the navy-blue comforter, as though
you had done it many times before,
as though you had lived with me
for decades, both of us knowing we were
right, no longer two wandering souls.
That night, in a matter of hours,
we had become comfortably married
for twenty years. Seeing raindrops
slithering down the window this morning
tells me you have never left me, though
the blue pillow has not held a secret
in decades, though I have not seen you
since that rainy morning twenty years ago.
Elfie’s Other Life
Evening. Quiet dusk. We sit at the oak table
after supper. Elfie leafs through her mother’s
photo album. Retracing her life, she says.
Then, “Last night I had this strange dream.”
I stop carving a piece of luan mahogany, a bowl
for our friend Miggles. Elfie closes the book.
“Except it wasn’t a dream.” I pick up a piece
of sandpaper. “I woke up, came in here.
But it wasn’t this room. I was in our house and
another house at the same time.” She tells me
of a sleepy hollow chair, a vintage bridge lamp,
a woman working a jigsaw puzzle on a rickety
card table. “I sat down with her, like we are now,
and picked up a piece of the puzzle. Wood.
I can still feel the grain.” She stares at her hands.
“A past life?” I offer. “I had torn the veil.
My hands were so small. I was a young boy.
My name is Frederick. I am in his life now.”
Crow’s Message
Memory drops a drawing
onto my sketch pad,
a bare sycamore
clinging to the flood-swept
river bank. And on a high
branch a lone crow
staring into the bitter
February wind. That day
I asked Crow, Where are we
going, with this queasy
wobbling planet, struggling
to shift its magnetic poles?
Crow scraped his beak
on the branch, said nothing.
But now, as I sketch, perhaps
his answer will emerge
in my charcoal marks, flecked
bark, squiggly branches.
And, finally, it does. White
paper behind the tree,
holding the branches
still, in the blustery wind,
and beyond Crow’s black
silhouette, Crow’s silence.