Poetry

“The Last Days of the Dinosaurs”

Kathleen Holliday

In third grade, one afternoon,
we were ushered into the auditorium
for a 16mm animated film
about dinosaurs.
As comets and asteroids fell,
pocking the earth,
so did the huge creatures,

“The Serpent: Smog in the City” and “To Soy, My Soul”

Nam Nguyen

Mascara swirling down her face,
the woman with sagging eyelids
stands on the chipped concrete
like the tall factory pipe
connected to the power plant machines.
She doesn’t think about her plight,
only the fact that she must make the ends meet
in order to feed her 2 children.

Elephant in the Room

Lucas Klesch

these days the smiles are scripted
to induce the flow of joy
in hopes
they amplify an initial step
to overcome the inertia
of years of climate induced apathy
i still remember the days
when i did not have to remind myself
to smile or breathe deep

“Cold Salad,” “At Shore” and “Sightless”

Leon Fedolfi

In a cold winter thought
I grabbed the earth by its head of trees
and ripped upward to free the firmament
beneath.
No earthworms or other secrets.
Human figures entwined
in angered roots.

“We Take Our Color From The Mines,” “The Sea Was Never A Friend To Us” and “We Are Forced To Face One Another”

Christopher Watkins

We take our color from the mines;
A frost of ash atop our coarse dark hair.

With brimstone flecks in the linarite of our
eyes, We see what lies in darkness—

Black holes to hell.

“Binge-Watching a Dream,” “To Tell the Truth” and “The Moment and the Sequence”

Edward Miller

When he awakens, the dream tucks itself in.
At bedtime, the dream starts the night shift.
And so
Inside the lazy contraction of slumber is an energetic stretch.

“the colonel,” “hunt simulacrum (Iceland 2040)” and “Hastings (1060/2018)”

Melissa Evans

was in high dudgeon the colonel yelled

lying flat your pug-rasps in
in petering
juxtaposition of stuttered blasts
out get out

“Infinite Affair With Air” “Love Letters” and “Fly Ball”

Buffy Aakaash

You are this
which is not
that,
that
which is not
this.
You owe such and such
to whoever and whom,

“This Tree,” “Death Dream” and “Society”

Douglas Nordfors

I stop walking,
and contemplate
the way the thin
arm of this tree
once bent upward,
before stretching
out over the river.

“Cactus,” “cutlet” and “pumpkin”

Natalie Warther

I wait for a sign that you need me:

a wilting arm, dry soil,
but you give me nothing

so I trickle water into your mouth.

Just enough to tame my own thirst.

“I was a tourist from honey-milk land,” “Inheritance” and “Overflowing”

Patrick T. Reardon

I was a tourist from honey-milk land,
and Sister heard my question underneath.
She had her own.
“Are you packing?”
That kind of place.
The nun hugged her wizened chest.
She was old then,
dead now, I’m sure, thirty years on.

“Cursive,” “The Phone Calls” and “Death Can’t Stop the Rap”

Louise Moises

A declaration from the district office
we will not be teaching cursive this year
no pens will be required, no extra paper
we will not be teaching cursive this year.

“The Red French Balloon Proposal,” “Her Tear Ducts Were Fuel Cells” and “exspiro”

Thomas Simmons

In 1979 or so
Soviet-French
interplanetary
cooperation
(which boasted,
inter alia,
French scientific
tackle lugged
to Mars by the
USSR in 1971)
nearly hit
a new high
with an idea;

“The Concept of Order,” “That Hurt” and “Wolfwomen”

Jo Angela Edwins

As a species, humans
live their lives in degrees
of alarm. Mostly, for most
of us, there isn’t much.
The world spins exactly
as we have come to expect it,
and caught wherever
we are,

“Ready to Go,” “So Carry On Still” and “Becoming”

D. M. Armstrong

a wobbling chin and her deserted glance hit the floor
in agony where we stood together while we chanted
misery: “you’re an ordinary man.” her mouth wrenched
an unforgettable sound cataclysmic eruption of scattered
emotions, broken speeches, tired and beaten hope
we were once before and not anymore but why

“Rose of Mary,” “Taking Christmas Down” and “Perigee”

Holly Kelso

My mother’s pots of rosemary were tall, manicured
cones, broom swept earthy smelling evergreen,
flecked with lavender drops of blossoms
the shape of small hearts or lips,
she’d send me outside to retrieve a stem each time
she baked a chicken

“Late Seventies,” “Ants” and “And Again”

William Ray

It’s strange how often
All these years later
I hear this guy
Sprawled big in that way certain
Italian men can be
Cater-corned across from
My solo table in the Boylston St eatery

“Territory of Ladders,” “Elephant Burial” and “Lost Neighbors”

Cassandra Rockwood Ghanem

Who were you before ships
became your shoes? Now you sway

on mesozoic legs wondering why
there’s no stability inside. I heard you pierced

ears with knives and severed free thinking
on every continent before.

“Hold Perhaps or Maybe to Land” and “Stage Direction”

Elana Mass

At the gallery is The Kiss
– you know the one –
Those two marble lovers, oblivious, entwined,
Stealing a moment never meant to be seen.
Did they know what would come, I wonder.
Do you know they had names?

“Traveling Through Lightning,” “Night Creatures” and “Wind Chimes”

Caroline Sidney

traveling through lightning is
disorienting
I am here
I am not
all this living is more electrifying
when the sky trembles
with light

“The Unwritten,” “Our Messy Shoes” and “William”

Carvel Tefft

They don’t write many books
about when the love dies

I tell em’ to picture the river
washing over the familiar rocks
The pull we feel to abandon
any sense of continuity
Our broken compasses
Our broken bastards

“December 4, 2012; Eleven Days Until Christmas,” “February 14, 2018; A Sunny Day” and “We’ve Seen Too Much”

Yazmin Flores

A picturesque day
in Newtown: scattering
clouds danced joyfully,
making playful shapes,
monkeys and rhinos
followed the children
from car to classroom.
Sun rays shone warmly
above, soon to reveal
the twenty-six halos of
innocent souls.

“Checking In,” “Second Nature” and “All you need know”

Steven Deutsch

There you are Dad
on our cobbled deck
splayed out in my favorite chair,
our nearly feral cat
content to be on your lap.
You hold up the perfect tomato
so round and red-ripe—
I can almost smell it.

“I Lost My Faith in God When I Was Nine Years Old” and “Longing”

Amyen Fielding

whispers the woman sitting next to me.
I’ve seen her here before–drinking alone,
her skin heavy with loss.
This close, the taste of her regret is pungent,
and is swallowed with each sip of my vodka-tonic.