Poetry

“Lake Ontario,” “This Town With One Bridge,” and “A Proctor at the Final Exam”

Sally Ventura

You are launching us in the boat
that you made seaworthy. It scrapes against the
pebbles which shift so reassuringly when the lake
is calm. It is your boat, your day, and we are your
children. We have brought along our families,
all that we have added to your empire.

“Immortality in a Song,” “Meditation,” and “Repose”

Hannah Baker

The song begins—
the first beat calls forth
an aroma of strawberry syrup
from your vape as its smoke
dances with the music, past my nose,
and out through the windows
of your 2012 red Toyota Camry.

“Farewell, My Lovelies,” “A Chameleon Named Silencio,” and “The Unwoke Wizard of Oz”

Robert Eugene Rubino

Good riddance, alcohol.
Good riddance mary-jane.
Good riddance hashish and uppers and downers.
Good riddance Timothy Leary … we hardly knew ye.

Good riddance to
those bottles of quenching cold ice-cold cottonmouth-inducing beer & ale
and those steins of on-tap room-temp Guinness stout
— it’s good for you the billboard said and the billboard wouldn’t fib.

“Cancer: A Paean,” “Legacy,” and “The Three Nuns: A Contrapuntal for Voice and Canvas”

Olga Dugan

Abditive—that’s you,
sneaky sniper, taking us out
more than a hundred types of ways.
A name change per each organ,
tissue, cell you invade…bronchus,
lung, prostate, colon, uterus…
From the shade you surface

“Old Bookstores,” “World,” and “Spoor”

Andrew Field

are sad places, where the dead wait to be loved.
A teenager in the poetry section
sits on a red milk carton,
her black lipstick like an opera,
pulling one book down after another
in a frenzy of polite quiet.

“To the Dead Man Living Inside My Knee” and “What I Thought Was Pollution Was Really God”

Jamie L. Smith

A careless dictator, most days
I do not think of you

unless you protest, beating your fists
against the walls of my flesh

when I’ve danced you too hard
or damp February

clenches your teeth
into a knot of hot fury. Please

“If These Walls Could Talk,” “Images of Night,” and “Overheard on a Train”

Russell Willis

If only these walls could talk
we wonder
What might goad their reluctant tongues?

Wondered more often
by those who would be betrayed or wounded by the
small talk or gloating of these walls

“Cry of the People”

Michael McQuillan

The netherworld’s sordid secrets, disclosed,
brook no remorse for the dead nor regard for
those barely alive. Brutal eruptions

punctuate detention’s boredom. Nor does night’s
darkened cell ease despair. With 6000 not 3000
confined to have a cell is rare.

“Gothic Gloves,” “Pass on the Space Needle,” “Napping Bulldozers”

Sterling Warner

Romancing your looking glass reflection
northern lights pierce fractured windowpanes
frame my mirrors with supercharged
atoms displaying rhythmic finesse
each particle a proficient flamingo soloist
in step with a blinking star metronome

“As Charged,” “My dad,” and “One Last Thing”

Steven Deutsch

The jury found you guilty
in just an hour and fourteen minutes.
Long enough for bathroom breaks
and a single show of hands.

Your public defender
advised you to cop a plea,
but mom borrowed a suit and black shoes
and dressed you as an innocent man.

“Plus Ca Change,” “Telling” and “About Last Night”

Julie Benesh

That swagger-daddy  On the Red Line el
asks the auntie  if she’s Spanish
she’s Italian  he requests a sex act:
poor lady won’t muster  insult or outrage
and we roll our eyes  on her behalf.

“Around the Final Bend” and “Lovely Scene”

Kate Adams

Song, take these rhymes and carry them abroad.
Lift your little wings and beat and beat
like in some Disney film. The Greeks had gods,
the Christians, Christ. We moderns have the heat
of giants booming from the screen. Our stars
take close-up orbits, Venus kissing Mars.

“Muscat of Alexandria,” “La Porte d’Enfer,” “Omar Khyamm’s Restaurant in the Sequoia Hotel”

Stephen Barile

On Temperance Avenue,
Southeast of the city of Fowler,
Is a ten-acre vineyard
Planted to Muscat of Alexandria vines,
In the true sense of the old world.

Near the railroad tracks and old highway,
Raisin packing, and packaging plants,
And their chain-link fences.
Hundreds of solitary vines
Over one-hundred years old…

“4 + 18 = 5,” “Posse Comitatus,” “The Rape and the Lock”

Ailish NicPhaidin

Gerald awakens to a shrill alarm
Gouging out his eardrums at 4:30 each morning
Rousing from a delicate slumber
He slinks into the bathroom to prepare his wan body for the day.

Rose arrives from work at 7:30 a.m. as she does six days every week
Like an invisible shroud of gossamer her soulless fragility moves…

“First Morning in Town,” “Lake House,” and “Trail That Has No Name”

John Brantingham

In the morning,
I edge my Saturn past
the horse carriage.

I hear the hoofs clack
over the sound
of my engine.

“Mural of the Aztec Market of Tlatelolco by Diego Rivera,” “Walking by Charles Henry Alston,” and “Untitled (New York Cityscape) by Charles Henry Alston.”

Ammanda Moore

I’ve always loved a crowded market, busy with comings and goings. In Peru, I craned my neck at the crowds of people, laughing and exchanging goods. I was zooming by in a van, but how I wished I could stop, buy an elote with large kernels to eat, and meander the stalls.

“Creative Storm Watch,” “Tornado Warning,” and “The Cultivar”

Ashley Williamson

My hands crackle with electricity
And when it happens
my wrists start humming
Somewhere between
my eyes and nose tingles
And the neurons
direct that
sensation
(Anticipation before
lightning strikes)

“The Greenhouse,” “Open Water,” and “Brotherhood of the Brotherless”

Amy Allen

On a corner lot
nestled among two story homes
wooden swing sets
and paved driveways
stands a glass greenhouse.

“The Magic Hours: Tucson Mountains,” “Lacuna,” and “Cenzontle”

Susan Cummins Miller

The universe lurks
in the magic of the hours:
the evening sun slides behind
the ruins of an old stone house

and the cholla thicket, strewn
with the wreckage of windblown leavings—

“I Am Not My Father’s Dream,” “Song Dust,” and “Ricardo from his Adobe Says”

Mario Duarte

counting smoke plumes
on the mesa horizon
while yucca spire buds
remain un-blossomed.

Between rocks guarding
the front door, a sunflower
stalk bends. I welt too.
Yellow flames wake the air.

“Weather Whiplash,” “Thoughts and Prayers,” and “Sharp Edges”

Aurore Sibley

Two trees came down across the neighbor’s lawn last night
with the rain, kissing the gutters along the roof, knocking over
patio chairs, but everyone inside, just safe. We are uphill
from the flooding, where the beachfront parade of restaurants
were washed away

“Simon Baker’s Heart Attack”

John Horvath Jr

Having played aces at the poker table in one dark
Corner of the bar and been accused, drank
Sloe gin fizz then kissed the girls (the music was just great;
The women naked danced demurely on tabletops slimy at Jake’s Bar-n-Grill
Whose neon sign announced “This Place Will Make Your Ladder Climb”)

“Notes on the 21st Century,” “Reality,” and “Readings of a Seashore”

Kathi Crawford

It’s not the end of the world, though it could be, but the sun
came up today and I’ve had my morning coffee, while, at the same time,
Yellowstone stood rain-smothered, the Midwest roiled in the midst of a heat wave,
and millions across India and Bangladesh lost everything to raging floods and landslides.

“Stakes,” “Mount Nebo,” and “Time Pieces”

Michael Sandler

A lump hammer propels me close
to buried root, each head-heavy swing
a blow at resistance. I want to lash
the stubborn vines to scaffolding

so they’ll grow upright, as we want
for our children—as I raised you, my child,